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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82.1 144.8 80 it is the complementary color RGB 172.9 110.2 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82.1 144.8 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82.1 144.8 80 shade: RGB 87.1 144.8 75, RGB 104.1 162.8 94, RGB 121.1 180.8 113, RGB 138.1 198.8 132 and RGB 155.1 216.8 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82.1 144.8 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82.1 144.8 80 shade: RGB 82.1 144.8 80, RGB 65.1 126.8 61, RGB 48.1 108.8 42, RGB 31.1 90.8 23 and RGB 14.1 72.8 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82.1 144.8 80 shade: RGB 82 145 80, RGB 99 145 80, RGB 117 145 80, RGB 134 145 80 and RGB 145 138 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82.1 144.8 80 shade: RGB 82 145 80, RGB 80 145 95, RGB 80 145 113, RGB 80 145 130 and RGB 80 142 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82.1 144.8 80 shade matches the following richer shades: RGB 82 145 80, RGB 65 163 62, RGB 48 181 43, RGB 31 199 25 and RGB 14 217 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82.1 144.8 80 shade: RGB 82 145 80, RGB 99 127 98, RGB 116 108 116, RGB 133 90 134 and RGB 150 72 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82.1 144.8 80 shade: RGB 117 145 80, RGB 99 145 80, RGB 82 145 80, RGB 80 145 95 and RGB 80 145 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82.1 144.8 80 shade: RGB 52 92 50, RGB 67 118 65, RGB 82 145 80, RGB 100 168 97 and RGB 126 183 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82.1 144.8 80 shade: RGB 82.1 144.8 80, RGB 80 134 145 and RGB 145 80 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82.1 144.8 80 shade: RGB 82.1 144.8 80, RGB 80 82 145 and RGB 145 80 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82.1 144.8 80 shade: RGB 82.1 144.8 80, RGB 80 134 145, RGB 143 80 145 and RGB 145 91 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82.1 144.8 80 shade: RGB 82.1 144.8 80, RGB 80 114 145, RGB 143 80 145 and RGB 145 110 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

Complementary color

CMYK 1 / 37 / 0 / 31

HEX #AC6EAF

RGB 172.9 110.2 175

HSL 298.06, 0.29%, 0.56%

LAB 55.24, 35.42, -24.38

 

CMYK 40 / 0 / 48 / 43

HEX #57904B

RGB 87.1 144.8 75

HSL 109.6, 0.32%, 0.43%

LAB 54.79, -33.12, 31.11

 

CMYK 36 / 0 / 42 / 36

HEX #68A25E

RGB 104.1 162.8 94

HSL 111.19, 0.27%, 0.5%

LAB 61.55, -32.95, 29.82

 

CMYK 33 / 0 / 38 / 29

HEX #79B471

RGB 121.1 180.8 113

HSL 112.83, 0.31%, 0.58%

LAB 68.19, -32.74, 28.58

 

CMYK 31 / 0 / 34 / 22

HEX #8AC684

RGB 138.1 198.8 132

HSL 114.52, 0.37%, 0.65%

LAB 74.72, -32.51, 27.41

 

CMYK 28 / 0 / 30 / 15

HEX #9BD897

RGB 155.1 216.8 151

HSL 116.26, 0.46%, 0.72%

LAB 81.15, -32.28, 26.31

 

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

CMYK 49 / 0 / 52 / 50

HEX #417E3D

RGB 65.1 126.8 61

HSL 116.26, 0.35%, 0.37%

LAB 47.74, -34.13, 29.55

 

CMYK 56 / 0 / 61 / 57

HEX #306C2A

RGB 48.1 108.8 42

HSL 114.52, 0.44%, 0.3%

LAB 40.72, -34.03, 30.91

 

CMYK 66 / 0 / 75 / 64

HEX #1F5A17

RGB 31.1 90.8 23

HSL 112.83, 0.6%, 0.22%

LAB 33.57, -33.49, 31.98

 

CMYK 81 / 0 / 95 / 71

HEX #0E4804

RGB 14.1 72.8 4

HSL 111.19, 0.9%, 0.15%

LAB 26.28, -32.09, 32.24

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 32 / 0 / 45 / 43

HEX #639150

RGB 99 145 80

HSL 102.46, 0.29%, 0.44%

LAB 55.57, -28.32, 29.57

 

CMYK 19 / 0 / 45 / 43

HEX #759150

RGB 117 145 80

HSL 85.85, 0.29%, 0.44%

LAB 56.7, -21.45, 31.23

 

CMYK 8 / 0 / 45 / 43

HEX #869150

RGB 134 145 80

HSL 70.15, 0.29%, 0.44%

LAB 57.94, -14.51, 33.05

 

CMYK 0 / 5 / 45 / 43

HEX #918A50

RGB 145 138 80

HSL 53.54, 0.29%, 0.44%

LAB 56.86, -6.05, 31.9

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 45 / 0 / 34 / 43

HEX #50915F

RGB 80 145 95

HSL 133.85, 0.29%, 0.44%

LAB 54.85, -32.21, 20.24

 

CMYK 45 / 0 / 22 / 43

HEX #509171

RGB 80 145 113

HSL 150.46, 0.29%, 0.44%

LAB 55.22, -28.56, 10.6

 

CMYK 45 / 0 / 10 / 43

HEX #509182

RGB 80 145 130

HSL 166.15, 0.29%, 0.44%

LAB 55.65, -24.6, 1.48

 

