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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 130 56 it is the complementary color RGB 175 125 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 130 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 130 56: RGB 85 130 51, RGB 102 148 70, RGB 119 166 89, RGB 136 184 108 and RGB 153 202 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 130 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 130 56: RGB 80 130 56, RGB 63 112 37, RGB 46 94 18, RGB 29 76 0 and RGB 12 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

Complementary color

CMYK 12 / 37 / 0 / 22

HEX #AF7DC7

RGB 175 125 199

HSL 280.54, 0.4%, 0.64%

LAB 59.8, 32.74, -31.02

 

CMYK 35 / 0 / 61 / 49

HEX #558233

RGB 85 130 51

HSL 94.18, 0.44%, 0.35%

LAB 49.66, -29.93, 37.17

 

CMYK 31 / 0 / 53 / 42

HEX #669446

RGB 102 148 70

HSL 95.38, 0.36%, 0.43%

LAB 56.53, -29.96, 36.02

 

CMYK 28 / 0 / 46 / 35

HEX #77A659

RGB 119 166 89

HSL 96.62, 0.3%, 0.5%

LAB 63.27, -29.9, 34.79

 

CMYK 26 / 0 / 41 / 28

HEX #88B86C

RGB 136 184 108

HSL 97.89, 0.35%, 0.57%

LAB 69.89, -29.79, 33.57

 

CMYK 24 / 0 / 37 / 21

HEX #99CA7F

RGB 153 202 127

HSL 99.2, 0.41%, 0.65%

LAB 76.4, -29.66, 32.39

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 44 / 0 / 67 / 56

HEX #3F7025

RGB 63 112 37

HSL 99.2, 0.5%, 0.29%

LAB 42.43, -31.11, 35.46

 

CMYK 51 / 0 / 81 / 63

HEX #2E5E12

RGB 46 94 18

HSL 97.89, 0.68%, 0.22%

LAB 35.26, -30.67, 35.95

 

CMYK 62 / 0 / 100 / 70

HEX #1D4C00

RGB 29 76 0

HSL 97.11, 1%, 0.15%

LAB 27.93, -29.74, 35.49

 

CMYK 79 / 0 / 100 / 77

HEX #0C3A00

RGB 12 58 0

HSL 107.59, 1%, 0.11%

LAB 20.46, -27.29, 27.95

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 48 / 0 / 57 / 50

HEX #438037

RGB 67 128 55

HSL 110.14, 0.4%, 0.36%

LAB 48.14, -34.88, 33.18

 

CMYK 57 / 0 / 57 / 50

HEX #378037

RGB 55 128 55

HSL 120, 0.4%, 0.36%

LAB 47.66, -38.47, 32.49

 

CMYK 57 / 0 / 48 / 50

HEX #378043

RGB 55 128 67

HSL 129.86, 0.4%, 0.36%

LAB 47.82, -36.66, 26.34

 

CMYK 57 / 0 / 38 / 50

HEX #37804F

RGB 55 128 79

HSL 139.73, 0.4%, 0.36%

LAB 48.03, -34.5, 19.92

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 39 / 0 / 57 / 29

HEX #6FB54E

RGB 111 181 78

HSL 100.78, 0.41%, 0.51%

LAB 67.26, -40.87, 44.93

 

CMYK 38 / 0 / 57 / 9

HEX #8FE864

RGB 143 232 100

HSL 100.45, 0.74%, 0.65%

LAB 84.21, -49.65, 54.96

 

CMYK 39 / 0 / 57 / 89

HEX #111C0C

RGB 17 28 12

HSL 101.25, 0.4%, 0.08%

LAB 8.79, -8.7, 8.03

 

CMYK 38 / 0 / 57 / 69

HEX #314F22

RGB 49 79 34

HSL 100, 0.4%, 0.22%

LAB 30.3, -20.72, 22.9

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 57 / 0 / 8 / 50

HEX #378076

RGB 55 128 118

HSL 171.78, 0.4%, 0.36%

LAB 48.96, -25.28, -1.44

 

CMYK 0 / 57 / 16 / 50

HEX #80376C

RGB 128 55 108

HSL 316.44, 0.4%, 0.36%

LAB 34.81, 38.44, -15.98

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 57 / 38 / 0 / 50

HEX #374F80

RGB 55 79 128

HSL 220.27, 0.4%, 0.36%

LAB 33.91, 6.43, -30.46

 

CMYK 0 / 57 / 38 / 50

HEX #80374F

RGB 128 55 79

HSL 340.27, 0.4%, 0.36%

LAB 33.74, 34.16, 0.95

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 57 / 0 / 8 / 50

HEX #378076

RGB 55 128 118

HSL 171.78, 0.4%, 0.36%

LAB 48.96, -25.28, -1.44

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 57 / 50 / 50

HEX #803740

RGB 128 55 64

HSL 352.6, 0.4%, 0.36%

LAB 33.33, 32.44, 10.04

 

CMYK 38 / 0 / 57 / 49

HEX #508238

RGB 80 130 56

HSL 100.54, 0.4%, 0.36%

LAB 49.44, -31.22, 34.37

 

CMYK 57 / 9 / 0 / 50

HEX #377480

RGB 55 116 128

HSL 189.86, 0.4%, 0.36%

LAB 45.44, -16, -12.61

 

CMYK 19 / 57 / 0 / 50

HEX #683780

RGB 104 55 128

HSL 280.27, 0.4%, 0.36%

LAB 32.33, 35.12, -32.66

 

CMYK 0 / 48 / 57 / 50

HEX #804337

RGB 128 67 55

HSL 9.86, 0.4%, 0.36%

LAB 35.75, 24.94, 18.98

 

Description

Color code: RGB 80 130 56 | qconv.com Color code: RGB 80 130 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 130 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 130 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 57 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 57% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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