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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90.1 126.8 74 it is the complementary color RGB 164.9 128.2 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90.1 126.8 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90.1 126.8 74 shade: RGB 95.1 126.8 69, RGB 112.1 144.8 88, RGB 129.1 162.8 107, RGB 146.1 180.8 126 and RGB 163.1 198.8 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90.1 126.8 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90.1 126.8 74 shade: RGB 90.1 126.8 74, RGB 73.1 108.8 55, RGB 56.1 90.8 36, RGB 39.1 72.8 17 and RGB 22.1 54.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90.1 126.8 74 shade: RGB 89 125 74, RGB 103 125 74, RGB 117 125 74, RGB 125 119 74 and RGB 125 105 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90.1 126.8 74 shade: RGB 89 125 74, RGB 75 125 74, RGB 74 125 86, RGB 74 125 100 and RGB 74 125 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90.1 126.8 74 shade matches the following richer shades: RGB 89 125 74, RGB 83 141 58, RGB 77 157 41, RGB 71 174 25 and RGB 64 190 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90.1 126.8 74 shade: RGB 89 125 74, RGB 96 109 90, RGB 102 93 106, RGB 108 77 122 and RGB 114 61 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90.1 126.8 74 shade: RGB 118 125 74, RGB 104 125 74, RGB 90 125 74, RGB 76 125 74 and RGB 74 125 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90.1 126.8 74 shade: RGB 52 73 43, RGB 71 99 58, RGB 89 125 74, RGB 108 151 89 and RGB 129 170 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90.1 126.8 74 shade: RGB 90.1 126.8 74, RGB 74 125 119 and RGB 125 74 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90.1 126.8 74 shade: RGB 90.1 126.8 74, RGB 74 90 125 and RGB 125 74 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90.1 126.8 74 shade: RGB 90.1 126.8 74, RGB 74 125 119, RGB 109 74 125 and RGB 125 74 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90.1 126.8 74 shade: RGB 90.1 126.8 74, RGB 74 116 125, RGB 109 74 125 and RGB 125 83 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

Complementary color

CMYK 9 / 29 / 0 / 29

HEX #A480B5

RGB 164.9 128.2 181

HSL 281.7, 0.26%, 0.61%

LAB 58.8, 23.89, -22.42

 

CMYK 25 / 0 / 46 / 50

HEX #5F7E45

RGB 95.1 126.8 69

HSL 92.91, 0.3%, 0.38%

LAB 49.49, -22.26, 27.78

 

CMYK 23 / 0 / 39 / 43

HEX #709058

RGB 112.1 144.8 88

HSL 94.54, 0.24%, 0.46%

LAB 56.43, -22.17, 26.52

 

CMYK 21 / 0 / 34 / 36

HEX #81A26B

RGB 129.1 162.8 107

HSL 96.24, 0.23%, 0.53%

LAB 63.23, -22.06, 25.32

 

CMYK 19 / 0 / 30 / 29

HEX #92B47E

RGB 146.1 180.8 126

HSL 97.99, 0.27%, 0.6%

LAB 69.89, -21.94, 24.2

 

CMYK 18 / 0 / 27 / 22

HEX #A3C691

RGB 163.1 198.8 145

HSL 99.81, 0.32%, 0.67%

LAB 76.43, -21.82, 23.13

 

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

CMYK 33 / 0 / 49 / 57

HEX #496C37

RGB 73.1 108.8 55

HSL 99.81, 0.33%, 0.32%

LAB 42.14, -23.62, 25.97

 

CMYK 38 / 0 / 60 / 64

HEX #385A24

RGB 56.1 90.8 36

HSL 97.99, 0.43%, 0.25%

LAB 34.84, -23.67, 27.28

 

CMYK 46 / 0 / 77 / 71

HEX #274811

RGB 39.1 72.8 17

HSL 96.24, 0.62%, 0.18%

LAB 27.33, -23.48, 28.28

 

CMYK 60 / 0 / 100 / 79

HEX #163600

RGB 22.1 54.8 0

HSL 95.8, 1%, 0.11%

LAB 19.58, -22.86, 27.06

 