CMYK 45 / 2 / 0 / 43

HEX #508E91

RGB 80 142 145

HSL 182.77, 0.29%, 0.44%

LAB 55.17, -19.15, -7.85

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 60 / 0 / 62 / 36

HEX #41A33E

RGB 65 163 62

HSL 118.22, 0.45%, 0.44%

LAB 59.59, -48.88, 43.05

 

CMYK 73 / 0 / 76 / 29

HEX #30B52B

RGB 48 181 43

HSL 117.83, 0.62%, 0.44%

LAB 64.84, -60.38, 56.11

 

CMYK 84 / 0 / 87 / 22

HEX #1FC719

RGB 31 199 25

HSL 117.93, 0.78%, 0.44%

LAB 70.32, -69.02, 65.92

 

CMYK 94 / 0 / 97 / 15

HEX #0ED907

RGB 14 217 7

HSL 118, 0.94%, 0.44%

LAB 75.91, -75.65, 73.04

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 22 / 0 / 23 / 50

HEX #637F62

RGB 99 127 98

HSL 117.93, 0.13%, 0.44%

LAB 50.35, -16.15, 12.55

 

CMYK 0 / 7 / 0 / 55

HEX #746C74

RGB 116 108 116

HSL 300, 0.04%, 0.44%

LAB 46.58, 4.71, -3.33

 

CMYK 1 / 33 / 0 / 47

HEX #855A86

RGB 133 90 134

HSL 298.64, 0.2%, 0.44%

LAB 44.26, 25.41, -17.47

 

CMYK 1 / 53 / 0 / 40

HEX #964898

RGB 150 72 152

HSL 298.5, 0.36%, 0.44%

LAB 43.34, 44.39, -29.55

 

CMYK 19 / 0 / 45 / 43

HEX #759150

RGB 117 145 80

HSL 85.85, 0.29%, 0.44%

LAB 56.7, -21.45, 31.23

 

CMYK 32 / 0 / 45 / 43

HEX #639150

RGB 99 145 80

HSL 102.46, 0.29%, 0.44%

LAB 55.57, -28.32, 29.57

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 45 / 0 / 34 / 43

HEX #50915F

RGB 80 145 95

HSL 133.85, 0.29%, 0.44%

LAB 54.85, -32.21, 20.24

 

CMYK 45 / 0 / 23 / 43

HEX #509170

RGB 80 145 112

HSL 149.54, 0.29%, 0.44%

LAB 55.2, -28.78, 11.14

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 43 / 0 / 45 / 54

HEX #437641

RGB 67 118 65

HSL 117.74, 0.29%, 0.36%

LAB 44.99, -28.83, 23.93

 

CMYK 43 / 0 / 45 / 43

HEX #529150

RGB 82 145 80

HSL 118.15, 0.29%, 0.44%

LAB 54.68, -34.15, 28.26

 

CMYK 40 / 0 / 42 / 34

HEX #64A861

RGB 100 168 97

HSL 117.46, 0.29%, 0.52%

LAB 62.99, -36.23, 30.05

 

CMYK 31 / 0 / 32 / 28

HEX #7EB77C

RGB 126 183 124

HSL 117.97, 0.29%, 0.6%

LAB 69.3, -30.37, 24.26

 

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

CMYK 45 / 8 / 0 / 43

HEX #508691

RGB 80 134 145

HSL 190.15, 0.29%, 0.44%

LAB 52.73, -14.85, -11.51

 

CMYK 0 / 45 / 26 / 43

HEX #91506C

RGB 145 80 108

HSL 334.15, 0.29%, 0.44%

LAB 42.52, 30.86, -4.1

 

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

CMYK 45 / 43 / 0 / 43

HEX #505291

RGB 80 82 145

HSL 238.15, 0.29%, 0.44%

LAB 37.45, 16.44, -35.14

 

CMYK 0 / 45 / 43 / 43

HEX #915052

RGB 145 80 82

HSL 358.15, 0.29%, 0.44%

LAB 41.79, 27.37, 10.87

 

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

CMYK 45 / 8 / 0 / 43

HEX #508691

RGB 80 134 145

HSL 190.15, 0.29%, 0.44%

LAB 52.73, -14.85, -11.51

 

CMYK 1 / 45 / 0 / 43

HEX #8F5091

RGB 143 80 145

HSL 298.15, 0.29%, 0.44%

LAB 43.68, 36.66, -24.88

 

CMYK 0 / 37 / 45 / 43

HEX #915B50

RGB 145 91 80

HSL 10.15, 0.29%, 0.44%

LAB 44.35, 20.85, 15.6

 

CMYK 43 / 0 / 45 / 43

HEX #529050

RGB 82.1 144.8 80

HSL 118.06, 0.29%, 0.44%

LAB 54.62, -34.02, 28.19

 

CMYK 45 / 21 / 0 / 43

HEX #507291

RGB 80 114 145

HSL 208.62, 0.29%, 0.44%

LAB 46.69, -3.44, -20.7

 

CMYK 1 / 45 / 0 / 43

HEX #8F5091

RGB 143 80 145

HSL 298.15, 0.29%, 0.44%

LAB 43.68, 36.66, -24.88

 

CMYK 0 / 24 / 45 / 43

HEX #916E50

RGB 145 110 80

HSL 27.69, 0.29%, 0.44%

LAB 49.19, 9.81, 22.08

 

Description

Color code: RGB 82.1 144.8 80 | qconv.com Color code: RGB 82.1 144.8 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82.1 red, 144.8 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82.1 144.8 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 45 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 45% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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