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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 128.6 141.6 it is the complementary color RGB 175 126.4 113.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 128.6 141.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 128.6 141.6 shade: RGB 85 128.6 136.6, RGB 102 146.6 155.6, RGB 119 164.6 174.6, RGB 136 182.6 193.6 and RGB 153 200.6 212.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 128.6 141.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 128.6 141.6 shade: RGB 80 128.6 141.6, RGB 63 110.6 122.6, RGB 46 92.6 103.6, RGB 29 74.6 84.6 and RGB 12 56.6 65.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 128.6 141.6 shade: RGB 79 127 140, RGB 79 111 140, RGB 79 94 140, RGB 80 79 140 and RGB 97 79 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 128.6 141.6 shade: RGB 79 127 140, RGB 79 111 140, RGB 79 94 140 and RGB 79 79 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 128.6 141.6 shade matches the following richer shades: RGB 79 127 140, RGB 61 138 158, RGB 43 148 176, RGB 26 158 194 and RGB 8 168 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 128.6 141.6 shade: RGB 79 127 140, RGB 97 117 123, RGB 114 107 105, RGB 132 97 87 and RGB 150 86 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 128.6 141.6 shade: RGB 79 140 120, RGB 79 140 136, RGB 79 128 140, RGB 79 112 140 and RGB 79 95 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 128.6 141.6 shade: RGB 49 79 88, RGB 64 103 114, RGB 79 127 140, RGB 95 150 165 and RGB 122 168 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 128.6 141.6 shade: RGB 80 128.6 141.6, RGB 104 79 140 and RGB 140 128 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 128.6 141.6 shade: RGB 80 128.6 141.6, RGB 140 79 128 and RGB 128 140 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 128.6 141.6 shade: RGB 80 128.6 141.6, RGB 104 79 140, RGB 140 91 79 and RGB 116 140 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 128.6 141.6 shade: RGB 80 128.6 141.6, RGB 122 79 140, RGB 140 91 79 and RGB 97 140 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

Complementary color

CMYK 0 / 28 / 35 / 31

HEX #AF7E71

RGB 175 126.4 113.4

HSL 12.66, 0.28%, 0.57%

LAB 57.4, 17.06, 14.51

 

CMYK 38 / 6 / 0 / 46

HEX #558088

RGB 85 128.6 136.6

HSL 189.3, 0.23%, 0.43%

LAB 51.06, -12.8, -9.09

 

CMYK 34 / 6 / 0 / 39

HEX #66929B

RGB 102 146.6 155.6

HSL 190.07, 0.21%, 0.51%

LAB 57.99, -12.79, -9.6

 

CMYK 32 / 6 / 0 / 32

HEX #77A4AE

RGB 119 164.6 174.6

HSL 190.79, 0.26%, 0.58%

LAB 64.78, -12.78, -10.1

 

CMYK 30 / 6 / 0 / 24

HEX #88B6C1

RGB 136 182.6 193.6

HSL 191.46, 0.32%, 0.65%

LAB 71.43, -12.76, -10.58

 

CMYK 28 / 6 / 0 / 17

HEX #99C8D4

RGB 153 200.6 212.6

HSL 192.08, 0.41%, 0.72%

LAB 77.96, -12.75, -11.04

 

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

CMYK 49 / 10 / 0 / 52

HEX #3F6E7A

RGB 63 110.6 122.6

HSL 192.08, 0.32%, 0.36%

LAB 43.88, -12.7, -11.7

 

CMYK 56 / 11 / 0 / 59

HEX #2E5C67

RGB 46 92.6 103.6

HSL 191.46, 0.39%, 0.29%

LAB 36.61, -12.47, -11.18

 

CMYK 66 / 12 / 0 / 67

HEX #1D4A54

RGB 29 74.6 84.6

HSL 190.79, 0.49%, 0.22%

LAB 29.13, -12.06, -10.6

 

CMYK 82 / 14 / 0 / 74

HEX #0C3841

RGB 12 56.6 65.6

HSL 190.07, 0.69%, 0.15%

LAB 21.41, -11.23, -9.9

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 44 / 21 / 0 / 45

HEX #4F6F8C

RGB 79 111 140

HSL 208.52, 0.28%, 0.43%

LAB 45.53, -3.43, -19.52

 

CMYK 44 / 33 / 0 / 45

HEX #4F5E8C

RGB 79 94 140

HSL 225.25, 0.28%, 0.43%

LAB 40.51, 6.98, -27.3

 

CMYK 43 / 44 / 0 / 45

HEX #504F8C

RGB 80 79 140

HSL 240.98, 0.28%, 0.43%

LAB 36.35, 16.82, -33.84

 

CMYK 31 / 44 / 0 / 45

HEX #614F8C

RGB 97 79 140

HSL 257.7, 0.28%, 0.43%

LAB 37.89, 21.71, -31.31

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 44 / 21 / 0 / 45

HEX #4F6F8C

RGB 79 111 140

HSL 208.52, 0.28%, 0.43%

LAB 45.53, -3.43, -19.52

 

CMYK 44 / 33 / 0 / 45

HEX #4F5E8C

RGB 79 94 140

HSL 225.25, 0.28%, 0.43%

LAB 40.51, 6.98, -27.3

 

CMYK 44 / 44 / 0 / 45

HEX #4F4F8C

RGB 79 79 140

HSL 240, 0.28%, 0.43%

LAB 36.27, 16.54, -33.98

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 61 / 13 / 0 / 38

HEX #3D8A9E

RGB 61 138 158

HSL 192.37, 0.44%, 0.43%

LAB 53.64, -17.45, -17.74

 

