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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 83 5 it is the complementary color RGB 172 172 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 83 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 83 83 5: RGB 88 83 0, RGB 105 101 19, RGB 122 119 38, RGB 139 137 57 and RGB 156 155 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 83 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 83 83 5: RGB 83 83 5, RGB 66 65 0, RGB 49 47 0, RGB 32 29 0 and RGB 15 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

Complementary color

CMYK 31 / 31 / 0 / 2

HEX #ACACFA

RGB 172 172 250

HSL 240, 0.89%, 0.83%

LAB 73.01, 17.32, -38.7

 

CMYK 0 / 6 / 100 / 65

HEX #585300

RGB 88 83 0

HSL 56.59, 1%, 0.17%

LAB 34.52, -7.01, 42.36

 

CMYK 0 / 4 / 82 / 59

HEX #696513

RGB 105 101 19

HSL 57.21, 0.69%, 0.24%

LAB 41.78, -8.4, 43.21

 

CMYK 0 / 2 / 69 / 52

HEX #7A7726

RGB 122 119 38

HSL 57.86, 0.53%, 0.31%

LAB 48.85, -9.48, 43.09

 

CMYK 0 / 1 / 59 / 45

HEX #8B8939

RGB 139 137 57

HSL 58.54, 0.42%, 0.38%

LAB 55.76, -10.29, 42.22

 

CMYK 0 / 1 / 51 / 39

HEX #9C9B4C

RGB 156 155 76

HSL 59.25, 0.34%, 0.45%

LAB 62.53, -10.9, 41.09

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 0 / 2 / 100 / 74

HEX #424100

RGB 66 65 0

HSL 59.09, 1%, 0.13%

LAB 26.56, -7.57, 35.28

 

CMYK 0 / 4 / 100 / 81

HEX #312F00

RGB 49 47 0

HSL 57.55, 1%, 0.1%

LAB 18.74, -5.47, 26.62

 

CMYK 0 / 9 / 100 / 87

HEX #201D00

RGB 32 29 0

HSL 54.38, 1%, 0.06%

LAB 10.45, -3.19, 15.53

 

CMYK 0 / 27 / 100 / 94

HEX #0F0B00

RGB 15 11 0

HSL 44, 1%, 0.03%

LAB 3.08, -0.3, 4.61

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 15 / 0 / 95 / 68

HEX #455104

RGB 69 81 4

HSL 69.35, 0.91%, 0.17%

LAB 32.17, -15.18, 38.4

 

CMYK 31 / 0 / 95 / 68

HEX #385104

RGB 56 81 4

HSL 79.48, 0.91%, 0.17%

LAB 31.19, -21.28, 37.2

 

CMYK 47 / 0 / 95 / 68

HEX #2B5104

RGB 43 81 4

HSL 89.61, 0.91%, 0.17%

LAB 30.42, -26.73, 36.24

 

CMYK 63 / 0 / 95 / 68

HEX #1E5104

RGB 30 81 4

HSL 99.74, 0.91%, 0.17%

LAB 29.84, -31.23, 35.52

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 0 / 0 / 94 / 47

HEX #868608

RGB 134 134 8

HSL 60, 0.89%, 0.28%

LAB 54.17, -13.22, 57.2

 

CMYK 0 / 0 / 94 / 27

HEX #B9B90B

RGB 185 185 11

HSL 60, 0.89%, 0.38%

LAB 72.92, -16.81, 73.04

 

CMYK 0 / 0 / 94 / 7

HEX #ECEC0E

RGB 236 236 14

HSL 60, 0.89%, 0.49%

LAB 90.71, -20.21, 88.01

 

CMYK 0 / 0 / 94 / 87

HEX #202002

RGB 32 32 2

HSL 60, 0.88%, 0.07%

LAB 11.58, -5.01, 16.28

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 95 / 0 / 75 / 68

HEX #045114

RGB 4 81 20

HSL 132.47, 0.91%, 0.17%

LAB 29.31, -35.25, 28.66

 

CMYK 37 / 95 / 0 / 68

HEX #330451

RGB 51 4 81

HSL 276.62, 0.91%, 0.17%

LAB 11.86, 36.06, -35.39

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 95 / 0 / 0 / 68

HEX #045151

RGB 4 81 81

HSL 180, 0.91%, 0.17%

LAB 30.65, -20.5, -6.05

 

CMYK 0 / 95 / 0 / 68

HEX #510451

RGB 81 4 81

HSL 300, 0.91%, 0.17%

LAB 17.6, 41.54, -25.82

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 95 / 0 / 75 / 68

HEX #045114

RGB 4 81 20

HSL 132.47, 0.91%, 0.17%

LAB 29.31, -35.25, 28.66

 

CMYK 95 / 95 / 0 / 68

HEX #040451

RGB 4 4 81

HSL 240, 0.91%, 0.17%

LAB 6.38, 31.09, -44.6

 

CMYK 0 / 95 / 19 / 68

HEX #510442

RGB 81 4 66

HSL 311.69, 0.91%, 0.17%

LAB 16.65, 39.08, -16.97

 

CMYK 0 / 0 / 94 / 67

HEX #535305

RGB 83 83 5

HSL 60, 0.89%, 0.17%

LAB 34.06, -9.35, 40.11

 

CMYK 95 / 0 / 47 / 68

HEX #04512B

RGB 4 81 43

HSL 150.39, 0.91%, 0.17%

LAB 29.63, -31.46, 16.44

 

CMYK 95 / 95 / 0 / 68

HEX #040451

RGB 4 4 81

HSL 240, 0.91%, 0.17%

LAB 6.38, 31.09, -44.6

 

CMYK 0 / 95 / 47 / 68

HEX #51042B

RGB 81 4 43

HSL 329.61, 0.91%, 0.17%

LAB 15.54, 36.09, -2.23

 

Description

Color code: RGB 83 83 5 | qconv.com Color code: RGB 83 83 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 83 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 83 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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