CMYK 29 / 0 / 41 / 51

HEX #597D4A

RGB 89 125 74

HSL 102.35, 0.26%, 0.39%

LAB 48.62, -22.98, 23.82

 

CMYK 18 / 0 / 41 / 51

HEX #677D4A

RGB 103 125 74

HSL 85.88, 0.26%, 0.39%

LAB 49.55, -17.47, 25.21

 

CMYK 6 / 0 / 41 / 51

HEX #757D4A

RGB 117 125 74

HSL 69.41, 0.26%, 0.39%

LAB 50.62, -11.63, 26.8

 

CMYK 0 / 5 / 41 / 51

HEX #7D774A

RGB 125 119 74

HSL 52.94, 0.26%, 0.39%

LAB 49.55, -4.82, 25.57

 

CMYK 0 / 16 / 41 / 51

HEX #7D694A

RGB 125 105 74

HSL 36.47, 0.26%, 0.39%

LAB 45.58, 3.25, 20.39

 

CMYK 29 / 0 / 41 / 51

HEX #597D4A

RGB 89 125 74

HSL 102.35, 0.26%, 0.39%

LAB 48.62, -22.98, 23.82

 

CMYK 40 / 0 / 41 / 51

HEX #4B7D4A

RGB 75 125 74

HSL 118.82, 0.26%, 0.39%

LAB 47.83, -28.02, 22.64

 

CMYK 41 / 0 / 31 / 51

HEX #4A7D56

RGB 74 125 86

HSL 134.12, 0.26%, 0.39%

LAB 48, -26.17, 16.02

 

CMYK 41 / 0 / 20 / 51

HEX #4A7D64

RGB 74 125 100

HSL 150.59, 0.26%, 0.39%

LAB 48.31, -23.23, 8.31

 

CMYK 41 / 0 / 9 / 51

HEX #4A7D72

RGB 74 125 114

HSL 167.06, 0.26%, 0.39%

LAB 48.68, -19.91, 0.61

 

CMYK 29 / 0 / 41 / 51

HEX #597D4A

RGB 89 125 74

HSL 102.35, 0.26%, 0.39%

LAB 48.62, -22.98, 23.82

 

CMYK 41 / 0 / 59 / 45

HEX #538D3A

RGB 83 141 58

HSL 101.93, 0.42%, 0.39%

LAB 53.16, -34.96, 37.76

 

CMYK 51 / 0 / 74 / 38

HEX #4D9D29

RGB 77 157 41

HSL 101.38, 0.59%, 0.39%

LAB 57.9, -45.24, 50.18

 

CMYK 59 / 0 / 86 / 32

HEX #47AE19

RGB 71 174 25

HSL 101.48, 0.75%, 0.39%

LAB 63.08, -54.21, 59.85

 

CMYK 66 / 0 / 95 / 25

HEX #40BE09

RGB 64 190 9

HSL 101.77, 0.91%, 0.39%

LAB 67.97, -61.73, 66.63

 

CMYK 29 / 0 / 41 / 51

HEX #597D4A

RGB 89 125 74

HSL 102.35, 0.26%, 0.39%

LAB 48.62, -22.98, 23.82

 

CMYK 12 / 0 / 17 / 57

HEX #606D5A

RGB 96 109 90

HSL 101.05, 0.1%, 0.39%

LAB 44.46, -8.83, 8.99

 

CMYK 4 / 12 / 0 / 58

HEX #665D6A

RGB 102 93 106

HSL 281.54, 0.07%, 0.39%

LAB 40.73, 6.29, -6.09

 

CMYK 11 / 37 / 0 / 52

HEX #6C4D7A

RGB 108 77 122

HSL 281.33, 0.23%, 0.39%

LAB 37.66, 21.94, -20.54

 

CMYK 17 / 56 / 0 / 46

HEX #723D8A

RGB 114 61 138

HSL 281.3, 0.39%, 0.39%

LAB 35.5, 36.93, -33.74

 

CMYK 6 / 0 / 41 / 51

HEX #767D4A

RGB 118 125 74

HSL 68.24, 0.26%, 0.39%

LAB 50.7, -11.2, 26.92

 

