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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 34 130 it is the complementary color RGB 164 221 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 34 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 34 130: RGB 96 34 125, RGB 113 52 144, RGB 130 70 163, RGB 147 88 182 and RGB 164 106 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 34 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 34 130: RGB 91 34 130, RGB 74 16 111, RGB 57 0 92, RGB 40 0 73 and RGB 23 0 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

Complementary color

CMYK 26 / 0 / 43 / 13

HEX #A4DD7D

RGB 164 221 125

HSL 95.63, 0.59%, 0.68%

LAB 82.42, -34.93, 41.27

 

CMYK 23 / 73 / 0 / 51

HEX #60227D

RGB 96 34 125

HSL 280.88, 0.57%, 0.31%

LAB 27.05, 43.16, -39.29

 

CMYK 22 / 64 / 0 / 44

HEX #713490

RGB 113 52 144

HSL 279.78, 0.47%, 0.38%

LAB 33.94, 42.82, -39.91

 

CMYK 20 / 57 / 0 / 36

HEX #8246A3

RGB 130 70 163

HSL 278.71, 0.4%, 0.46%

LAB 40.85, 42.13, -40.25

 

CMYK 19 / 52 / 0 / 29

HEX #9358B6

RGB 147 88 182

HSL 277.66, 0.39%, 0.53%

LAB 47.7, 41.31, -40.45

 

CMYK 18 / 47 / 0 / 21

HEX #A46AC9

RGB 164 106 201

HSL 276.63, 0.47%, 0.6%

LAB 54.47, 40.46, -40.59

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 33 / 86 / 0 / 56

HEX #4A106F

RGB 74 16 111

HSL 276.63, 0.75%, 0.25%

LAB 19.94, 42.82, -42.02

 

CMYK 38 / 100 / 0 / 64

HEX #39005C

RGB 57 0 92

HSL 277.17, 1%, 0.18%

LAB 13.49, 41.11, -40.15

 

CMYK 45 / 100 / 0 / 71

HEX #280049

RGB 40 0 73

HSL 272.88, 1%, 0.14%

LAB 8.41, 34.57, -35.56

 

CMYK 57 / 100 / 0 / 79

HEX #170036

RGB 23 0 54

HSL 265.56, 1%, 0.11%

LAB 4.05, 23.83, -29.16

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 19 / 74 / 0 / 49

HEX #692181

RGB 105 33 129

HSL 285, 0.59%, 0.32%

LAB 28.58, 46.47, -39.28

 

CMYK 6 / 74 / 0 / 49

HEX #792181

RGB 121 33 129

HSL 295, 0.59%, 0.32%

LAB 31.2, 50.07, -34.93

 

CMYK 0 / 74 / 6 / 49

HEX #812179

RGB 129 33 121

HSL 305, 0.59%, 0.32%

LAB 32.11, 50.55, -28.37

 

CMYK 0 / 74 / 19 / 49

HEX #812169

RGB 129 33 105

HSL 315, 0.59%, 0.32%

LAB 31.29, 48.02, -19.49

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 30 / 74 / 0 / 29

HEX #7F2FB5

RGB 127 47 181

HSL 275.82, 0.59%, 0.45%

LAB 37.63, 56.56, -56.15

 

CMYK 30 / 74 / 0 / 9

HEX #A23DE8

RGB 162 61 232

HSL 275.44, 0.79%, 0.57%

LAB 48.06, 68.53, -68.46

 

CMYK 29 / 75 / 0 / 89

HEX #14071C

RGB 20 7 28

HSL 277.14, 0.6%, 0.07%

LAB 3.47, 8.54, -10.21

 

CMYK 30 / 73 / 0 / 69

HEX #37154F

RGB 55 21 79

HSL 275.17, 0.58%, 0.2%

LAB 15.02, 28.65, -28.84

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 0 / 74 / 58 / 49

HEX #812136

RGB 129 33 54

HSL 346.88, 0.59%, 0.32%

LAB 29.47, 42.12, 11.29

 

CMYK 74 / 0 / 60 / 49

HEX #218133

RGB 33 129 51

HSL 131.25, 0.59%, 0.32%

LAB 47.32, -44.39, 33.95

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 0 / 31 / 74 / 49

HEX #815921

RGB 129 89 33

HSL 35, 0.59%, 0.32%

LAB 41.09, 10.87, 37.63

 

CMYK 74 / 0 / 31 / 49

HEX #218159

RGB 33 129 89

HSL 155, 0.59%, 0.32%

LAB 47.94, -37.36, 13.97

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 0 / 74 / 58 / 49

HEX #812136

RGB 129 33 54

HSL 346.88, 0.59%, 0.32%

LAB 29.47, 42.12, 11.29

 

CMYK 43 / 0 / 74 / 49

HEX #498121

RGB 73 129 33

HSL 95, 0.59%, 0.32%

LAB 48.54, -35.49, 43.76

 

CMYK 74 / 0 / 16 / 49

HEX #21816C

RGB 33 129 108

HSL 166.88, 0.59%, 0.32%

LAB 48.39, -32.55, 3.54

 

CMYK 30 / 74 / 0 / 49

HEX #5B2282

RGB 91 34 130

HSL 275.63, 0.59%, 0.32%

LAB 26.68, 43.23, -43.08

 

CMYK 0 / 68 / 74 / 49

HEX #812921

RGB 129 41 33

HSL 5, 0.59%, 0.32%

LAB 30.31, 37.38, 25.93

 

CMYK 43 / 0 / 74 / 49

HEX #498121

RGB 73 129 33

HSL 95, 0.59%, 0.32%

LAB 48.54, -35.49, 43.76

 

CMYK 74 / 6 / 0 / 49

HEX #217981

RGB 33 121 129

HSL 185, 0.59%, 0.32%

LAB 46.42, -22.29, -11.79

 

Description

Color code: RGB 91 34 130 | qconv.com Color code: RGB 91 34 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 34 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 34 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 74 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 74% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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