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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 232 162 it is the complementary color RGB 171 23 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 232 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 232 162 shade: RGB 89 232 157, RGB 106 250 176, RGB 123 255 195, RGB 140 255 214 and RGB 157 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 232 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 67 214 143, RGB 50 196 124, RGB 33 178 105 and RGB 16 160 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 84 232 122, RGB 86 232 84, RGB 126 232 84 and RGB 166 232 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 84 232 202, RGB 84 222 232, RGB 84 182 232 and RGB 84 143 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 232 162 shade matches the following richer shades: RGB 84 232 162 and RGB 69 247 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 100 216 161, RGB 116 200 160, RGB 131 185 160 and RGB 147 169 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 232 162 shade: RGB 87 232 84, RGB 84 232 121, RGB 84 232 161, RGB 84 232 200 and RGB 84 224 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 232 162 shade: RGB 28 206 122, RGB 48 227 142, RGB 84 232 162, RGB 121 237 182 and RGB 157 242 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 84 126 232 and RGB 232 102 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 161 84 232 and RGB 232 161 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 84 126 232, RGB 232 84 156 and RGB 232 190 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 232 162 shade: RGB 84 232 162, RGB 87 84 232, RGB 232 84 156 and RGB 229 232 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

Complementary color

CMYK 0 / 87 / 46 / 33

HEX #AB175D

RGB 171 23 93

HSL 331.62, 0.76%, 0.38%

LAB 37.95, 60.2, -0.95

 

CMYK 62 / 0 / 32 / 9

HEX #59E89D

RGB 89 232 157

HSL 148.53, 0.76%, 0.63%

LAB 83.06, -55.23, 25.36

 

CMYK 58 / 0 / 30 / 2

HEX #6AFAB0

RGB 106 250 176

HSL 149.17, 0.94%, 0.7%

LAB 89.19, -55.33, 24.1

 

CMYK 52 / 0 / 24 / 0

HEX #7BFFC3

RGB 123 255 195

HSL 152.73, 1%, 0.74%

LAB 91.54, -49.97, 17.72

 

CMYK 45 / 0 / 16 / 0

HEX #8CFFD6

RGB 140 255 214

HSL 158.61, 1%, 0.77%

LAB 92.55, -42.07, 9.48

 

CMYK 38 / 0 / 9 / 0

HEX #9DFFE9

RGB 157 255 233

HSL 166.53, 1%, 0.81%

LAB 93.7, -33.74, 1.42

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 69 / 0 / 33 / 16

HEX #43D68F

RGB 67 214 143

HSL 151.02, 0.64%, 0.55%

LAB 76.84, -54.83, 24.08

 

CMYK 74 / 0 / 37 / 23

HEX #32C47C

RGB 50 196 124

HSL 150.41, 0.59%, 0.48%

LAB 70.6, -54.25, 25.56

 

CMYK 81 / 0 / 41 / 30

HEX #21B269

RGB 33 178 105

HSL 149.79, 0.69%, 0.41%

LAB 64.31, -53.31, 27.17

 

CMYK 90 / 0 / 46 / 37

HEX #10A056

RGB 16 160 86

HSL 149.17, 0.82%, 0.35%

LAB 57.96, -51.87, 28.93

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 64 / 0 / 47 / 9

HEX #54E87A

RGB 84 232 122

HSL 135.41, 0.76%, 0.62%

LAB 82.38, -62.2, 42

 

CMYK 63 / 0 / 64 / 9

HEX #56E854

RGB 86 232 84

HSL 119.19, 0.76%, 0.62%

LAB 82.02, -66.53, 58.78

 

CMYK 46 / 0 / 64 / 9

HEX #7EE854

RGB 126 232 84

HSL 102.97, 0.76%, 0.62%

LAB 83.33, -56.41, 60.59

 

CMYK 28 / 0 / 64 / 9

HEX #A6E854

RGB 166 232 84

HSL 86.76, 0.76%, 0.62%

LAB 85.23, -43.26, 63.2

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 64 / 0 / 13 / 9

HEX #54E8CA

RGB 84 232 202

HSL 167.84, 0.76%, 0.62%

LAB 83.89, -46.23, 3.03

 

CMYK 64 / 4 / 0 / 9

HEX #54DEE8

RGB 84 222 232

HSL 184.05, 0.76%, 0.62%

LAB 81.81, -33.82, -15.93

 

CMYK 64 / 22 / 0 / 9

HEX #54B6E8

RGB 84 182 232

HSL 200.27, 0.76%, 0.62%

LAB 70.29, -13.74, -33.51

 

CMYK 64 / 38 / 0 / 9

HEX #548FE8

RGB 84 143 232

HSL 216.08, 0.76%, 0.62%

LAB 59.3, 8.29, -50.75

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 72 / 0 / 34 / 3

HEX #45F7A3

RGB 69 247 163

HSL 151.69, 0.92%, 0.62%

LAB 87.21, -63.04, 27.86

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 54 / 0 / 25 / 15

HEX #64D8A1

RGB 100 216 161

HSL 151.55, 0.6%, 0.62%

LAB 78.69, -45.57, 17.32

 

