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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 162.8 236.4 it is the complementary color RGB 161 92.2 18.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 162.8 236.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 162.8 236.4 shade: RGB 99 162.8 231.4, RGB 116 180.8 250.4, RGB 133 198.8 255, RGB 150 216.8 255 and RGB 167 234.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 162.8 236.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 162.8 236.4 shade: RGB 94 162.8 236.4, RGB 77 144.8 217.4, RGB 60 126.8 198.4, RGB 43 108.8 179.4 and RGB 26 90.8 160.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 162.8 236.4 shade: RGB 95 163 236, RGB 95 125 236, RGB 103 95 236, RGB 141 95 236 and RGB 179 95 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 162.8 236.4 shade: RGB 95 163 236, RGB 95 125 236 and RGB 95 95 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 162.8 236.4 shade matches the following richer shades: RGB 95 163 236 and RGB 81 163 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 162.8 236.4 shade: RGB 95 163 236, RGB 110 164 222, RGB 124 164 207, RGB 139 165 193 and RGB 153 165 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 162.8 236.4 shade: RGB 95 236 234, RGB 95 201 236, RGB 95 163 236, RGB 95 126 236 and RGB 102 95 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 162.8 236.4 shade: RGB 26 121 223, RGB 58 142 232, RGB 95 163 236, RGB 132 185 241 and RGB 169 206 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 162.8 236.4 shade: RGB 94 162.8 236.4, RGB 196 95 236 and RGB 220 236 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 162.8 236.4 shade: RGB 94 162.8 236.4, RGB 236 95 163 and RGB 163 236 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 162.8 236.4 shade: RGB 94 162.8 236.4, RGB 196 95 236, RGB 236 168 95 and RGB 135 236 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 162.8 236.4 shade: RGB 94 162.8 236.4, RGB 236 95 234, RGB 236 168 95 and RGB 95 236 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

Complementary color

CMYK 0 / 43 / 88 / 37

HEX #A15C12

RGB 161 92.2 18.6

HSL 31.01, 0.79%, 0.35%

LAB 46.06, 23.09, 49.62

 

CMYK 57 / 30 / 0 / 9

HEX #63A2E7

RGB 99 162.8 231.4

HSL 211.09, 0.74%, 0.65%

LAB 65.41, -0.6, -40.74

 

CMYK 54 / 28 / 0 / 2

HEX #74B4FA

RGB 116 180.8 250.4

HSL 211.07, 0.94%, 0.72%

LAB 71.96, -1.36, -40.8

 

CMYK 48 / 22 / 0 / 0

HEX #85C6FF

RGB 133 198.8 255

HSL 207.64, 1%, 0.76%

LAB 77.85, -6.09, -34.07

 

CMYK 41 / 15 / 0 / 0

HEX #96D8FF

RGB 150 216.8 255

HSL 201.83, 1%, 0.79%

LAB 83.56, -11.51, -25.24

 

CMYK 35 / 8 / 0 / 0

HEX #A7EAFF

RGB 167 234.8 255

HSL 193.77, 1%, 0.83%

LAB 89.27, -16.33, -16.52

 

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

CMYK 65 / 33 / 0 / 15

HEX #4D90D9

RGB 77 144.8 217.4

HSL 211.03, 0.65%, 0.58%

LAB 58.79, 1.1, -43.45

 

CMYK 70 / 36 / 0 / 22

HEX #3C7EC6

RGB 60 126.8 198.4

HSL 211.04, 0.55%, 0.51%

LAB 52.04, 2.44, -43.42

 

CMYK 76 / 39 / 0 / 30

HEX #2B6CB3

RGB 43 108.8 179.4

HSL 211.06, 0.61%, 0.44%

LAB 45.19, 4.15, -43.39

 

CMYK 84 / 43 / 0 / 37

HEX #1A5AA0

RGB 26 90.8 160.4

HSL 211.07, 0.72%, 0.37%

LAB 38.23, 6.38, -43.31

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 60 / 47 / 0 / 7

HEX #5F7DEC

RGB 95 125 236

HSL 227.23, 0.79%, 0.65%

LAB 55.23, 22.43, -59.44

 

CMYK 56 / 60 / 0 / 7

HEX #675FEC

RGB 103 95 236

HSL 243.4, 0.79%, 0.65%

LAB 48.42, 41.96, -70.42

 

CMYK 40 / 60 / 0 / 7

HEX #8D5FEC

RGB 141 95 236

HSL 259.57, 0.79%, 0.65%

LAB 51.73, 49.32, -64.9

 

