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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93.3 72.4 47 it is the complementary color RGB 161.7 182.6 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93.3 72.4 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93.3 72.4 47 shade: RGB 98.3 72.4 42, RGB 115.3 90.4 61, RGB 132.3 108.4 80, RGB 149.3 126.4 99 and RGB 166.3 144.4 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93.3 72.4 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93.3 72.4 47 shade: RGB 93.3 72.4 47, RGB 76.3 54.4 28, RGB 59.3 36.4 9, RGB 42.3 18.4 0 and RGB 25.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93.3 72.4 47 shade: RGB 95 74 48, RGB 95 61 48 and RGB 95 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93.3 72.4 47 shade: RGB 95 74 48, RGB 95 86 48, RGB 91 95 48, RGB 78 95 48 and RGB 65 95 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93.3 72.4 47 shade matches the following richer shades: RGB 95 74 48, RGB 107 75 36, RGB 118 76 25, RGB 130 77 13 and RGB 141 78 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93.3 72.4 47 shade: RGB 95 74 48, RGB 83 73 59, RGB 72 71 71, RGB 60 70 82 and RGB 49 69 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93.3 72.4 47 shade: RGB 95 48 48, RGB 95 60 48, RGB 95 73 48, RGB 95 86 48 and RGB 92 95 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93.3 72.4 47 shade: RGB 40 31 20, RGB 68 52 34, RGB 95 74 48, RGB 122 95 62 and RGB 150 116 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93.3 72.4 47 shade: RGB 93.3 72.4 47, RGB 60 95 48 and RGB 54 48 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93.3 72.4 47 shade: RGB 93.3 72.4 47, RGB 48 95 73 and RGB 73 48 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93.3 72.4 47 shade: RGB 93.3 72.4 47, RGB 60 95 48, RGB 48 70 95 and RGB 82 48 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93.3 72.4 47 shade: RGB 93.3 72.4 47, RGB 48 95 49, RGB 48 70 95 and RGB 95 48 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

Complementary color

CMYK 22 / 12 / 0 / 18

HEX #A1B6D0

RGB 161.7 182.6 208

HSL 212.92, 0.33%, 0.72%

LAB 73.48, -1.65, -15.2

 

CMYK 0 / 26 / 57 / 61

HEX #62482A

RGB 98.3 72.4 42

HSL 32.4, 0.4%, 0.28%

LAB 32.85, 7.02, 22.38

 

CMYK 0 / 22 / 47 / 55

HEX #735A3D

RGB 115.3 90.4 61

HSL 32.49, 0.31%, 0.35%

LAB 40.22, 6, 20.83

 

CMYK 0 / 18 / 40 / 48

HEX #846C50

RGB 132.3 108.4 80

HSL 32.58, 0.25%, 0.42%

LAB 47.39, 5.21, 19.44

 

CMYK 0 / 15 / 34 / 41

HEX #957E63

RGB 149.3 126.4 99

HSL 32.68, 0.2%, 0.49%

LAB 54.39, 4.58, 18.19

 

CMYK 0 / 13 / 29 / 35

HEX #A69076

RGB 166.3 144.4 118

HSL 32.8, 0.21%, 0.56%

LAB 61.23, 4.06, 17.05

 

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

CMYK 0 / 29 / 63 / 70

HEX #4C361C

RGB 76.3 54.4 28

HSL 32.8, 0.46%, 0.2%

LAB 24.67, 6.29, 20.22

 

CMYK 0 / 39 / 85 / 77

HEX #3B2409

RGB 59.3 36.4 9

HSL 32.68, 0.74%, 0.13%

LAB 16.72, 7.92, 20.83

 

CMYK 0 / 57 / 100 / 83

HEX #2A1200

RGB 42.3 18.4 0

HSL 26.1, 1%, 0.08%

LAB 8.52, 10.42, 12.98

 

CMYK 0 / 98 / 100 / 90

HEX #190000

RGB 25.3 0.40000000000001 0

HSL 0.95, 1%, 0.05%

LAB 1.98, 8.37, 3.12

 

