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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 190 238 it is the complementary color RGB 247 65 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 190 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 8 190 238: RGB 13 190 233, RGB 30 208 252, RGB 47 226 255, RGB 64 244 255 and RGB 81 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 190 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 8 190 238: RGB 8 190 238, RGB 0 172 219, RGB 0 154 200, RGB 0 136 181 and RGB 0 118 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

Complementary color

CMYK 0 / 74 / 93 / 3

HEX #F74111

RGB 247 65 17

HSL 12.52, 0.93%, 0.52%

LAB 55.68, 66.82, 63.46

 

CMYK 94 / 18 / 0 / 9

HEX #0DBEE9

RGB 13 190 233

HSL 191.73, 0.89%, 0.48%

LAB 71.42, -24.35, -32.42

 

CMYK 88 / 17 / 0 / 1

HEX #1ED0FC

RGB 30 208 252

HSL 191.89, 0.97%, 0.55%

LAB 77.53, -26.39, -33.19

 

CMYK 82 / 11 / 0 / 0

HEX #2FE2FF

RGB 47 226 255

HSL 188.37, 1%, 0.59%

LAB 83.03, -33.1, -26.33

 

CMYK 75 / 4 / 0 / 0

HEX #40F4FF

RGB 64 244 255

HSL 183.46, 1%, 0.63%

LAB 88.45, -39.94, -18.09

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 100 / 21 / 0 / 14

HEX #00ACDB

RGB 0 172 219

HSL 192.88, 1%, 0.43%

LAB 65.45, -20.23, -34.01

 

CMYK 100 / 23 / 0 / 22

HEX #009AC8

RGB 0 154 200

HSL 193.8, 1%, 0.39%

LAB 59.23, -17.38, -33.11

 

CMYK 100 / 25 / 0 / 29

HEX #0088B5

RGB 0 136 181

HSL 194.92, 1%, 0.35%

LAB 52.89, -14.42, -32.22

 

CMYK 100 / 27 / 0 / 36

HEX #0076A2

RGB 0 118 162

HSL 196.3, 1%, 0.32%

LAB 46.4, -11.35, -31.35

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 97 / 36 / 0 / 7

HEX #0898EC

RGB 8 152 236

HSL 202.11, 0.93%, 0.48%

LAB 60.4, -2.78, -51.33

 

CMYK 97 / 52 / 0 / 7

HEX #0872EC

RGB 8 114 236

HSL 212.11, 0.93%, 0.48%

LAB 49.67, 20.45, -68.55

 

CMYK 97 / 68 / 0 / 7

HEX #084CEC

RGB 8 76 236

HSL 222.11, 0.93%, 0.48%

LAB 40.04, 44.64, -84.29

 

CMYK 97 / 84 / 0 / 7

HEX #0826EC

RGB 8 38 236

HSL 232.11, 0.93%, 0.48%

LAB 32.91, 64.89, -96.12

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 97 / 21 / 0 / 87

HEX #011B22

RGB 1 27 34

HSL 192.73, 0.94%, 0.07%

LAB 8.18, -6.87, -7.82

 

CMYK 96 / 20 / 0 / 67

HEX #034455

RGB 3 68 85

HSL 192.44, 0.93%, 0.17%

LAB 26.18, -11.7, -15.43

 

CMYK 96 / 20 / 0 / 47

HEX #056D88

RGB 5 109 136

HSL 192.37, 0.93%, 0.28%

LAB 42.38, -15.79, -22.18

 

CMYK 97 / 20 / 0 / 27

HEX #0695BB

RGB 6 149 187

HSL 192.6, 0.94%, 0.38%

LAB 57.19, -19.13, -28.94

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 58 / 97 / 0 / 7

HEX #6308EC

RGB 99 8 236

HSL 263.95, 0.93%, 0.48%

LAB 35.76, 76.14, -91.23

 

CMYK 0 / 19 / 97 / 7

HEX #ECBE08

RGB 236 190 8

HSL 47.89, 0.93%, 0.48%

LAB 78.86, 2.81, 79.82

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 0 / 97 / 19 / 7

HEX #EC08BE

RGB 236 8 190

HSL 312.11, 0.93%, 0.48%

LAB 53.73, 86.14, -34.68

 

CMYK 19 / 0 / 97 / 7

HEX #BEEC08

RGB 190 236 8

HSL 72.11, 0.93%, 0.48%

LAB 87.46, -38.94, 84.61

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 58 / 97 / 0 / 7

HEX #6308EC

RGB 99 8 236

HSL 263.95, 0.93%, 0.48%

LAB 35.76, 76.14, -91.23

 

CMYK 0 / 77 / 97 / 7

HEX #EC3608

RGB 236 54 8

HSL 12.11, 0.93%, 0.48%

LAB 52.39, 66.85, 62.7

 

CMYK 39 / 0 / 97 / 7

HEX #91EC08

RGB 145 236 8

HSL 83.95, 0.93%, 0.48%

LAB 85.01, -55.41, 81.65

 

CMYK 97 / 20 / 0 / 7

HEX #08BEEE

RGB 8 190 238

HSL 192.52, 0.93%, 0.48%

LAB 71.59, -22.79, -34.86

 

CMYK 29 / 97 / 0 / 7

HEX #A708EC

RGB 167 8 236

HSL 281.84, 0.93%, 0.48%

LAB 44.86, 82.43, -75.91

 

CMYK 0 / 77 / 97 / 7

HEX #EC3608

RGB 236 54 8

HSL 12.11, 0.93%, 0.48%

LAB 52.39, 66.85, 62.7

 

CMYK 68 / 0 / 97 / 7

HEX #4CEC08

RGB 76 236 8

HSL 102.11, 0.93%, 0.48%

LAB 82.67, -73.81, 78.79

 

Description

Color code: RGB 8 190 238 | qconv.com Color code: RGB 8 190 238 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 190 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 190 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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