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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85.7 218.6 172 it is the complementary color RGB 169.3 36.4 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85.7 218.6 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85.7 218.6 172 shade: RGB 90.7 218.6 167, RGB 107.7 236.6 186, RGB 124.7 254.6 205, RGB 141.7 255 224 and RGB 158.7 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85.7 218.6 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85.7 218.6 172 shade: RGB 85.7 218.6 172, RGB 68.7 200.6 153, RGB 51.7 182.6 134, RGB 34.7 164.6 115 and RGB 17.7 146.6 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85.7 218.6 172 shade: RGB 87 219 173, RGB 87 219 137, RGB 87 219 101, RGB 108 219 87 and RGB 144 219 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85.7 218.6 172 shade: RGB 87 219 173, RGB 87 219 209, RGB 87 194 219, RGB 87 159 219 and RGB 87 123 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85.7 218.6 172 shade matches the following richer shades: RGB 87 219 173, RGB 70 236 178 and RGB 54 252 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85.7 218.6 172 shade: RGB 87 219 173, RGB 103 203 168, RGB 120 186 163, RGB 136 170 158 and RGB 153 153 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85.7 218.6 172 shade: RGB 87 219 100, RGB 87 219 135, RGB 87 219 171, RGB 87 219 206 and RGB 87 197 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85.7 218.6 172 shade: RGB 39 184 133, RGB 53 212 156, RGB 87 219 173, RGB 121 227 189 and RGB 155 234 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85.7 218.6 172 shade: RGB 85.7 218.6 172, RGB 87 109 219 and RGB 219 118 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85.7 218.6 172 shade: RGB 85.7 218.6 172, RGB 171 87 219 and RGB 219 171 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85.7 218.6 172 shade: RGB 85.7 218.6 172, RGB 87 109 219, RGB 219 87 135 and RGB 219 197 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85.7 218.6 172 shade: RGB 85.7 218.6 172, RGB 104 87 219, RGB 219 87 135 and RGB 202 219 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

Complementary color

CMYK 0 / 78 / 51 / 34

HEX #A92453

RGB 169.3 36.4 83

HSL 338.96, 0.65%, 0.4%

LAB 38.51, 55.47, 6.21

 

CMYK 59 / 0 / 24 / 14

HEX #5ADAA7

RGB 90.7 218.6 167

HSL 155.79, 0.64%, 0.61%

LAB 79.3, -47.4, 14.96

 

CMYK 54 / 0 / 21 / 7

HEX #6BECBA

RGB 107.7 236.6 186

HSL 156.45, 0.78%, 0.68%

LAB 85.53, -47.41, 13.85

 

CMYK 51 / 0 / 19 / 0

HEX #7CFECD

RGB 124.7 254.6 205

HSL 157.09, 0.99%, 0.74%

LAB 91.69, -47.36, 12.81

 

CMYK 44 / 0 / 12 / 0

HEX #8DFFE0

RGB 141.7 255 224

HSL 163.58, 1%, 0.78%

LAB 92.85, -39.51, 4.76

 

CMYK 38 / 0 / 5 / 0

HEX #9EFFF3

RGB 158.7 255 243

HSL 172.52, 1%, 0.81%

LAB 94.03, -31.09, -3.26

 

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

CMYK 66 / 0 / 24 / 21

HEX #44C899

RGB 68.7 200.6 153

HSL 158.35, 0.55%, 0.53%

LAB 72.98, -47.04, 13.45

 

CMYK 72 / 0 / 27 / 28

HEX #33B686

RGB 51.7 182.6 134

HSL 157.72, 0.56%, 0.46%

LAB 66.63, -46.61, 14.77

 

CMYK 79 / 0 / 30 / 35

HEX #22A473

RGB 34.7 164.6 115

HSL 157.09, 0.65%, 0.39%

LAB 60.21, -45.89, 16.23

 

CMYK 88 / 0 / 35 / 43

HEX #119260

RGB 17.7 146.6 96

HSL 156.45, 0.78%, 0.32%

LAB 53.72, -44.73, 17.87

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAD

RGB 87 219 173

HSL 159.09, 0.65%, 0.6%

LAB 79.45, -46.97, 11.98

 

CMYK 60 / 0 / 37 / 14

HEX #57DB89

RGB 87 219 137

HSL 142.73, 0.65%, 0.6%

LAB 78.75, -54.24, 29.83

 

CMYK 60 / 0 / 54 / 14

HEX #57DB65

RGB 87 219 101

HSL 126.36, 0.65%, 0.6%

LAB 78.24, -59.81, 46.94

 

CMYK 51 / 0 / 60 / 14

HEX #6CDB57

RGB 108 219 87

HSL 110.45, 0.65%, 0.6%

LAB 78.78, -56.26, 54.06

 

CMYK 34 / 0 / 60 / 14

HEX #90DB57

RGB 144 219 87

HSL 94.09, 0.65%, 0.6%

LAB 80.34, -45.12, 56.25

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAD

RGB 87 219 173

HSL 159.09, 0.65%, 0.6%

LAB 79.45, -46.97, 11.98

 

CMYK 60 / 0 / 5 / 14

HEX #57DBD1

RGB 87 219 209

HSL 175.45, 0.65%, 0.6%

LAB 80.34, -38.19, -5.87

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 60 / 27 / 0 / 14

HEX #579FDB

RGB 87 159 219

HSL 207.27, 0.65%, 0.6%

LAB 63.29, -4.72, -37.25

 

