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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 62 55 it is the complementary color RGB 170 193 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 62 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 62 55: RGB 90 62 50, RGB 107 80 69, RGB 124 98 88, RGB 141 116 107 and RGB 158 134 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 62 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 62 55: RGB 85 62 55, RGB 68 44 36, RGB 51 26 17, RGB 34 8 0 and RGB 17 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

Complementary color

CMYK 15 / 4 / 0 / 22

HEX #AAC1C8

RGB 170 193 200

HSL 194, 0.21%, 0.73%

LAB 76.59, -6.33, -6.16

 

CMYK 0 / 31 / 44 / 65

HEX #5A3E32

RGB 90 62 50

HSL 18, 0.29%, 0.27%

LAB 29.03, 10.53, 12.26

 

CMYK 0 / 25 / 36 / 58

HEX #6B5045

RGB 107 80 69

HSL 17.37, 0.22%, 0.35%

LAB 36.54, 9.62, 10.87

 

CMYK 0 / 21 / 29 / 51

HEX #7C6258

RGB 124 98 88

HSL 16.67, 0.17%, 0.42%

LAB 43.84, 8.89, 9.68

 

CMYK 0 / 18 / 24 / 45

HEX #8D746B

RGB 141 116 107

HSL 15.88, 0.14%, 0.49%

LAB 50.94, 8.29, 8.63

 

CMYK 0 / 15 / 20 / 38

HEX #9E867E

RGB 158 134 126

HSL 15, 0.14%, 0.56%

LAB 57.87, 7.79, 7.68

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 0 / 35 / 47 / 73

HEX #442C24

RGB 68 44 36

HSL 15, 0.31%, 0.2%

LAB 20.66, 9.93, 9.68

 

CMYK 0 / 49 / 67 / 80

HEX #331A11

RGB 51 26 17

HSL 15.88, 0.5%, 0.13%

LAB 12.5, 11.31, 11.26

 

CMYK 0 / 76 / 100 / 87

HEX #220800

RGB 34 8 0

HSL 14.12, 1%, 0.07%

LAB 4.64, 10.58, 7.15

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 0 / 22 / 35 / 67

HEX #534136

RGB 83 65 54

HSL 22.76, 0.21%, 0.27%

LAB 29.12, 5.95, 9.67

 

CMYK 0 / 16 / 35 / 67

HEX #534636

RGB 83 70 54

HSL 33.1, 0.21%, 0.27%

LAB 30.61, 2.77, 11.71

 

CMYK 0 / 10 / 35 / 67

HEX #534B36

RGB 83 75 54

HSL 43.45, 0.21%, 0.27%

LAB 32.12, -0.35, 13.75

 

CMYK 0 / 4 / 35 / 67

HEX #535036

RGB 83 80 54

HSL 53.79, 0.21%, 0.27%

LAB 33.65, -3.43, 15.8

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 0 / 27 / 35 / 47

HEX #886358

RGB 136 99 88

HSL 13.75, 0.21%, 0.44%

LAB 45.45, 13.38, 12.12

 

CMYK 0 / 27 / 35 / 27

HEX #BB8879

RGB 187 136 121

HSL 13.64, 0.33%, 0.6%

LAB 61.27, 17.48, 15.74

 

CMYK 0 / 27 / 35 / 7

HEX #EEAE9A

RGB 238 174 154

HSL 14.29, 0.71%, 0.77%

LAB 76.55, 20.83, 19.48

 

CMYK 0 / 26 / 35 / 87

HEX #221916

RGB 34 25 22

HSL 15, 0.21%, 0.11%

LAB 9.75, 3.89, 3.8

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 16 / 0 / 35 / 67

HEX #465336

RGB 70 83 54

HSL 86.9, 0.21%, 0.27%

LAB 33.47, -11.03, 15.35

 

CMYK 35 / 29 / 0 / 67

HEX #363B53

RGB 54 59 83

HSL 229.66, 0.21%, 0.27%

LAB 25.37, 4.5, -15.19

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 35 / 0 / 27 / 67

HEX #36533D

RGB 54 83 61

HSL 134.48, 0.21%, 0.27%

LAB 32.5, -16.15, 9.52

 

CMYK 27 / 35 / 0 / 67

HEX #3D3653

RGB 61 54 83

HSL 254.48, 0.21%, 0.27%

LAB 24.5, 10.32, -16.49

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 16 / 0 / 35 / 67

HEX #465336

RGB 70 83 54

HSL 86.9, 0.21%, 0.27%

LAB 33.47, -11.03, 15.35

 

CMYK 35 / 8 / 0 / 67

HEX #364C53

RGB 54 76 83

HSL 194.48, 0.21%, 0.27%

LAB 30.83, -6.5, -6.88

 

CMYK 20 / 35 / 0 / 67

HEX #423653

RGB 66 54 83

HSL 264.83, 0.21%, 0.27%

LAB 25.02, 12.12, -15.64

 

CMYK 0 / 27 / 35 / 67

HEX #553E37

RGB 85 62 55

HSL 14, 0.21%, 0.27%

LAB 28.52, 8.94, 8.22

 

CMYK 25 / 0 / 35 / 67

HEX #3E5336

RGB 62 83 54

HSL 103.45, 0.21%, 0.27%

LAB 32.87, -14.41, 14.45

 

CMYK 35 / 8 / 0 / 67

HEX #364C53

RGB 54 76 83

HSL 194.48, 0.21%, 0.27%

LAB 30.83, -6.5, -6.88

 

CMYK 10 / 35 / 0 / 67

HEX #4B3653

RGB 75 54 83

HSL 283.45, 0.21%, 0.27%

LAB 26.04, 15.46, -13.99

 

Description

Color code: RGB 85 62 55 | qconv.com Color code: RGB 85 62 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 62 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 62 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 35 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 35% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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