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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88.9 74.2 198 it is the complementary color RGB 166.1 180.8 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88.9 74.2 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88.9 74.2 198 shade: RGB 93.9 74.2 193, RGB 110.9 92.2 212, RGB 127.9 110.2 231, RGB 144.9 128.2 250 and RGB 161.9 146.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88.9 74.2 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88.9 74.2 198 shade: RGB 88.9 74.2 198, RGB 71.9 56.2 179, RGB 54.9 38.2 160, RGB 37.9 20.2 141 and RGB 20.9 2.2 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88.9 74.2 198 shade: RGB 88 73 197, RGB 121 73 197, RGB 155 73 197, RGB 188 73 197 and RGB 197 73 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88.9 74.2 198 shade: RGB 88 73 197 and RGB 73 73 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88.9 74.2 198 shade matches the following richer shades: RGB 88 73 197, RGB 73 53 217 and RGB 58 34 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88.9 74.2 198 shade: RGB 88 73 197, RGB 102 92 178, RGB 117 112 159, RGB 132 131 139 and RGB 147 150 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88.9 74.2 198 shade: RGB 73 125 197, RGB 73 92 197, RGB 87 73 197, RGB 121 73 197 and RGB 154 73 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88.9 74.2 198 shade: RGB 57 45 143, RGB 69 55 174, RGB 88 73 197, RGB 116 104 207 and RGB 145 136 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88.9 74.2 198 shade: RGB 88.9 74.2 198, RGB 197 73 158 and RGB 108 197 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88.9 74.2 198 shade: RGB 88.9 74.2 198, RGB 197 87 73 and RGB 73 197 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88.9 74.2 198 shade: RGB 88.9 74.2 198, RGB 197 73 158, RGB 183 197 73 and RGB 73 197 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88.9 74.2 198 shade: RGB 88.9 74.2 198, RGB 197 73 121, RGB 183 197 73 and RGB 73 197 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

Complementary color

CMYK 8 / 0 / 68 / 29

HEX #A6B439

RGB 166.1 180.8 57

HSL 67.12, 0.52%, 0.47%

LAB 70.44, -21.28, 58.44

 

CMYK 51 / 62 / 0 / 24

HEX #5D4AC1

RGB 93.9 74.2 193

HSL 249.95, 0.49%, 0.52%

LAB 39.83, 39.36, -59.79

 

CMYK 48 / 57 / 0 / 17

HEX #6E5CD4

RGB 110.9 92.2 212

HSL 249.37, 0.58%, 0.6%

LAB 46.73, 37.86, -59.52

 

CMYK 45 / 52 / 0 / 9

HEX #7F6EE7

RGB 127.9 110.2 231

HSL 248.79, 0.72%, 0.67%

LAB 53.54, 36.5, -59.23

 

CMYK 42 / 49 / 0 / 2

HEX #9080FA

RGB 144.9 128.2 250

HSL 248.23, 0.92%, 0.74%

LAB 60.25, 35.29, -58.96

 

CMYK 37 / 43 / 0 / 0

HEX #A192FF

RGB 161.9 146.2 255

HSL 248.66, 1%, 0.79%

LAB 66.14, 30.48, -52.25

 

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

CMYK 60 / 69 / 0 / 30

HEX #4738B3

RGB 71.9 56.2 179

HSL 247.67, 0.52%, 0.46%

LAB 32.87, 41.76, -62.99

 

CMYK 66 / 76 / 0 / 37

HEX #3626A0

RGB 54.9 38.2 160

HSL 248.23, 0.61%, 0.39%

LAB 26, 43.56, -62.9

 

CMYK 73 / 86 / 0 / 45

HEX #25148D

RGB 37.9 20.2 141

HSL 248.79, 0.75%, 0.32%

LAB 19.39, 44.93, -62.16

 

CMYK 83 / 98 / 0 / 52

HEX #14027A

RGB 20.9 2.2 122

HSL 249.37, 0.96%, 0.24%

LAB 13.3, 45.34, -60.3

 

CMYK 55 / 63 / 0 / 23

HEX #5849C5

RGB 88 73 197

HSL 247.26, 0.52%, 0.53%

LAB 39.36, 40.21, -62.91

 

CMYK 39 / 63 / 0 / 23

HEX #7949C5

RGB 121 73 197

HSL 263.23, 0.52%, 0.53%

LAB 42.55, 46.71, -57.58

 

CMYK 21 / 63 / 0 / 23

HEX #9B49C5

RGB 155 73 197

HSL 279.68, 0.52%, 0.53%

LAB 46.66, 54.38, -50.75

 

CMYK 5 / 63 / 0 / 23

HEX #BC49C5

RGB 188 73 197

HSL 295.65, 0.52%, 0.53%

LAB 51.25, 62.25, -43.17

 

CMYK 0 / 63 / 12 / 23

HEX #C549AD

RGB 197 73 173

HSL 311.61, 0.52%, 0.53%

LAB 51.44, 60.55, -28.84

 

CMYK 55 / 63 / 0 / 23

HEX #5849C5

RGB 88 73 197

HSL 247.26, 0.52%, 0.53%

LAB 39.36, 40.21, -62.91

 

CMYK 63 / 63 / 0 / 23

HEX #4949C5

RGB 73 73 197

HSL 240, 0.52%, 0.53%

LAB 38.22, 37.73, -64.82

 

CMYK 55 / 63 / 0 / 23

HEX #5849C5

RGB 88 73 197

HSL 247.26, 0.52%, 0.53%

LAB 39.36, 40.21, -62.91

 