CMYK 0 / 22 / 49 / 63

HEX #5F4A30

RGB 95 74 48

HSL 33.19, 0.33%, 0.28%

LAB 33.01, 5.1, 18.88

 

CMYK 0 / 36 / 49 / 63

HEX #5F3D30

RGB 95 61 48

HSL 16.6, 0.33%, 0.28%

LAB 29.37, 13.23, 14.12

 

CMYK 0 / 49 / 49 / 63

HEX #5F3030

RGB 95 48 48

HSL 0, 0.33%, 0.28%

LAB 26.04, 21.25, 9.61

 

CMYK 0 / 22 / 49 / 63

HEX #5F4A30

RGB 95 74 48

HSL 33.19, 0.33%, 0.28%

LAB 33.01, 5.1, 18.88

 

CMYK 0 / 9 / 49 / 63

HEX #5F5630

RGB 95 86 48

HSL 48.51, 0.33%, 0.28%

LAB 36.56, -2.25, 23.37

 

CMYK 4 / 0 / 49 / 63

HEX #5B5F30

RGB 91 95 48

HSL 65.11, 0.33%, 0.28%

LAB 38.94, -9.4, 26.21

 

CMYK 18 / 0 / 49 / 63

HEX #4E5F30

RGB 78 95 48

HSL 81.7, 0.33%, 0.28%

LAB 37.87, -15.24, 24.67

 

CMYK 32 / 0 / 49 / 63

HEX #415F30

RGB 65 95 48

HSL 98.3, 0.33%, 0.28%

LAB 36.97, -20.69, 23.35

 

CMYK 0 / 22 / 49 / 63

HEX #5F4A30

RGB 95 74 48

HSL 33.19, 0.33%, 0.28%

LAB 33.01, 5.1, 18.88

 

CMYK 0 / 30 / 66 / 58

HEX #6B4B24

RGB 107 75 36

HSL 32.96, 0.5%, 0.28%

LAB 34.57, 9.06, 28.16

 

CMYK 0 / 36 / 79 / 54

HEX #764C19

RGB 118 76 25

HSL 32.9, 0.65%, 0.28%

LAB 36.16, 13.03, 36

 

CMYK 0 / 41 / 90 / 49

HEX #824D0D

RGB 130 77 13

HSL 32.82, 0.82%, 0.28%

LAB 37.99, 17.64, 43.12

 

CMYK 0 / 45 / 99 / 45

HEX #8D4E02

RGB 141 78 2

HSL 32.81, 0.97%, 0.28%

LAB 39.77, 21.88, 48.43

 

CMYK 0 / 22 / 49 / 63

HEX #5F4A30

RGB 95 74 48

HSL 33.19, 0.33%, 0.28%

LAB 33.01, 5.1, 18.88

 

CMYK 0 / 12 / 29 / 67

HEX #53493B

RGB 83 73 59

HSL 35, 0.17%, 0.28%

LAB 31.62, 1.67, 9.93

 

CMYK 0 / 1 / 1 / 72

HEX #484747

RGB 72 71 71

HSL 0, 0.01%, 0.28%

LAB 30.25, 0.42, 0.14

 

CMYK 27 / 15 / 0 / 68

HEX #3C4652

RGB 60 70 82

HSL 212.73, 0.15%, 0.28%

LAB 29.29, -0.91, -8.51

 

CMYK 48 / 27 / 0 / 63

HEX #31455E

RGB 49 69 94

HSL 213.33, 0.31%, 0.28%

LAB 28.69, -0.23, -17.24

 

CMYK 0 / 49 / 49 / 63

HEX #5F3030

RGB 95 48 48

HSL 0, 0.33%, 0.28%

LAB 26.04, 21.25, 9.61

 

CMYK 0 / 37 / 49 / 63

HEX #5F3C30

RGB 95 60 48

HSL 15.32, 0.33%, 0.28%

LAB 29.1, 13.86, 13.76

 

