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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 120 20 it is the complementary color RGB 175 135 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 120 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 120 20: RGB 85 120 15, RGB 102 138 34, RGB 119 156 53, RGB 136 174 72 and RGB 153 192 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 120 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 120 20: RGB 80 120 20, RGB 63 102 1, RGB 46 84 0, RGB 29 66 0 and RGB 12 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

Complementary color

CMYK 26 / 43 / 0 / 8

HEX #AF87EB

RGB 175 135 235

HSL 264, 0.71%, 0.73%

LAB 63.7, 35.27, -45.04

 

CMYK 29 / 0 / 88 / 53

HEX #55780F

RGB 85 120 15

HSL 80, 0.78%, 0.26%

LAB 46.18, -27.71, 47.69

 

CMYK 26 / 0 / 75 / 46

HEX #668A22

RGB 102 138 34

HSL 80.77, 0.6%, 0.34%

LAB 53.08, -28.41, 48.42

 

CMYK 24 / 0 / 66 / 39

HEX #779C35

RGB 119 156 53

HSL 81.55, 0.49%, 0.41%

LAB 59.85, -28.85, 48.06

 

CMYK 22 / 0 / 59 / 32

HEX #88AE48

RGB 136 174 72

HSL 82.35, 0.41%, 0.48%

LAB 66.5, -29.13, 47.21

 

CMYK 20 / 0 / 53 / 25

HEX #99C05B

RGB 153 192 91

HSL 83.17, 0.44%, 0.55%

LAB 73.04, -29.3, 46.16

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 38 / 0 / 99 / 60

HEX #3F6601

RGB 63 102 1

HSL 83.17, 0.98%, 0.2%

LAB 38.83, -28.71, 44.47

 

CMYK 45 / 0 / 100 / 67

HEX #2E5400

RGB 46 84 0

HSL 87.14, 1%, 0.16%

LAB 31.63, -27.17, 38.76

 

CMYK 56 / 0 / 100 / 74

HEX #1D4200

RGB 29 66 0

HSL 93.64, 1%, 0.13%

LAB 24.19, -25.42, 32.07

 

CMYK 75 / 0 / 100 / 81

HEX #0C3000

RGB 12 48 0

HSL 105, 1%, 0.09%

LAB 16.46, -23.23, 23.25

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 47 / 0 / 84 / 54

HEX #3E7513

RGB 62 117 19

HSL 93.67, 0.72%, 0.27%

LAB 43.94, -35.05, 44.08

 

CMYK 61 / 0 / 84 / 54

HEX #2E7513

RGB 46 117 19

HSL 103.47, 0.72%, 0.27%

LAB 43.29, -40.09, 43.24

 

CMYK 75 / 0 / 84 / 54

HEX #1D7513

RGB 29 117 19

HSL 113.88, 0.72%, 0.27%

LAB 42.81, -44.05, 42.62

 

CMYK 84 / 0 / 78 / 54

HEX #13751A

RGB 19 117 26

HSL 124.29, 0.72%, 0.27%

LAB 42.67, -45.14, 39.98

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 33 / 0 / 83 / 33

HEX #72AB1D

RGB 114 171 29

HSL 84.08, 0.71%, 0.39%

LAB 63.99, -39.09, 60.37

 

CMYK 33 / 0 / 83 / 13

HEX #94DE25

RGB 148 222 37

HSL 84, 0.74%, 0.51%

LAB 81.11, -48.09, 74.18

 

CMYK 33 / 0 / 83 / 93

HEX #0C1203

RGB 12 18 3

HSL 84, 0.71%, 0.04%

LAB 4.67, -4.4, 5.69

 

CMYK 33 / 0 / 83 / 73

HEX #2E450C

RGB 46 69 12

HSL 84.21, 0.7%, 0.16%

LAB 26.34, -19.05, 29.62

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 84 / 0 / 33 / 54

HEX #13754E

RGB 19 117 78

HSL 156.12, 0.72%, 0.27%

LAB 43.38, -36.76, 14.06

 

CMYK 0 / 84 / 0 / 54

HEX #751375

RGB 117 19 117

HSL 300, 0.72%, 0.27%

LAB 28.2, 51.51, -32.18

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 84 / 33 / 0 / 54

HEX #134E75

RGB 19 78 117

HSL 203.88, 0.72%, 0.27%

LAB 31.51, -3.48, -27.5

 

CMYK 0 / 84 / 33 / 54

HEX #75134E

RGB 117 19 78

HSL 323.88, 0.72%, 0.27%

LAB 26.15, 45.74, -9.9

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 84 / 0 / 33 / 54

HEX #13754E

RGB 19 117 78

HSL 156.12, 0.72%, 0.27%

LAB 43.38, -36.76, 14.06

 

CMYK 50 / 84 / 0 / 54

HEX #3B1375

RGB 59 19 117

HSL 264.49, 0.72%, 0.27%

LAB 18.71, 40.76, -47.99

 

CMYK 0 / 84 / 50 / 54

HEX #75133B

RGB 117 19 59

HSL 335.51, 0.72%, 0.27%

LAB 25.45, 43.67, 1.93

 

CMYK 33 / 0 / 83 / 53

HEX #507814

RGB 80 120 20

HSL 84, 0.71%, 0.27%

LAB 45.89, -29.55, 45.91

 

CMYK 84 / 0 / 9 / 54

HEX #13756B

RGB 19 117 107

HSL 173.88, 0.72%, 0.27%

LAB 44.12, -28.88, -2.12

 

CMYK 50 / 84 / 0 / 54

HEX #3B1375

RGB 59 19 117

HSL 264.49, 0.72%, 0.27%

LAB 18.71, 40.76, -47.99

 

CMYK 0 / 84 / 75 / 54

HEX #75131D

RGB 117 19 29

HSL 353.88, 0.72%, 0.27%

LAB 24.75, 41.53, 21.39

 

Description

Color code: RGB 80 120 20 | qconv.com Color code: RGB 80 120 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 120 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 120 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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