CMYK 76 / 16 / 0 / 31

HEX #2B94B0

RGB 43 148 176

HSL 192.63, 0.61%, 0.43%

LAB 56.91, -19.75, -23.1

 

CMYK 87 / 19 / 0 / 24

HEX #1A9EC2

RGB 26 158 194

HSL 192.86, 0.76%, 0.43%

LAB 60.4, -20.5, -27.92

 

CMYK 96 / 20 / 0 / 17

HEX #08A8D3

RGB 8 168 211

HSL 192.71, 0.93%, 0.43%

LAB 63.97, -20.69, -31.89

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 21 / 5 / 0 / 52

HEX #61757B

RGB 97 117 123

HSL 193.85, 0.12%, 0.43%

LAB 47.87, -5.92, -5.75

 

CMYK 0 / 6 / 8 / 55

HEX #726B69

RGB 114 107 105

HSL 13.33, 0.04%, 0.43%

LAB 45.79, 2.34, 2.09

 

CMYK 0 / 27 / 34 / 48

HEX #846157

RGB 132 97 87

HSL 13.33, 0.21%, 0.43%

LAB 44.44, 12.73, 11.25

 

CMYK 0 / 43 / 54 / 41

HEX #965645

RGB 150 86 69

HSL 12.59, 0.37%, 0.43%

LAB 43.61, 24.67, 21.32

 

CMYK 44 / 0 / 14 / 45

HEX #4F8C78

RGB 79 140 120

HSL 160.33, 0.28%, 0.43%

LAB 53.79, -24.77, 4.53

 

CMYK 44 / 0 / 3 / 45

HEX #4F8C88

RGB 79 140 136

HSL 176.07, 0.28%, 0.43%

LAB 54.23, -20.76, -4.06

 

CMYK 44 / 9 / 0 / 45

HEX #4F808C

RGB 79 128 140

HSL 191.8, 0.28%, 0.43%

LAB 50.68, -13.21, -11.69

 

CMYK 44 / 20 / 0 / 45

HEX #4F708C

RGB 79 112 140

HSL 207.54, 0.28%, 0.43%

LAB 45.83, -4.02, -19.06

 

CMYK 44 / 32 / 0 / 45

HEX #4F5F8C

RGB 79 95 140

HSL 224.26, 0.28%, 0.43%

LAB 40.8, 6.35, -26.85

 

CMYK 44 / 10 / 0 / 65

HEX #314F58

RGB 49 79 88

HSL 193.85, 0.28%, 0.27%

LAB 31.69, -8.45, -8.8

 

CMYK 44 / 10 / 0 / 55

HEX #406772

RGB 64 103 114

HSL 193.2, 0.28%, 0.35%

LAB 41.22, -10.6, -10.51

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 42 / 9 / 0 / 35

HEX #5F96A5

RGB 95 150 165

HSL 192.86, 0.28%, 0.51%

LAB 58.94, -14.09, -13.58

 

CMYK 32 / 7 / 0 / 29

HEX #7AA8B4

RGB 122 168 180

HSL 192.41, 0.28%, 0.59%

LAB 66.09, -12.39, -11.13

 

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

CMYK 26 / 44 / 0 / 45

HEX #684F8C

RGB 104 79 140

HSL 264.59, 0.28%, 0.43%

LAB 38.6, 23.83, -30.14

 

CMYK 0 / 9 / 44 / 45

HEX #8C804F

RGB 140 128 79

HSL 48.2, 0.28%, 0.43%

LAB 53.58, -2.77, 28.21

 

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

CMYK 0 / 44 / 9 / 45

HEX #8C4F80

RGB 140 79 128

HSL 311.8, 0.28%, 0.43%

LAB 42.35, 32.99, -16.68

 

CMYK 9 / 0 / 44 / 45

HEX #808C4F

RGB 128 140 79

HSL 71.8, 0.28%, 0.43%

LAB 56, -14.48, 31.06

 

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

CMYK 26 / 44 / 0 / 45

HEX #684F8C

RGB 104 79 140

HSL 264.59, 0.28%, 0.43%

LAB 38.6, 23.83, -30.14

 

CMYK 0 / 35 / 44 / 45

HEX #8C5B4F

RGB 140 91 79

HSL 11.8, 0.28%, 0.43%

LAB 43.69, 18.62, 15.19

 

CMYK 17 / 0 / 44 / 45

HEX #748C4F

RGB 116 140 79

HSL 83.61, 0.28%, 0.43%

LAB 55.11, -19.41, 29.75

 

CMYK 44 / 9 / 0 / 44

HEX #50808D

RGB 80 128.6 141.6

HSL 192.66, 0.28%, 0.43%

LAB 50.97, -12.82, -12.18

 

CMYK 13 / 44 / 0 / 45

HEX #7A4F8C

RGB 122 79 140

HSL 282.3, 0.28%, 0.43%

LAB 40.61, 29.49, -26.85

 

CMYK 0 / 35 / 44 / 45

HEX #8C5B4F

RGB 140 91 79

HSL 11.8, 0.28%, 0.43%

LAB 43.69, 18.62, 15.19

 

CMYK 31 / 0 / 44 / 45

HEX #618C4F

RGB 97 140 79

HSL 102.3, 0.28%, 0.43%

LAB 53.88, -26.76, 27.94

 

Description

Color code: RGB 80 128.6 141.6 | qconv.com Color code: RGB 80 128.6 141.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 128.6 green and 141.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 128.6 141.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 9 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 9% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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