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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88.1 147 100 it is the complementary color RGB 166.9 108 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88.1 147 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88.1 147 100 shade: RGB 93.1 147 95, RGB 110.1 165 114, RGB 127.1 183 133, RGB 144.1 201 152 and RGB 161.1 219 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88.1 147 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88.1 147 100 shade: RGB 88.1 147 100, RGB 71.1 129 81, RGB 54.1 111 62, RGB 37.1 93 43 and RGB 20.1 75 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88.1 147 100 shade: RGB 88 147 100, RGB 92 147 88, RGB 108 147 88, RGB 124 147 88 and RGB 139 147 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88.1 147 100 shade: RGB 88 147 100, RGB 88 147 116, RGB 88 147 131, RGB 88 146 147 and RGB 88 130 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88.1 147 100 shade matches the following richer shades: RGB 88 147 100, RGB 69 166 89, RGB 50 185 77, RGB 31 204 66 and RGB 12 223 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88.1 147 100 shade: RGB 88 147 100, RGB 107 128 111, RGB 126 109 122, RGB 145 90 134 and RGB 164 71 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88.1 147 100 shade: RGB 108 147 88, RGB 92 147 88, RGB 88 147 100, RGB 88 147 115 and RGB 88 147 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88.1 147 100 shade: RGB 57 95 65, RGB 73 121 82, RGB 88 147 100, RGB 109 167 120 and RGB 134 183 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88.1 147 100 shade: RGB 88.1 147 100, RGB 88 123 147 and RGB 147 88 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88.1 147 100 shade: RGB 88.1 147 100, RGB 100 88 147 and RGB 147 100 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88.1 147 100 shade: RGB 88.1 147 100, RGB 88 123 147, RGB 147 88 135 and RGB 147 111 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88.1 147 100 shade: RGB 88.1 147 100, RGB 88 106 147, RGB 147 88 135 and RGB 147 129 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

Complementary color

CMYK 0 / 35 / 7 / 35

HEX #A66C9B

RGB 166.9 108 155

HSL 312.12, 0.25%, 0.54%

LAB 53.27, 30.88, -15.83

 

CMYK 37 / 0 / 35 / 42

HEX #5D935F

RGB 93.1 147 95

HSL 122.12, 0.22%, 0.47%

LAB 56.11, -28.99, 22.04

 

CMYK 33 / 0 / 31 / 35

HEX #6EA572

RGB 110.1 165 114

HSL 124.26, 0.23%, 0.54%

LAB 62.88, -28.73, 20.86

 

CMYK 31 / 0 / 27 / 28

HEX #7FB785

RGB 127.1 183 133

HSL 126.33, 0.28%, 0.61%

LAB 69.53, -28.46, 19.75

 

CMYK 28 / 0 / 24 / 21

HEX #90C998

RGB 144.1 201 152

HSL 128.33, 0.35%, 0.68%

LAB 76.06, -28.21, 18.72

 

CMYK 26 / 0 / 22 / 14

HEX #A1DBAB

RGB 161.1 219 171

HSL 130.26, 0.45%, 0.75%

LAB 82.48, -27.98, 17.75

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

CMYK 45 / 0 / 37 / 49

HEX #478151

RGB 71.1 129 81

HSL 130.26, 0.29%, 0.39%

LAB 49.05, -29.98, 20.27

 

CMYK 51 / 0 / 44 / 56

HEX #366F3E

RGB 54.1 111 62

HSL 128.33, 0.34%, 0.32%

LAB 42.01, -30.17, 21.66

 

CMYK 60 / 0 / 54 / 64

HEX #255D2B

RGB 37.1 93 43

HSL 126.33, 0.43%, 0.26%

LAB 34.8, -30.16, 23.17

 

CMYK 73 / 0 / 68 / 71

HEX #144B18

RGB 20.1 75 24

HSL 124.26, 0.58%, 0.19%

LAB 27.43, -29.68, 24.69

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 37 / 0 / 40 / 42

HEX #5C9358

RGB 92 147 88

HSL 115.93, 0.25%, 0.46%

LAB 55.93, -30.53, 25.64

 

CMYK 27 / 0 / 40 / 42

HEX #6C9358

RGB 108 147 88

HSL 99.66, 0.25%, 0.46%

LAB 56.84, -24.83, 27

 

CMYK 16 / 0 / 40 / 42

HEX #7C9358

RGB 124 147 88

HSL 83.39, 0.25%, 0.46%

LAB 57.9, -18.65, 28.57

 

CMYK 5 / 0 / 40 / 42

HEX #8B9358

RGB 139 147 88

HSL 68.14, 0.25%, 0.46%

LAB 59.03, -12.54, 30.25

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 40 / 0 / 21 / 42

HEX #589374

RGB 88 147 116

HSL 148.47, 0.25%, 0.46%

LAB 56.29, -26.55, 10.45

 

CMYK 40 / 0 / 11 / 42

HEX #589383

RGB 88 147 131

HSL 163.73, 0.25%, 0.46%

LAB 56.66, -23.16, 2.43

 

CMYK 40 / 1 / 0 / 42

HEX #589293

RGB 88 146 147

HSL 181.02, 0.25%, 0.46%

LAB 56.82, -18.63, -6.51

 

CMYK 40 / 12 / 0 / 42

HEX #588293

RGB 88 130 147

HSL 197.29, 0.25%, 0.46%

LAB 52, -9.9, -13.73

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 58 / 0 / 46 / 35

HEX #45A659

RGB 69 166 89

HSL 132.37, 0.41%, 0.46%

LAB 61.01, -45.37, 31.46

 