CMYK 24 / 60 / 0 / 7

HEX #B35FEC

RGB 179 95 236

HSL 275.74, 0.79%, 0.65%

LAB 55.91, 57.81, -57.95

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 60 / 47 / 0 / 7

HEX #5F7DEC

RGB 95 125 236

HSL 227.23, 0.79%, 0.65%

LAB 55.23, 22.43, -59.44

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 68 / 35 / 0 / 2

HEX #51A3FB

RGB 81 163 251

HSL 211.06, 0.96%, 0.65%

LAB 65.68, 2.54, -51.1

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 50 / 26 / 0 / 13

HEX #6EA4DE

RGB 110 164 222

HSL 211.07, 0.63%, 0.65%

LAB 65.86, -1.8, -34.83

 

CMYK 40 / 21 / 0 / 19

HEX #7CA4CF

RGB 124 164 207

HSL 211.08, 0.46%, 0.65%

LAB 66.01, -2.62, -26.24

 

CMYK 28 / 15 / 0 / 24

HEX #8BA5C1

RGB 139 165 193

HSL 211.11, 0.3%, 0.65%

LAB 66.71, -2.52, -17.32

 

CMYK 14 / 7 / 0 / 30

HEX #99A5B2

RGB 153 165 178

HSL 211.2, 0.14%, 0.65%

LAB 67.2, -1.51, -8.15

 

CMYK 60 / 0 / 1 / 7

HEX #5FECEA

RGB 95 236 234

HSL 179.15, 0.79%, 0.65%

LAB 86.19, -38.01, -10.41

 

CMYK 60 / 15 / 0 / 7

HEX #5FC9EC

RGB 95 201 236

HSL 194.89, 0.79%, 0.65%

LAB 76.23, -20.53, -26.51

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 60 / 47 / 0 / 7

HEX #5F7EEC

RGB 95 126 236

HSL 226.81, 0.79%, 0.65%

LAB 55.49, 21.82, -59.02

 

CMYK 57 / 60 / 0 / 7

HEX #665FEC

RGB 102 95 236

HSL 242.98, 0.79%, 0.65%

LAB 48.34, 41.79, -70.54

 

CMYK 88 / 46 / 0 / 13

HEX #1A79DF

RGB 26 121 223

HSL 211.07, 0.79%, 0.49%

LAB 50.95, 11.7, -59.17

 

CMYK 75 / 39 / 0 / 9

HEX #3A8EE8

RGB 58 142 232

HSL 211.03, 0.79%, 0.57%

LAB 58.11, 5.09, -52.71

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 45 / 23 / 0 / 5

HEX #84B9F1

RGB 132 185 241

HSL 210.83, 0.8%, 0.73%

LAB 73.52, -2.78, -33.25

 

CMYK 31 / 16 / 0 / 4

HEX #A9CEF5

RGB 169 206 245

HSL 210.79, 0.79%, 0.81%

LAB 81.39, -3.32, -23.15

 

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

CMYK 17 / 60 / 0 / 7

HEX #C45FEC

RGB 196 95 236

HSL 282.98, 0.79%, 0.65%

LAB 58.01, 61.8, -54.47

 

CMYK 7 / 0 / 60 / 7

HEX #DCEC5F

RGB 220 236 95

HSL 66.81, 0.79%, 0.65%

LAB 89.87, -23.71, 64.73

 

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

CMYK 0 / 60 / 31 / 7

HEX #EC5FA3

RGB 236 95 163

HSL 331.06, 0.79%, 0.65%

LAB 60.48, 60.88, -8.69

 

CMYK 31 / 0 / 60 / 7

HEX #A3EC5F

RGB 163 236 95

HSL 91.06, 0.79%, 0.65%

LAB 86.31, -45.13, 59.78

 

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

CMYK 17 / 60 / 0 / 7

HEX #C45FEC

RGB 196 95 236

HSL 282.98, 0.79%, 0.65%

LAB 58.01, 61.8, -54.47

 

CMYK 0 / 29 / 60 / 7

HEX #ECA85F

RGB 236 168 95

HSL 31.06, 0.79%, 0.65%

LAB 73.97, 17.57, 47.09

 

CMYK 43 / 0 / 60 / 7

HEX #87EC5F

RGB 135 236 95

HSL 102.98, 0.79%, 0.65%

LAB 84.98, -54.26, 57.92

 

CMYK 60 / 31 / 0 / 7

HEX #5EA2EC

RGB 94 162.8 236.4

HSL 211.01, 0.79%, 0.65%

LAB 65.42, 0.02, -43.49

 

CMYK 0 / 60 / 1 / 7

HEX #EC5FEA

RGB 236 95 234

HSL 300.85, 0.79%, 0.65%

LAB 63.31, 71.08, -44.62

 

CMYK 0 / 29 / 60 / 7

HEX #ECA85F

RGB 236 168 95

HSL 31.06, 0.79%, 0.65%

LAB 73.97, 17.57, 47.09

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC62

RGB 95 236 98

HSL 121.28, 0.79%, 0.65%

LAB 83.6, -64.51, 54.68

 

Description

Color code: RGB 94 162.8 236.4 | qconv.com Color code: RGB 94 162.8 236.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 162.8 green and 236.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 162.8 236.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 31 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 31% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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