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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 120 240 it is the complementary color RGB 175 135 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 120 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 120 240: RGB 85 120 235, RGB 102 138 254, RGB 119 156 255, RGB 136 174 255 and RGB 153 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 120 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 120 240: RGB 80 120 240, RGB 63 102 221, RGB 46 84 202, RGB 29 66 183 and RGB 12 48 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

Complementary color

CMYK 0 / 23 / 91 / 31

HEX #AF870F

RGB 175 135 15

HSL 45, 0.84%, 0.37%

LAB 58.49, 5.29, 61.01

 

CMYK 64 / 49 / 0 / 8

HEX #5578EB

RGB 85 120 235

HSL 226, 0.79%, 0.63%

LAB 53.34, 23.41, -61.94

 

CMYK 60 / 46 / 0 / 0

HEX #668AFE

RGB 102 138 254

HSL 225.79, 0.99%, 0.7%

LAB 60.03, 21.77, -61.68

 

CMYK 53 / 39 / 0 / 0

HEX #779CFF

RGB 119 156 255

HSL 223.68, 1%, 0.73%

LAB 65.69, 14.78, -53.16

 

CMYK 47 / 32 / 0 / 0

HEX #88AEFF

RGB 136 174 255

HSL 220.84, 1%, 0.77%

LAB 71.37, 8.25, -44.14

 

CMYK 40 / 25 / 0 / 0

HEX #99C0FF

RGB 153 192 255

HSL 217.06, 1%, 0.8%

LAB 77.1, 2.45, -35.15

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 71 / 54 / 0 / 13

HEX #3F66DD

RGB 63 102 221

HSL 225.19, 0.7%, 0.56%

LAB 46.68, 26.47, -64.87

 

CMYK 77 / 58 / 0 / 21

HEX #2E54CA

RGB 46 84 202

HSL 225.38, 0.63%, 0.49%

LAB 39.89, 29.04, -65.06

 

CMYK 84 / 64 / 0 / 28

HEX #1D42B7

RGB 29 66 183

HSL 225.58, 0.73%, 0.42%

LAB 33.08, 32.11, -65.1

 

CMYK 93 / 71 / 0 / 36

HEX #0C30A4

RGB 12 48 164

HSL 225.79, 0.86%, 0.35%

LAB 26.37, 35.67, -64.79

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 66 / 61 / 0 / 6

HEX #515EEF

RGB 81 94 239

HSL 235.06, 0.83%, 0.63%

LAB 46.96, 40.1, -74.54

 

CMYK 61 / 66 / 0 / 6

HEX #5E51EF

RGB 94 81 239

HSL 244.94, 0.83%, 0.63%

LAB 44.94, 49.54, -77.81

 

CMYK 49 / 66 / 0 / 6

HEX #7951EF

RGB 121 81 239

HSL 255.19, 0.83%, 0.63%

LAB 47.21, 53.8, -74

 

CMYK 38 / 66 / 0 / 6

HEX #9351EF

RGB 147 81 239

HSL 265.06, 0.83%, 0.63%

LAB 49.88, 58.55, -69.54

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 67 / 50 / 0 / 86

HEX #0C1224

RGB 12 18 36

HSL 225, 0.5%, 0.09%

LAB 5.76, 3.27, -13.01

 

CMYK 67 / 49 / 0 / 66

HEX #1D2C57

RGB 29 44 87

HSL 224.48, 0.5%, 0.23%

LAB 19.02, 9.29, -27.97

 

CMYK 67 / 50 / 0 / 46

HEX #2E458A

RGB 46 69 138

HSL 225, 0.5%, 0.36%

LAB 31.05, 14.88, -41.22

 

CMYK 67 / 50 / 0 / 26

HEX #3F5FBD

RGB 63 95 189

HSL 224.76, 0.5%, 0.49%

LAB 42.64, 19.41, -53.03

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 3 / 66 / 0 / 6

HEX #E751EF

RGB 231 81 239

HSL 296.96, 0.83%, 0.63%

LAB 60.87, 76.21, -51.3

 

CMYK 23 / 0 / 66 / 6

HEX #B8EF51

RGB 184 239 81

HSL 80.89, 0.83%, 0.63%

LAB 88.22, -39.96, 67.85

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 0 / 66 / 49 / 6

HEX #EF5179

RGB 239 81 121

HSL 344.81, 0.83%, 0.63%

LAB 57.67, 63.26, 11.8

 

CMYK 49 / 0 / 66 / 6

HEX #79EF51

RGB 121 239 81

HSL 104.81, 0.83%, 0.63%

LAB 85.2, -60.76, 63.75

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 3 / 66 / 0 / 6

HEX #E751EF

RGB 231 81 239

HSL 296.96, 0.83%, 0.63%

LAB 60.87, 76.21, -51.3

 

CMYK 0 / 16 / 66 / 6

HEX #EFC851

RGB 239 200 81

HSL 45.19, 0.83%, 0.63%

LAB 81.98, 1.14, 62.57

 

CMYK 63 / 0 / 66 / 6

HEX #59EF51

RGB 89 239 81

HSL 116.96, 0.83%, 0.63%

LAB 84.2, -68.56, 62.38

 

CMYK 67 / 50 / 0 / 6

HEX #5078F0

RGB 80 120 240

HSL 225, 0.84%, 0.63%

LAB 53.42, 24.33, -64.63

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 0 / 16 / 66 / 6

HEX #EFC851

RGB 239 200 81

HSL 45.19, 0.83%, 0.63%

LAB 81.98, 1.14, 62.57

 

CMYK 66 / 0 / 49 / 6

HEX #51EF79

RGB 81 239 121

HSL 135.19, 0.83%, 0.63%

LAB 84.41, -65.41, 45.01

 

Description

Color code: RGB 80 120 240 | qconv.com Color code: RGB 80 120 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 120 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 120 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 50 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 50% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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