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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 43 28 it is the complementary color RGB 174 212 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 43 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 81 43 28: RGB 86 43 23, RGB 103 61 42, RGB 120 79 61, RGB 137 97 80 and RGB 154 115 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 43 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 81 43 28: RGB 81 43 28, RGB 64 25 9, RGB 47 7 0, RGB 30 0 0 and RGB 13 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

Complementary color

CMYK 23 / 7 / 0 / 11

HEX #AED4E3

RGB 174 212 227

HSL 196.98, 0.49%, 0.79%

LAB 82.72, -9.19, -11.52

 

CMYK 0 / 50 / 73 / 66

HEX #562B17

RGB 86 43 23

HSL 19.05, 0.58%, 0.21%

LAB 22.89, 17.91, 21.55

 

CMYK 0 / 41 / 59 / 60

HEX #673D2A

RGB 103 61 42

HSL 18.69, 0.42%, 0.28%

LAB 30.37, 16.29, 19.42

 

CMYK 0 / 34 / 49 / 53

HEX #784F3D

RGB 120 79 61

HSL 18.31, 0.33%, 0.35%

LAB 37.7, 14.99, 17.64

 

CMYK 0 / 29 / 42 / 46

HEX #896150

RGB 137 97 80

HSL 17.89, 0.26%, 0.43%

LAB 44.87, 13.94, 16.14

 

CMYK 0 / 25 / 36 / 40

HEX #9A7363

RGB 154 115 99

HSL 17.45, 0.22%, 0.5%

LAB 51.87, 13.08, 14.83

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 0 / 61 / 86 / 75

HEX #401909

RGB 64 25 9

HSL 17.45, 0.75%, 0.14%

LAB 14.43, 17.76, 18.09

 

CMYK 0 / 85 / 100 / 82

HEX #2F0700

RGB 47 7 0

HSL 8.94, 1%, 0.09%

LAB 6.83, 19.55, 10.63

 

CMYK 0 / 100 / 100 / 88

HEX #1E0000

RGB 30 0 0

HSL 0, 1%, 0.06%

LAB 2.49, 11.19, 3.94

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 0 / 37 / 66 / 69

HEX #4F321B

RGB 79 50 27

HSL 26.54, 0.49%, 0.21%

LAB 23.75, 10.4, 19.82

 

CMYK 0 / 27 / 66 / 69

HEX #4F3A1B

RGB 79 58 27

HSL 35.77, 0.49%, 0.21%

LAB 26.06, 5.23, 22.56

 

CMYK 0 / 15 / 66 / 69

HEX #4F431B

RGB 79 67 27

HSL 46.15, 0.49%, 0.21%

LAB 28.79, -0.49, 25.7

 

CMYK 0 / 4 / 66 / 69

HEX #4F4C1B

RGB 79 76 27

HSL 56.54, 0.49%, 0.21%

LAB 31.6, -6.02, 28.83

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 0 / 47 / 65 / 48

HEX #84462E

RGB 132 70 46

HSL 16.74, 0.48%, 0.35%

LAB 36.9, 24.2, 26

 

CMYK 0 / 47 / 66 / 28

HEX #B7613F

RGB 183 97 63

HSL 17, 0.49%, 0.48%

LAB 50.66, 31.75, 34.57

 

CMYK 0 / 47 / 65 / 8

HEX #EA7C51

RGB 234 124 81

HSL 16.86, 0.78%, 0.62%

LAB 63.76, 38.94, 42.12

 

CMYK 0 / 47 / 67 / 88

HEX #1E100A

RGB 30 16 10

HSL 18, 0.5%, 0.08%

LAB 6.04, 5.74, 5.04

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 30 / 0 / 66 / 69

HEX #374F1B

RGB 55 79 27

HSL 87.69, 0.49%, 0.21%

LAB 30.6, -19.06, 27.16

 

CMYK 66 / 57 / 0 / 69

HEX #1B224F

RGB 27 34 79

HSL 231.92, 0.49%, 0.21%

LAB 15.18, 13.02, -28.75

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 66 / 0 / 48 / 69

HEX #1B4F29

RGB 27 79 41

HSL 136.15, 0.49%, 0.21%

LAB 29.37, -26.92, 17.42

 

CMYK 48 / 66 / 0 / 69

HEX #291B4F

RGB 41 27 79

HSL 256.15, 0.49%, 0.21%

LAB 14.51, 21.38, -29.76

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 30 / 0 / 66 / 69

HEX #374F1B

RGB 55 79 27

HSL 87.69, 0.49%, 0.21%

LAB 30.6, -19.06, 27.16

 

CMYK 66 / 18 / 0 / 69

HEX #1B414F

RGB 27 65 79

HSL 196.15, 0.49%, 0.21%

LAB 25.5, -8.6, -12.51

 

CMYK 35 / 66 / 0 / 69

HEX #331B4F

RGB 51 27 79

HSL 267.69, 0.49%, 0.21%

LAB 15.76, 24.03, -27.69

 

CMYK 0 / 47 / 65 / 68

HEX #512B1C

RGB 81 43 28

HSL 16.98, 0.49%, 0.21%

LAB 22.16, 15.94, 17.32

 

CMYK 51 / 0 / 66 / 69

HEX #274F1B

RGB 39 79 27

HSL 106.15, 0.49%, 0.21%

LAB 29.67, -25.43, 25.86

 

CMYK 66 / 18 / 0 / 69

HEX #1B414F

RGB 27 65 79

HSL 196.15, 0.49%, 0.21%

LAB 25.5, -8.6, -12.51

 

CMYK 15 / 66 / 0 / 69

HEX #431B4F

RGB 67 27 79

HSL 286.15, 0.49%, 0.21%

LAB 18.11, 28.6, -23.8

 

Description

Color code: RGB 81 43 28 | qconv.com Color code: RGB 81 43 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 43 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 43 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 65 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 65% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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