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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 155 155 it is the complementary color RGB 162 100 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 155 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 155 155: RGB 98 155 150, RGB 115 173 169, RGB 132 191 188, RGB 149 209 207 and RGB 166 227 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 155 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 155 155: RGB 93 155 155, RGB 76 137 136, RGB 59 119 117, RGB 42 101 98 and RGB 25 83 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

 

Complementary color

CMYK 0 / 38 / 38 / 36

HEX #A26464

RGB 162 100 100

HSL 0, 0.25%, 0.51%

LAB 49.15, 25.05, 10.6

 

CMYK 37 / 0 / 3 / 39

HEX #629B96

RGB 98 155 150

HSL 174.74, 0.23%, 0.5%

LAB 60.11, -19.83, -3.3

 

CMYK 34 / 0 / 2 / 32

HEX #73ADA9

RGB 115 173 169

HSL 175.86, 0.26%, 0.56%

LAB 66.82, -19.71, -3.97

 

CMYK 31 / 0 / 2 / 25

HEX #84BFBC

RGB 132 191 188

HSL 176.95, 0.32%, 0.63%

LAB 73.41, -19.59, -4.59

 

CMYK 29 / 0 / 1 / 18

HEX #95D1CF

RGB 149 209 207

HSL 178, 0.39%, 0.7%

LAB 79.89, -19.48, -5.19

 

CMYK 27 / 0 / 0 / 11

HEX #A6E3E2

RGB 166 227 226

HSL 179.02, 0.52%, 0.77%

LAB 86.27, -19.38, -5.76

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 45 / 0 / 1 / 46

HEX #4C8988

RGB 76 137 136

HSL 179.02, 0.29%, 0.42%

LAB 53.17, -19.97, -5.64

 

CMYK 50 / 0 / 2 / 53

HEX #3B7775

RGB 59 119 117

HSL 178, 0.34%, 0.35%

LAB 46.19, -19.96, -4.92

 

CMYK 58 / 0 / 3 / 60

HEX #2A6562

RGB 42 101 98

HSL 176.95, 0.41%, 0.28%

LAB 39.04, -19.83, -4.1

 

CMYK 70 / 0 / 5 / 67

HEX #19534F

RGB 25 83 79

HSL 175.86, 0.54%, 0.21%

LAB 31.71, -19.49, -3.16

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 40 / 7 / 0 / 39

HEX #5D919C

RGB 93 145 156

HSL 190.48, 0.25%, 0.49%

LAB 57.05, -14.35, -11.29

 

CMYK 40 / 13 / 0 / 39

HEX #5D879C

RGB 93 135 156

HSL 200, 0.25%, 0.49%

LAB 54.09, -8.83, -15.77

 

CMYK 40 / 21 / 0 / 39

HEX #5D7C9C

RGB 93 124 156

HSL 210.48, 0.25%, 0.49%

LAB 50.85, -2.51, -20.7

 

CMYK 40 / 27 / 0 / 39

HEX #5D729C

RGB 93 114 156

HSL 220, 0.25%, 0.49%

LAB 47.96, 3.42, -25.17

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 40 / 0 / 0 / 19

HEX #7CCECE

RGB 124 206 206

HSL 180, 0.46%, 0.65%

LAB 77.81, -24.94, -7.88

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 40 / 0 / 0 / 79

HEX #203535

RGB 32 53 53

HSL 180, 0.25%, 0.17%

LAB 20.48, -8.32, -2.67

 

CMYK 40 / 0 / 0 / 59

HEX #3E6868

RGB 62 104 104

HSL 180, 0.25%, 0.33%

LAB 41.1, -14.59, -4.63

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 32 / 40 / 0 / 39

HEX #6A5D9C

RGB 106 93 156

HSL 252.38, 0.25%, 0.49%

LAB 43.2, 20.08, -32.52

 

CMYK 0 / 16 / 40 / 39

HEX #9C835D

RGB 156 131 93

HSL 36.19, 0.25%, 0.49%

LAB 56.18, 4.04, 24.1

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 0 / 40 / 0 / 39

HEX #9C5D9C

RGB 156 93 156

HSL 300, 0.25%, 0.49%

LAB 48.63, 35.79, -23.65

 

CMYK 0 / 0 / 40 / 39

HEX #9C9C5D

RGB 156 156 93

HSL 60, 0.25%, 0.49%

LAB 63.04, -9.69, 32.96

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 32 / 40 / 0 / 39

HEX #6A5D9C

RGB 106 93 156

HSL 252.38, 0.25%, 0.49%

LAB 43.2, 20.08, -32.52

 

CMYK 0 / 40 / 40 / 39

HEX #9C5D5D

RGB 156 93 93

HSL 0, 0.25%, 0.49%

LAB 46.56, 25.74, 11.05

 

CMYK 8 / 0 / 40 / 39

HEX #8F9C5D

RGB 143 156 93

HSL 72.38, 0.25%, 0.49%

LAB 62, -15.05, 31.43

 

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL® 5024

CMYK 21 / 40 / 0 / 39

HEX #7C5D9C

RGB 124 93 156

HSL 269.52, 0.25%, 0.49%

LAB 44.96, 25.57, -29.63

 

CMYK 0 / 40 / 40 / 39

HEX #9C5D5D

RGB 156 93 93

HSL 0, 0.25%, 0.49%

LAB 46.56, 25.74, 11.05

 

CMYK 21 / 0 / 40 / 39

HEX #7C9C5D

RGB 124 156 93

HSL 90.48, 0.25%, 0.49%

LAB 60.65, -22.58, 29.43

 

Description

Color code: RGB 93 155 155 | qconv.com Color code: RGB 93 155 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 155 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 155 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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