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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 72 59 it is the complementary color RGB 175 183 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 72 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 72 59: RGB 85 72 54, RGB 102 90 73, RGB 119 108 92, RGB 136 126 111 and RGB 153 144 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 72 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 72 59: RGB 80 72 59, RGB 63 54 40, RGB 46 36 21, RGB 29 18 2 and RGB 12 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

Complementary color

CMYK 11 / 7 / 0 / 23

HEX #AFB7C4

RGB 175 183 196

HSL 217.14, 0.15%, 0.73%

LAB 74.17, -0.19, -7.54

 

CMYK 0 / 15 / 36 / 67

HEX #554836

RGB 85 72 54

HSL 34.84, 0.22%, 0.27%

LAB 31.42, 2.44, 12.85

 

CMYK 0 / 12 / 28 / 60

HEX #665A49

RGB 102 90 73

HSL 35.17, 0.17%, 0.34%

LAB 38.93, 1.91, 11.62

 

CMYK 0 / 9 / 23 / 53

HEX #776C5C

RGB 119 108 92

HSL 35.56, 0.13%, 0.41%

LAB 46.2, 1.49, 10.52

 

CMYK 0 / 7 / 18 / 47

HEX #887E6F

RGB 136 126 111

HSL 36, 0.1%, 0.48%

LAB 53.28, 1.15, 9.54

 

CMYK 0 / 6 / 15 / 40

HEX #999082

RGB 153 144 130

HSL 36.52, 0.1%, 0.55%

LAB 60.19, 0.86, 8.63

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 0 / 14 / 37 / 75

HEX #3F3628

RGB 63 54 40

HSL 36.52, 0.22%, 0.2%

LAB 23.16, 1.44, 10.28

 

CMYK 0 / 22 / 54 / 82

HEX #2E2415

RGB 46 36 21

HSL 36, 0.37%, 0.13%

LAB 14.94, 2.19, 11.79

 

CMYK 0 / 38 / 93 / 89

HEX #1D1202

RGB 29 18 2

HSL 35.56, 0.87%, 0.06%

LAB 6.31, 2.88, 8.68

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 0 / 6 / 27 / 69

HEX #4F4A3A

RGB 79 74 58

HSL 45.71, 0.15%, 0.27%

LAB 31.5, -0.93, 10.33

 

CMYK 0 / 1 / 27 / 69

HEX #4F4E3A

RGB 79 78 58

HSL 57.14, 0.15%, 0.27%

LAB 32.74, -3.4, 12.03

 

CMYK 4 / 0 / 27 / 69

HEX #4C4F3A

RGB 76 79 58

HSL 68.57, 0.15%, 0.27%

LAB 32.78, -5.35, 12.03

 

CMYK 8 / 0 / 27 / 69

HEX #494F3A

RGB 73 79 58

HSL 77.14, 0.15%, 0.27%

LAB 32.51, -6.67, 11.63

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 0 / 10 / 26 / 49

HEX #837661

RGB 131 118 97

HSL 37.06, 0.15%, 0.45%

LAB 50.27, 1.47, 13.41

 

CMYK 0 / 10 / 26 / 29

HEX #B6A486

RGB 182 164 134

HSL 37.5, 0.25%, 0.62%

LAB 68.18, 1.81, 17.97

 

CMYK 0 / 10 / 26 / 9

HEX #E9D2AC

RGB 233 210 172

HSL 37.38, 0.58%, 0.79%

LAB 85.2, 2.27, 21.77

 

CMYK 0 / 10 / 28 / 89

HEX #1D1A15

RGB 29 26 21

HSL 37.5, 0.16%, 0.1%

LAB 9.43, 0.35, 3.97

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 22 / 0 / 27 / 69

HEX #3E4F3A

RGB 62 79 58

HSL 108.57, 0.15%, 0.27%

LAB 31.63, -11.36, 10.27

 

CMYK 22 / 27 / 0 / 69

HEX #3E3A4F

RGB 62 58 79

HSL 251.43, 0.15%, 0.27%

LAB 25.61, 6.88, -12.13

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 27 / 0 / 10 / 69

HEX #3A4F47

RGB 58 79 71

HSL 157.14, 0.15%, 0.27%

LAB 31.68, -10.08, 2.08

 

CMYK 10 / 27 / 0 / 69

HEX #473A4F

RGB 71 58 79

HSL 277.14, 0.15%, 0.27%

LAB 26.54, 10.32, -10.63

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 22 / 0 / 27 / 69

HEX #3E4F3A

RGB 62 79 58

HSL 108.57, 0.15%, 0.27%

LAB 31.63, -11.36, 10.27

 

CMYK 27 / 16 / 0 / 69

HEX #3A424F

RGB 58 66 79

HSL 217.14, 0.15%, 0.27%

LAB 27.74, 0.12, -8.92

 

CMYK 5 / 27 / 0 / 69

HEX #4B3A4F

RGB 75 58 79

HSL 288.57, 0.15%, 0.27%

LAB 26.98, 11.89, -9.91

 

CMYK 0 / 10 / 26 / 69

HEX #50483B

RGB 80 72 59

HSL 37.14, 0.15%, 0.27%

LAB 31.01, 0.94, 9.03

 

CMYK 27 / 0 / 24 / 69

HEX #3A4F3C

RGB 58 79 60

HSL 125.71, 0.15%, 0.27%

LAB 31.39, -12.56, 8.64

 

CMYK 27 / 16 / 0 / 69

HEX #3A424F

RGB 58 66 79

HSL 217.14, 0.15%, 0.27%

LAB 27.74, 0.12, -8.92

 

CMYK 0 / 27 / 4 / 69

HEX #4F3A4C

RGB 79 58 76

HSL 308.57, 0.15%, 0.27%

LAB 27.33, 12.8, -7.38

 

Description

Color code: RGB 80 72 59 | qconv.com Color code: RGB 80 72 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 72 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 72 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 26 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 26% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Hand Made With Love ...
Link: http://www.goranfactory.com

20% - English | Jaguar Lan...
Link: http://www.jaguarlandrover.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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