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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 100 132 it is the complementary color RGB 168 155 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 100 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 100 132: RGB 92 100 127, RGB 109 118 146, RGB 126 136 165, RGB 143 154 184 and RGB 160 172 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 100 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 100 132: RGB 87 100 132, RGB 70 82 113, RGB 53 64 94, RGB 36 46 75 and RGB 19 28 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

Complementary color

CMYK 0 / 8 / 27 / 34

HEX #A89B7B

RGB 168 155 123

HSL 42.67, 0.21%, 0.57%

LAB 64.32, -0.4, 18.53

 

CMYK 28 / 21 / 0 / 50

HEX #5C647F

RGB 92 100 127

HSL 226.29, 0.16%, 0.43%

LAB 42.65, 3.52, -16.07

 

CMYK 25 / 19 / 0 / 43

HEX #6D7692

RGB 109 118 146

HSL 225.41, 0.15%, 0.5%

LAB 49.84, 3.21, -16.3

 

CMYK 24 / 18 / 0 / 35

HEX #7E88A5

RGB 126 136 165

HSL 224.62, 0.18%, 0.57%

LAB 56.84, 2.93, -16.57

 

CMYK 22 / 16 / 0 / 28

HEX #8F9AB8

RGB 143 154 184

HSL 223.9, 0.22%, 0.64%

LAB 63.68, 2.69, -16.86

 

CMYK 21 / 15 / 0 / 20

HEX #A0ACCB

RGB 160 172 203

HSL 223.26, 0.29%, 0.71%

LAB 70.38, 2.46, -17.16

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 38 / 27 / 0 / 56

HEX #465271

RGB 70 82 113

HSL 223.26, 0.23%, 0.36%

LAB 35.06, 3.71, -19.28

 

CMYK 44 / 32 / 0 / 63

HEX #35405E

RGB 53 64 94

HSL 223.9, 0.28%, 0.29%

LAB 27.39, 4.28, -19.24

 

CMYK 52 / 39 / 0 / 71

HEX #242E4B

RGB 36 46 75

HSL 224.62, 0.35%, 0.22%

LAB 19.38, 5.07, -19.3

 

CMYK 66 / 50 / 0 / 78

HEX #131C38

RGB 19 28 56

HSL 225.41, 0.49%, 0.15%

LAB 10.95, 6.32, -19.51

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 35 / 30 / 0 / 48

HEX #565C84

RGB 86 92 132

HSL 232.17, 0.21%, 0.43%

LAB 40.08, 7.92, -23.09

 

CMYK 33 / 35 / 0 / 48

HEX #585684

RGB 88 86 132

HSL 242.61, 0.21%, 0.43%

LAB 38.54, 12.32, -25.46

 

CMYK 28 / 35 / 0 / 48

HEX #5F5684

RGB 95 86 132

HSL 251.74, 0.21%, 0.43%

LAB 39.16, 14.53, -24.45

 

CMYK 22 / 35 / 0 / 48

HEX #675684

RGB 103 86 132

HSL 262.17, 0.21%, 0.43%

LAB 39.92, 17.13, -23.21

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 34 / 24 / 0 / 28

HEX #798BB7

RGB 121 139 183

HSL 222.58, 0.3%, 0.6%

LAB 57.99, 4.26, -25.13

 

CMYK 34 / 24 / 0 / 8

HEX #9AB1EA

RGB 154 177 234

HSL 222.75, 0.66%, 0.76%

LAB 72.4, 5.47, -31.07

 

CMYK 33 / 23 / 0 / 88

HEX #14171E

RGB 20 23 30

HSL 222, 0.2%, 0.1%

LAB 7.73, 0.67, -5.38

 

CMYK 35 / 25 / 0 / 68

HEX #353D51

RGB 53 61 81

HSL 222.86, 0.21%, 0.26%

LAB 25.83, 2.21, -13.18

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 3 / 35 / 0 / 48

HEX #805684

RGB 128 86 132

HSL 294.78, 0.21%, 0.43%

LAB 42.63, 25.62, -18.81

 

CMYK 11 / 0 / 35 / 48

HEX #768456

RGB 118 132 86

HSL 78.26, 0.21%, 0.43%

LAB 52.98, -13.4, 23.18

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 0 / 35 / 24 / 48

HEX #845664

RGB 132 86 100

HSL 341.74, 0.21%, 0.43%

LAB 41.97, 21.19, -0.19

 

CMYK 24 / 0 / 35 / 48

HEX #648456

RGB 100 132 86

HSL 101.74, 0.21%, 0.43%

LAB 51.71, -20.52, 21.27

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 3 / 35 / 0 / 48

HEX #805684

RGB 128 86 132

HSL 294.78, 0.21%, 0.43%

LAB 42.63, 25.62, -18.81

 

CMYK 0 / 11 / 35 / 48

HEX #847656

RGB 132 118 86

HSL 41.74, 0.21%, 0.43%

LAB 50.14, 0.31, 19.63

 

CMYK 31 / 0 / 35 / 48

HEX #5B8456

RGB 91 132 86

HSL 113.48, 0.21%, 0.43%

LAB 51.15, -23.85, 20.43

 

CMYK 34 / 24 / 0 / 48

HEX #576484

RGB 87 100 132

HSL 222.67, 0.21%, 0.43%

LAB 42.47, 3.27, -19.39

 

CMYK 0 / 35 / 7 / 48

HEX #84567B

RGB 132 86 123

HSL 311.74, 0.21%, 0.43%

LAB 42.75, 25.23, -13.11

 

CMYK 0 / 11 / 35 / 48

HEX #847656

RGB 132 118 86

HSL 41.74, 0.21%, 0.43%

LAB 50.14, 0.31, 19.63

 

CMYK 35 / 0 / 28 / 48

HEX #56845F

RGB 86 132 95

HSL 131.74, 0.21%, 0.43%

LAB 51.04, -23.96, 15.11

 

Description

Color code: RGB 87 100 132 | qconv.com Color code: RGB 87 100 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 100 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 100 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 24 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 24% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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