CMYK 73 / 0 / 58 / 27

HEX #32B94D

RGB 50 185 77

HSL 132, 0.57%, 0.46%

LAB 66.45, -57.98, 43.93

 

CMYK 85 / 0 / 68 / 20

HEX #1FCC42

RGB 31 204 66

HSL 132.14, 0.74%, 0.46%

LAB 72.14, -67.71, 55.02

 

CMYK 95 / 0 / 75 / 13

HEX #0CDF37

RGB 12 223 55

HSL 132.23, 0.9%, 0.46%

LAB 77.95, -75.35, 64.95

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 16 / 0 / 13 / 50

HEX #6B806F

RGB 107 128 111

HSL 131.43, 0.09%, 0.46%

LAB 51.51, -11.21, 6.7

 

CMYK 0 / 13 / 3 / 51

HEX #7E6D7A

RGB 126 109 122

HSL 314.12, 0.07%, 0.46%

LAB 47.98, 9.14, -4.74

 

CMYK 0 / 38 / 8 / 43

HEX #915A86

RGB 145 90 134

HSL 312, 0.23%, 0.46%

LAB 45.71, 29.6, -15.13

 

CMYK 0 / 57 / 12 / 36

HEX #A44791

RGB 164 71 145

HSL 312.26, 0.4%, 0.46%

LAB 44.86, 47.76, -22.82

 

CMYK 27 / 0 / 40 / 42

HEX #6C9358

RGB 108 147 88

HSL 99.66, 0.25%, 0.46%

LAB 56.84, -24.83, 27

 

CMYK 37 / 0 / 40 / 42

HEX #5C9358

RGB 92 147 88

HSL 115.93, 0.25%, 0.46%

LAB 55.93, -30.53, 25.64

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 40 / 0 / 22 / 42

HEX #589373

RGB 88 147 115

HSL 147.46, 0.25%, 0.46%

LAB 56.27, -26.76, 10.98

 

CMYK 40 / 0 / 11 / 42

HEX #589383

RGB 88 147 131

HSL 163.73, 0.25%, 0.46%

LAB 56.66, -23.16, 2.43

 

CMYK 40 / 0 / 32 / 63

HEX #395F41

RGB 57 95 65

HSL 132.63, 0.25%, 0.3%

LAB 36.81, -20.74, 13.02

 

CMYK 40 / 0 / 32 / 53

HEX #497952

RGB 73 121 82

HSL 131.25, 0.25%, 0.38%

LAB 46.58, -25.28, 16.39

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88 147 100

HSL 132.2, 0.25%, 0.46%

LAB 55.95, -29.76, 19

 

CMYK 35 / 0 / 28 / 35

HEX #6DA778

RGB 109 167 120

HSL 131.38, 0.25%, 0.54%

LAB 63.54, -28.98, 18.46

 

CMYK 27 / 0 / 21 / 28

HEX #86B790

RGB 134 183 144

HSL 132.24, 0.25%, 0.62%

LAB 70.14, -24.19, 14.7

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

CMYK 40 / 16 / 0 / 42

HEX #587B93

RGB 88 123 147

HSL 204.41, 0.25%, 0.46%

LAB 49.91, -5.9, -16.9

 

CMYK 0 / 40 / 32 / 42

HEX #935864

RGB 147 88 100

HSL 347.8, 0.25%, 0.46%

LAB 44.38, 25.93, 3.55

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

CMYK 32 / 40 / 0 / 42

HEX #645893

RGB 100 88 147

HSL 252.2, 0.25%, 0.46%

LAB 40.89, 18.92, -30.8

 

CMYK 0 / 32 / 40 / 42

HEX #936458

RGB 147 100 88

HSL 12.2, 0.25%, 0.46%

LAB 47, 17.42, 14.48

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

CMYK 40 / 16 / 0 / 42

HEX #587B93

RGB 88 123 147

HSL 204.41, 0.25%, 0.46%

LAB 49.91, -5.9, -16.9

 

CMYK 0 / 40 / 8 / 42

HEX #935887

RGB 147 88 135

HSL 312.2, 0.25%, 0.46%

LAB 45.54, 31.62, -15.96

 

CMYK 0 / 24 / 40 / 42

HEX #936F58

RGB 147 111 88

HSL 23.39, 0.25%, 0.46%

LAB 49.83, 11.04, 18.33

 

CMYK 40 / 0 / 32 / 42

HEX #589364

RGB 88.1 147 100

HSL 132.12, 0.25%, 0.46%

LAB 55.95, -29.72, 19.01

 

CMYK 40 / 28 / 0 / 42

HEX #586A93

RGB 88 106 147

HSL 221.69, 0.25%, 0.46%

LAB 44.93, 4.21, -24.57

 

CMYK 0 / 40 / 8 / 42

HEX #935887

RGB 147 88 135

HSL 312.2, 0.25%, 0.46%

LAB 45.54, 31.62, -15.96

 

CMYK 0 / 12 / 40 / 42

HEX #938158

RGB 147 129 88

HSL 41.69, 0.25%, 0.46%

LAB 54.67, 0.74, 24.75

 

Description

Color code: RGB 88.1 147 100 | qconv.com Color code: RGB 88.1 147 100 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88.1 red, 147 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88.1 147 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 32 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 32% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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