CMYK 66 / 76 / 0 / 15

HEX #4935D9

RGB 73 53 217

HSL 247.32, 0.68%, 0.53%

LAB 35.93, 55.34, -80.16

 

CMYK 75 / 86 / 0 / 7

HEX #3A22EC

RGB 58 34 236

HSL 247.13, 0.84%, 0.53%

LAB 34.19, 67.88, -93.94

 

CMYK 55 / 63 / 0 / 23

HEX #5849C5

RGB 88 73 197

HSL 247.26, 0.52%, 0.53%

LAB 39.36, 40.21, -62.91

 

CMYK 43 / 48 / 0 / 30

HEX #665CB2

RGB 102 92 178

HSL 246.98, 0.36%, 0.53%

LAB 43.79, 25.88, -44.61

 

CMYK 26 / 30 / 0 / 38

HEX #75709F

RGB 117 112 159

HSL 246.38, 0.2%, 0.53%

LAB 49.34, 12.68, -24.64

 

CMYK 5 / 6 / 0 / 45

HEX #84838B

RGB 132 131 139

HSL 247.5, 0.03%, 0.53%

LAB 55.07, 1.99, -4.17

 

CMYK 2 / 0 / 20 / 41

HEX #939678

RGB 147 150 120

HSL 66, 0.13%, 0.53%

LAB 61.11, -6.42, 15.5

 

CMYK 63 / 37 / 0 / 23

HEX #497DC5

RGB 73 125 197

HSL 214.84, 0.52%, 0.53%

LAB 51.97, 5.22, -42.72

 

CMYK 63 / 53 / 0 / 23

HEX #495CC5

RGB 73 92 197

HSL 230.81, 0.52%, 0.53%

LAB 42.92, 25.83, -57.19

 

CMYK 56 / 63 / 0 / 23

HEX #5749C5

RGB 87 73 197

HSL 246.77, 0.52%, 0.53%

LAB 39.28, 40.03, -63.05

 

CMYK 39 / 63 / 0 / 23

HEX #7949C5

RGB 121 73 197

HSL 263.23, 0.52%, 0.53%

LAB 42.55, 46.71, -57.58

 

CMYK 22 / 63 / 0 / 23

HEX #9A49C5

RGB 154 73 197

HSL 279.19, 0.52%, 0.53%

LAB 46.53, 54.14, -50.97

 

CMYK 60 / 69 / 0 / 44

HEX #392D8F

RGB 57 45 143

HSL 247.35, 0.52%, 0.37%

LAB 25.95, 34.43, -52.54

 

CMYK 60 / 68 / 0 / 32

HEX #4537AE

RGB 69 55 174

HSL 247.06, 0.52%, 0.45%

LAB 31.93, 40.43, -61.56

 

CMYK 55 / 63 / 0 / 23

HEX #5849C5

RGB 88 73 197

HSL 247.26, 0.52%, 0.53%

LAB 39.36, 40.21, -62.91

 

CMYK 44 / 50 / 0 / 19

HEX #7468CF

RGB 116 104 207

HSL 246.99, 0.52%, 0.61%

LAB 49.64, 30.51, -51.97

 

CMYK 33 / 37 / 0 / 15

HEX #9188D9

RGB 145 136 217

HSL 246.67, 0.52%, 0.69%

LAB 60.46, 21.87, -40.32

 

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

CMYK 0 / 63 / 20 / 23

HEX #C5499E

RGB 197 73 158

HSL 318.87, 0.52%, 0.53%

LAB 50.81, 58.34, -20.99

 

CMYK 45 / 0 / 63 / 23

HEX #6CC549

RGB 108 197 73

HSL 103.06, 0.52%, 0.53%

LAB 71.96, -49.03, 52.48

 

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

CMYK 0 / 56 / 63 / 23

HEX #C55749

RGB 197 87 73

HSL 6.77, 0.52%, 0.53%

LAB 50.88, 42.96, 29.68

 

CMYK 63 / 0 / 56 / 23

HEX #49C557

RGB 73 197 87

HSL 126.77, 0.52%, 0.53%

LAB 70.9, -56.63, 44.63

 

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

CMYK 0 / 63 / 20 / 23

HEX #C5499E

RGB 197 73 158

HSL 318.87, 0.52%, 0.53%

LAB 50.81, 58.34, -20.99

 

CMYK 7 / 0 / 63 / 23

HEX #B7C549

RGB 183 197 73

HSL 66.77, 0.52%, 0.53%

LAB 76.36, -21.26, 58.54

 

CMYK 63 / 0 / 43 / 23

HEX #49C570

RGB 73 197 112

HSL 138.87, 0.52%, 0.53%

LAB 71.23, -52.92, 32.7

 

CMYK 55 / 63 / 0 / 22

HEX #584AC6

RGB 88.9 74.2 198

HSL 247.12, 0.52%, 0.53%

LAB 39.78, 39.97, -62.8

 

CMYK 0 / 63 / 39 / 23

HEX #C54979

RGB 197 73 121

HSL 336.77, 0.52%, 0.53%

LAB 49.52, 53.67, -0.82

 

CMYK 7 / 0 / 63 / 23

HEX #B7C549

RGB 183 197 73

HSL 66.77, 0.52%, 0.53%

LAB 76.36, -21.26, 58.54

 

CMYK 63 / 0 / 24 / 23

HEX #49C596

RGB 73 197 150

HSL 157.26, 0.52%, 0.53%

LAB 71.93, -45.44, 13.59

 

Description

Color code: RGB 88.9 74.2 198 | qconv.com Color code: RGB 88.9 74.2 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88.9 red, 74.2 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88.9 74.2 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 63 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 63% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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