CMYK 0 / 23 / 49 / 63

HEX #5F4930

RGB 95 73 48

HSL 31.91, 0.33%, 0.28%

LAB 32.73, 5.72, 18.51

 

CMYK 0 / 9 / 49 / 63

HEX #5F5630

RGB 95 86 48

HSL 48.51, 0.33%, 0.28%

LAB 36.56, -2.25, 23.37

 

CMYK 3 / 0 / 49 / 63

HEX #5C5F30

RGB 92 95 48

HSL 63.83, 0.33%, 0.28%

LAB 39.02, -8.95, 26.34

 

CMYK 0 / 23 / 50 / 84

HEX #281F14

RGB 40 31 20

HSL 33, 0.33%, 0.12%

LAB 12.49, 2.37, 9.1

 

CMYK 0 / 24 / 50 / 73

HEX #443422

RGB 68 52 34

HSL 31.76, 0.33%, 0.2%

LAB 23, 4.36, 14.11

 

CMYK 0 / 22 / 49 / 63

HEX #5F4A30

RGB 95 74 48

HSL 33.19, 0.33%, 0.28%

LAB 33.01, 5.1, 18.88

 

CMYK 0 / 22 / 49 / 52

HEX #7A5F3E

RGB 122 95 62

HSL 33, 0.33%, 0.36%

LAB 42.26, 6.41, 23.02

 

CMYK 0 / 23 / 50 / 41

HEX #96744B

RGB 150 116 75

HSL 32.8, 0.33%, 0.44%

LAB 51.25, 8, 27.68

 

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

CMYK 37 / 0 / 49 / 63

HEX #3C5F30

RGB 60 95 48

HSL 104.68, 0.33%, 0.28%

LAB 36.67, -22.65, 22.9

 

CMYK 43 / 49 / 0 / 63

HEX #36305F

RGB 54 48 95

HSL 247.66, 0.33%, 0.28%

LAB 22.74, 15.81, -27.2

 

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

CMYK 49 / 0 / 23 / 63

HEX #305F49

RGB 48 95 73

HSL 151.91, 0.33%, 0.28%

LAB 36.54, -21.87, 7.69

 

CMYK 23 / 49 / 0 / 63

HEX #49305F

RGB 73 48 95

HSL 271.91, 0.33%, 0.28%

LAB 24.82, 21.7, -23.77

 

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

CMYK 37 / 0 / 49 / 63

HEX #3C5F30

RGB 60 95 48

HSL 104.68, 0.33%, 0.28%

LAB 36.67, -22.65, 22.9

 

CMYK 49 / 26 / 0 / 63

HEX #30465F

RGB 48 70 95

HSL 211.91, 0.33%, 0.28%

LAB 28.99, -0.83, -17.41

 

CMYK 14 / 49 / 0 / 63

HEX #52305F

RGB 82 48 95

HSL 283.4, 0.33%, 0.28%

LAB 25.96, 24.66, -21.89

 

CMYK 0 / 22 / 50 / 63

HEX #5D482F

RGB 93.3 72.4 47

HSL 32.92, 0.33%, 0.28%

LAB 32.34, 5.17, 18.58

 

CMYK 49 / 0 / 48 / 63

HEX #305F31

RGB 48 95 49

HSL 121.28, 0.33%, 0.28%

LAB 36.05, -26.77, 21.42

 

CMYK 49 / 26 / 0 / 63

HEX #30465F

RGB 48 70 95

HSL 211.91, 0.33%, 0.28%

LAB 28.99, -0.83, -17.41

 

CMYK 0 / 49 / 2 / 63

HEX #5F305D

RGB 95 48 93

HSL 302.55, 0.33%, 0.28%

LAB 27.67, 28.58, -17.78

 

Description

Color code: RGB 93.3 72.4 47 | qconv.com Color code: RGB 93.3 72.4 47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93.3 red, 72.4 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93.3 72.4 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 50 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 50% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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