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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 89 85 it is the complementary color RGB 164 166 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 89 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 89 85: RGB 96 89 80, RGB 113 107 99, RGB 130 125 118, RGB 147 143 137 and RGB 164 161 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 89 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 89 85: RGB 91 89 85, RGB 74 71 66, RGB 57 53 47, RGB 40 35 28 and RGB 23 17 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

Complementary color

CMYK 4 / 2 / 0 / 33

HEX #A4A6AA

RGB 164 166 170

HSL 220, 0.03%, 0.65%

LAB 68.07, 0.07, -2.32

 

CMYK 0 / 7 / 17 / 62

HEX #605950

RGB 96 89 80

HSL 33.75, 0.09%, 0.35%

LAB 38.22, 1.11, 6.22

 

CMYK 0 / 5 / 12 / 56

HEX #716B63

RGB 113 107 99

HSL 34.29, 0.07%, 0.42%

LAB 45.53, 0.82, 5.31

 

CMYK 0 / 4 / 9 / 49

HEX #827D76

RGB 130 125 118

HSL 35, 0.05%, 0.49%

LAB 52.64, 0.57, 4.48

 

CMYK 0 / 3 / 7 / 42

HEX #938F89

RGB 147 143 137

HSL 36, 0.04%, 0.56%

LAB 59.57, 0.36, 3.7

 

CMYK 0 / 2 / 5 / 36

HEX #A4A19C

RGB 164 161 156

HSL 37.5, 0.04%, 0.63%

LAB 66.35, 0.16, 2.97

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 0 / 4 / 11 / 71

HEX #4A4742

RGB 74 71 66

HSL 37.5, 0.06%, 0.27%

LAB 30.29, 0.22, 3.45

 

CMYK 0 / 7 / 18 / 78

HEX #39352F

RGB 57 53 47

HSL 36, 0.1%, 0.2%

LAB 22.38, 0.5, 4.41

 

CMYK 0 / 13 / 30 / 84

HEX #28231C

RGB 40 35 28

HSL 35, 0.18%, 0.13%

LAB 14.04, 0.9, 5.56

 

CMYK 0 / 26 / 61 / 91

HEX #171109

RGB 23 17 9

HSL 34.29, 0.44%, 0.06%

LAB 5.44, 1.24, 4.48

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 1 / 0 / 5 / 64

HEX #5A5B56

RGB 90 91 86

HSL 72, 0.03%, 0.35%

LAB 38.42, -1.43, 2.74

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 0 / 2 / 6 / 44

HEX #8E8B85

RGB 142 139 133

HSL 40, 0.04%, 0.54%

LAB 57.95, -0.02, 3.59

 

CMYK 0 / 2 / 7 / 24

HEX #C1BDB4

RGB 193 189 180

HSL 41.54, 0.09%, 0.73%

LAB 76.7, -0.2, 5.03

 

CMYK 0 / 2 / 7 / 4

HEX #F4EFE4

RGB 244 239 228

HSL 41.25, 0.42%, 0.93%

LAB 94.55, -0.2, 5.9

SW® 7103

CMYK 0 / 2 / 7 / 84

HEX #282725

RGB 40 39 37

HSL 40, 0.04%, 0.15%

LAB 15.67, -0.01, 1.48

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 4 / 0 / 5 / 64

HEX #575B56

RGB 87 91 86

HSL 108, 0.03%, 0.35%

LAB 38.16, -2.64, 2.33

 

CMYK 3 / 5 / 0 / 64

HEX #58565B

RGB 88 86 91

HSL 264, 0.03%, 0.35%

LAB 36.9, 1.88, -2.61

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 5 / 0 / 1 / 64

HEX #565B5A

RGB 86 91 90

HSL 168, 0.03%, 0.35%

LAB 38.2, -2.18, -0.11

 

CMYK 1 / 5 / 0 / 64

HEX #5A565B

RGB 90 86 91

HSL 288, 0.03%, 0.35%

LAB 37.09, 2.67, -2.32

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 4 / 0 / 5 / 64

HEX #575B56

RGB 87 91 86

HSL 108, 0.03%, 0.35%

LAB 38.16, -2.64, 2.33

 

CMYK 5 / 3 / 0 / 64

HEX #56585B

RGB 86 88 91

HSL 216, 0.03%, 0.35%

LAB 37.32, -0.14, -2.01

 

CMYK 0 / 5 / 0 / 64

HEX #5B565B

RGB 91 86 91

HSL 300, 0.03%, 0.35%

LAB 37.18, 3.07, -2.17

 

CMYK 0 / 2 / 7 / 64

HEX #5B5955

RGB 91 89 85

HSL 40, 0.03%, 0.35%

LAB 37.89, -0.01, 2.59

 

CMYK 5 / 0 / 4 / 64

HEX #565B57

RGB 86 91 87

HSL 132, 0.03%, 0.35%

LAB 38.11, -2.83, 1.62

 

CMYK 5 / 3 / 0 / 64

HEX #56585B

RGB 86 88 91

HSL 216, 0.03%, 0.35%

LAB 37.32, -0.14, -2.01

 

CMYK 0 / 5 / 0 / 64

HEX #5B565B

RGB 91 86 91

HSL 300, 0.03%, 0.35%

LAB 37.18, 3.07, -2.17

 

Description

Color code: RGB 91 89 85 | qconv.com Color code: RGB 91 89 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 89 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 89 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 7 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 7% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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