CMYK 42 / 0 / 20 / 22

HEX #74C8A0

RGB 116 200 160

HSL 151.43, 0.43%, 0.62%

LAB 74.55, -34.65, 12.12

 

CMYK 29 / 0 / 14 / 27

HEX #83B9A0

RGB 131 185 160

HSL 152.22, 0.28%, 0.62%

LAB 70.91, -23.01, 7.05

 

CMYK 13 / 0 / 6 / 34

HEX #93A99F

RGB 147 169 159

HSL 152.73, 0.11%, 0.62%

LAB 67.34, -9.66, 2.57

 

CMYK 63 / 0 / 64 / 9

HEX #57E854

RGB 87 232 84

HSL 118.78, 0.76%, 0.62%

LAB 82.04, -66.32, 58.81

 

CMYK 64 / 0 / 48 / 9

HEX #54E879

RGB 84 232 121

HSL 135, 0.76%, 0.62%

LAB 82.37, -62.35, 42.47

 

CMYK 64 / 0 / 31 / 9

HEX #54E8A1

RGB 84 232 161

HSL 151.22, 0.76%, 0.62%

LAB 83, -55.37, 23.21

 

CMYK 64 / 0 / 14 / 9

HEX #54E8C8

RGB 84 232 200

HSL 167.03, 0.76%, 0.62%

LAB 83.84, -46.71, 4.01

 

CMYK 64 / 3 / 0 / 9

HEX #54E0E8

RGB 84 224 232

HSL 183.24, 0.76%, 0.62%

LAB 82.39, -34.75, -15.06

 

CMYK 86 / 0 / 41 / 19

HEX #1CCE7A

RGB 28 206 122

HSL 151.69, 0.76%, 0.46%

LAB 73.41, -60.56, 30.27

 

CMYK 79 / 0 / 37 / 11

HEX #30E38E

RGB 48 227 142

HSL 151.51, 0.76%, 0.54%

LAB 80.47, -62.39, 29.42

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 49 / 0 / 23 / 7

HEX #79EDB6

RGB 121 237 182

HSL 151.55, 0.76%, 0.7%

LAB 86.01, -45.41, 16.67

 

CMYK 35 / 0 / 17 / 5

HEX #9DF2CA

RGB 157 242 202

HSL 151.76, 0.77%, 0.78%

LAB 89.36, -34.2, 11.23

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 64 / 46 / 0 / 9

HEX #547EE8

RGB 84 126 232

HSL 222.97, 0.76%, 0.62%

LAB 54.69, 18.54, -58.1

 

CMYK 0 / 56 / 64 / 9

HEX #E86654

RGB 232 102 84

HSL 7.3, 0.76%, 0.62%

LAB 59.25, 49.18, 35.02

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 31 / 64 / 0 / 9

HEX #A154E8

RGB 161 84 232

HSL 271.22, 0.76%, 0.62%

LAB 51.55, 58.25, -62.83

 

CMYK 0 / 31 / 64 / 9

HEX #E8A154

RGB 232 161 84

HSL 31.22, 0.76%, 0.62%

LAB 71.75, 18.9, 49.79

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 64 / 46 / 0 / 9

HEX #547EE8

RGB 84 126 232

HSL 222.97, 0.76%, 0.62%

LAB 54.69, 18.54, -58.1

 

CMYK 0 / 64 / 33 / 9

HEX #E8549C

RGB 232 84 156

HSL 330.81, 0.76%, 0.62%

LAB 57.94, 63.49, -8.49

 

CMYK 0 / 18 / 64 / 9

HEX #E8BE54

RGB 232 190 84

HSL 42.97, 0.76%, 0.62%

LAB 78.82, 3.58, 57.68

 

CMYK 64 / 0 / 30 / 9

HEX #54E8A2

RGB 84 232 162

HSL 151.62, 0.76%, 0.62%

LAB 83.02, -55.17, 22.72

 

CMYK 63 / 64 / 0 / 9

HEX #5754E8

RGB 87 84 232

HSL 241.22, 0.76%, 0.62%

LAB 44.51, 44.62, -74.58

 

CMYK 0 / 64 / 33 / 9

HEX #E8549C

RGB 232 84 156

HSL 330.81, 0.76%, 0.62%

LAB 57.94, 63.49, -8.49

 

CMYK 1 / 0 / 64 / 9

HEX #E5E854

RGB 229 232 84

HSL 61.22, 0.76%, 0.62%

LAB 89.4, -18.88, 68.88

 

Description

Color code: RGB 84 232 162 | qconv.com Color code: RGB 84 232 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 232 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 232 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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