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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 104 102 it is the complementary color RGB 163 151 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 104 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 104 102: RGB 97 104 97, RGB 114 122 116, RGB 131 140 135, RGB 148 158 154 and RGB 165 176 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 104 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 104 102: RGB 92 104 102, RGB 75 86 83, RGB 58 68 64, RGB 41 50 45 and RGB 24 32 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

Complementary color

CMYK 0 / 7 / 6 / 36

HEX #A39799

RGB 163 151 153

HSL 350, 0.06%, 0.62%

LAB 63.52, 4.77, 0.53

 

CMYK 7 / 0 / 7 / 59

HEX #616861

RGB 97 104 97

HSL 120, 0.03%, 0.39%

LAB 43.22, -4.16, 3.01

 

CMYK 7 / 0 / 5 / 52

HEX #727A74

RGB 114 122 116

HSL 135, 0.03%, 0.46%

LAB 50.4, -4.22, 2.25

 

CMYK 6 / 0 / 4 / 45

HEX #838C87

RGB 131 140 135

HSL 146.67, 0.04%, 0.53%

LAB 57.4, -4.28, 1.53

 

CMYK 6 / 0 / 3 / 38

HEX #949E9A

RGB 148 158 154

HSL 156, 0.05%, 0.6%

LAB 64.23, -4.35, 0.85

 

CMYK 6 / 0 / 2 / 31

HEX #A5B0AD

RGB 165 176 173

HSL 163.64, 0.07%, 0.67%

LAB 70.92, -4.42, 0.2

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 13 / 0 / 3 / 66

HEX #4B5653

RGB 75 86 83

HSL 163.64, 0.07%, 0.32%

LAB 35.55, -5, 0.28

 

CMYK 15 / 0 / 6 / 73

HEX #3A4440

RGB 58 68 64

HSL 156, 0.08%, 0.25%

LAB 27.86, -5.03, 1.04

 

CMYK 18 / 0 / 10 / 80

HEX #29322D

RGB 41 50 45

HSL 146.67, 0.1%, 0.18%

LAB 19.81, -5.09, 1.9

 

CMYK 25 / 0 / 19 / 87

HEX #18201A

RGB 24 32 26

HSL 135, 0.14%, 0.11%

LAB 11.29, -5.22, 2.89

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 11 / 0 / 0 / 60

HEX #5B6666

RGB 91 102 102

HSL 180, 0.06%, 0.38%

LAB 42.29, -4.19, -1.44

 

CMYK 11 / 2 / 0 / 60

HEX #5B6466

RGB 91 100 102

HSL 190.91, 0.06%, 0.38%

LAB 41.69, -3.01, -2.32

 

CMYK 11 / 4 / 0 / 60

HEX #5B6266

RGB 91 98 102

HSL 201.82, 0.06%, 0.38%

LAB 41.09, -1.81, -3.2

 

CMYK 11 / 6 / 0 / 60

HEX #5B6066

RGB 91 96 102

HSL 212.73, 0.06%, 0.38%

LAB 40.49, -0.61, -4.09

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 12 / 0 / 2 / 39

HEX #899B98

RGB 137 155 152

HSL 170, 0.08%, 0.57%

LAB 62.53, -6.98, -0.6

 

CMYK 12 / 0 / 2 / 19

HEX #B6CECA

RGB 182 206 202

HSL 170, 0.2%, 0.76%

LAB 80.93, -8.82, -0.75

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 11 / 0 / 2 / 79

HEX #2F3534

RGB 47 53 52

HSL 170, 0.06%, 0.2%

LAB 21.57, -2.8, -0.25

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 0 / 6 / 11 / 60

HEX #66605B

RGB 102 96 91

HSL 27.27, 0.06%, 0.38%

LAB 41.13, 1.41, 3.7

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 2 / 11 / 0 / 60

HEX #645B66

RGB 100 91 102

HSL 289.09, 0.06%, 0.38%

LAB 39.83, 5.88, -4.97

 

CMYK 0 / 2 / 11 / 60

HEX #66645B

RGB 102 100 91

HSL 49.09, 0.06%, 0.38%

LAB 42.3, -0.98, 5.38

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 0 / 11 / 9 / 60

HEX #665B5D

RGB 102 91 93

HSL 349.09, 0.06%, 0.38%

LAB 39.74, 4.83, 0.47

 

CMYK 0 / 0 / 11 / 60

HEX #66665B

RGB 102 102 91

HSL 60, 0.06%, 0.38%

LAB 42.89, -2.17, 6.22

 

CMYK 12 / 0 / 2 / 59

HEX #5C6866

RGB 92 104 102

HSL 170, 0.06%, 0.38%

LAB 42.97, -5, -0.43

 

CMYK 8 / 11 / 0 / 60

HEX #5E5B66

RGB 94 91 102

HSL 256.36, 0.06%, 0.38%

LAB 39.28, 3.58, -5.86

 

CMYK 0 / 11 / 9 / 60

HEX #665B5D

RGB 102 91 93

HSL 349.09, 0.06%, 0.38%

LAB 39.74, 4.83, 0.47

 

CMYK 4 / 0 / 11 / 60

HEX #62665B

RGB 98 102 91

HSL 81.82, 0.06%, 0.38%

LAB 42.54, -3.78, 5.68

 

Description

Color code: RGB 92 104 102 | qconv.com Color code: RGB 92 104 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 104 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 104 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 2 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 2% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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