CMYK 60 / 44 / 0 / 14

HEX #577BDB

RGB 87 123 219

HSL 223.64, 0.65%, 0.6%

LAB 53.28, 16.51, -53.06

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAD

RGB 87 219 173

HSL 159.09, 0.65%, 0.6%

LAB 79.45, -46.97, 11.98

 

CMYK 70 / 0 / 25 / 7

HEX #46ECB2

RGB 70 236 178

HSL 159.04, 0.81%, 0.6%

LAB 84.23, -55.6, 16.05

 

CMYK 79 / 0 / 27 / 1

HEX #36FCB7

RGB 54 252 183

HSL 159.09, 0.97%, 0.6%

LAB 88.84, -62.55, 19.87

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAD

RGB 87 219 173

HSL 159.09, 0.65%, 0.6%

LAB 79.45, -46.97, 11.98

 

CMYK 49 / 0 / 17 / 20

HEX #67CBA8

RGB 103 203 168

HSL 159, 0.49%, 0.6%

LAB 75.09, -37.64, 8.52

 

CMYK 35 / 0 / 12 / 27

HEX #78BAA3

RGB 120 186 163

HSL 159.09, 0.32%, 0.6%

LAB 70.7, -26.19, 5.03

 

CMYK 20 / 0 / 7 / 33

HEX #88AA9E

RGB 136 170 158

HSL 158.82, 0.17%, 0.6%

LAB 66.86, -14.11, 2.35

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 60 / 0 / 54 / 14

HEX #57DB64

RGB 87 219 100

HSL 125.91, 0.65%, 0.6%

LAB 78.23, -59.94, 47.4

 

CMYK 60 / 0 / 38 / 14

HEX #57DB87

RGB 87 219 135

HSL 141.82, 0.65%, 0.6%

LAB 78.72, -54.6, 30.81

 

CMYK 60 / 0 / 22 / 14

HEX #57DBAB

RGB 87 219 171

HSL 158.18, 0.65%, 0.6%

LAB 79.4, -47.41, 12.98

 

CMYK 60 / 0 / 6 / 14

HEX #57DBCE

RGB 87 219 206

HSL 174.09, 0.65%, 0.6%

LAB 80.26, -38.97, -4.39

 

CMYK 60 / 10 / 0 / 14

HEX #57C5DB

RGB 87 197 219

HSL 190, 0.65%, 0.6%

LAB 74.24, -24.91, -20.4

 

CMYK 79 / 0 / 28 / 28

HEX #27B885

RGB 39 184 133

HSL 158.9, 0.65%, 0.44%

LAB 66.83, -49.05, 15.55

 

CMYK 75 / 0 / 26 / 17

HEX #35D49C

RGB 53 212 156

HSL 158.87, 0.65%, 0.52%

LAB 76.22, -53.28, 16.34

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAD

RGB 87 219 173

HSL 159.09, 0.65%, 0.6%

LAB 79.45, -46.97, 11.98

 

CMYK 47 / 0 / 17 / 11

HEX #79E3BD

RGB 121 227 189

HSL 158.49, 0.65%, 0.68%

LAB 83.27, -39.53, 9.13

 

CMYK 34 / 0 / 12 / 8

HEX #9BEACE

RGB 155 234 206

HSL 158.73, 0.65%, 0.76%

LAB 87.13, -30.2, 5.93

 

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

CMYK 60 / 50 / 0 / 14

HEX #576DDB

RGB 87 109 219

HSL 230, 0.65%, 0.6%

LAB 49.59, 25.14, -58.98

 

CMYK 0 / 46 / 60 / 14

HEX #DB7657

RGB 219 118 87

HSL 14.09, 0.65%, 0.6%

LAB 60.52, 36.6, 34.51

 

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

CMYK 22 / 60 / 0 / 14

HEX #AB57DB

RGB 171 87 219

HSL 278.18, 0.65%, 0.6%

LAB 52.5, 56.14, -53.9

 

CMYK 0 / 22 / 60 / 14

HEX #DBAB57

RGB 219 171 87

HSL 38.18, 0.65%, 0.6%

LAB 72.81, 8.33, 49.19

 

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

CMYK 60 / 50 / 0 / 14

HEX #576DDB

RGB 87 109 219

HSL 230, 0.65%, 0.6%

LAB 49.59, 25.14, -58.98

 

CMYK 0 / 60 / 38 / 14

HEX #DB5787

RGB 219 87 135

HSL 338.18, 0.65%, 0.6%

LAB 55.71, 55.97, 0.31

 

CMYK 0 / 10 / 60 / 14

HEX #DBC557

RGB 219 197 87

HSL 50, 0.65%, 0.6%

LAB 79.43, -5.31, 56.67

 

CMYK 61 / 0 / 21 / 14

HEX #55DAAC

RGB 85.7 218.6 172

HSL 158.96, 0.65%, 0.6%

LAB 79.27, -47.27, 12.26

 

CMYK 53 / 60 / 0 / 14

HEX #6857DB

RGB 104 87 219

HSL 247.73, 0.65%, 0.6%

LAB 45.46, 41.63, -65.6

 

CMYK 0 / 60 / 38 / 14

HEX #DB5787

RGB 219 87 135

HSL 338.18, 0.65%, 0.6%

LAB 55.71, 55.97, 0.31

 

CMYK 8 / 0 / 60 / 14

HEX #CADB57

RGB 202 219 87

HSL 67.73, 0.65%, 0.6%

LAB 83.92, -23.3, 61.21

 

Description

Color code: RGB 85.7 218.6 172 | qconv.com Color code: RGB 85.7 218.6 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85.7 red, 218.6 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85.7 218.6 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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