CMYK 17 / 0 / 41 / 51

HEX #687D4A

RGB 104 125 74

HSL 84.71, 0.26%, 0.39%

LAB 49.62, -17.06, 25.32

 

CMYK 28 / 0 / 41 / 51

HEX #5A7D4A

RGB 90 125 74

HSL 101.18, 0.26%, 0.39%

LAB 48.68, -22.6, 23.91

 

CMYK 39 / 0 / 41 / 51

HEX #4C7D4A

RGB 76 125 74

HSL 117.65, 0.26%, 0.39%

LAB 47.88, -27.68, 22.71

 

CMYK 41 / 0 / 32 / 51

HEX #4A7D55

RGB 74 125 85

HSL 132.94, 0.26%, 0.39%

LAB 47.98, -26.36, 16.57

 

CMYK 29 / 0 / 41 / 71

HEX #34492B

RGB 52 73 43

HSL 102, 0.26%, 0.23%

LAB 28.56, -14.83, 15.39

 

CMYK 28 / 0 / 41 / 61

HEX #47633A

RGB 71 99 58

HSL 100.98, 0.26%, 0.31%

LAB 38.84, -18.89, 20.05

 

CMYK 29 / 0 / 41 / 51

HEX #597D4A

RGB 89 125 74

HSL 102.35, 0.26%, 0.39%

LAB 48.62, -22.98, 23.82

 

CMYK 28 / 0 / 41 / 41

HEX #6C9759

RGB 108 151 89

HSL 101.61, 0.26%, 0.47%

LAB 58.08, -26.67, 28.06

 

CMYK 24 / 0 / 35 / 33

HEX #81AA6F

RGB 129 170 111

HSL 101.69, 0.26%, 0.55%

LAB 65.41, -25.09, 26.06

 

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

CMYK 41 / 0 / 5 / 51

HEX #4A7D77

RGB 74 125 119

HSL 172.94, 0.26%, 0.39%

LAB 48.83, -18.64, -2.13

 

CMYK 0 / 41 / 11 / 51

HEX #7D4A6F

RGB 125 74 111

HSL 316.47, 0.26%, 0.39%

LAB 38.56, 27.47, -12.17

 

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

CMYK 41 / 28 / 0 / 51

HEX #4A5A7D

RGB 74 90 125

HSL 221.18, 0.26%, 0.39%

LAB 38.29, 3.48, -21.67

 

CMYK 0 / 41 / 28 / 51

HEX #7D4A5A

RGB 125 74 90

HSL 341.18, 0.26%, 0.39%

LAB 37.83, 23.92, -0.13

 

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

CMYK 41 / 0 / 5 / 51

HEX #4A7D77

RGB 74 125 119

HSL 172.94, 0.26%, 0.39%

LAB 48.83, -18.64, -2.13

 

CMYK 13 / 41 / 0 / 51

HEX #6D4A7D

RGB 109 74 125

HSL 281.18, 0.26%, 0.39%

LAB 37.17, 24.8, -23.15

 

CMYK 0 / 41 / 36 / 51

HEX #7D4A50

RGB 125 74 80

HSL 352.94, 0.26%, 0.39%

LAB 37.55, 22.47, 5.73

 

CMYK 29 / 0 / 42 / 50

HEX #5A7E4A

RGB 90.1 126.8 74

HSL 101.7, 0.26%, 0.39%

LAB 49.25, -23.48, 24.65

 

CMYK 41 / 7 / 0 / 51

HEX #4A747D

RGB 74 116 125

HSL 190.59, 0.26%, 0.39%

LAB 46.21, -12.07, -9.57

 

CMYK 13 / 41 / 0 / 51

HEX #6D4A7D

RGB 109 74 125

HSL 281.18, 0.26%, 0.39%

LAB 37.17, 24.8, -23.15

 

CMYK 0 / 34 / 41 / 51

HEX #7D534A

RGB 125 83 74

HSL 10.59, 0.26%, 0.39%

LAB 39.65, 16.33, 12.4

 

Description

Color code: RGB 90.1 126.8 74 | qconv.com Color code: RGB 90.1 126.8 74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90.1 red, 126.8 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90.1 126.8 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 42 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 42% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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