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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80.1 36.8 128 it is the complementary color RGB 174.9 218.2 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80.1 36.8 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80.1 36.8 128 shade: RGB 85.1 36.8 123, RGB 102.1 54.8 142, RGB 119.1 72.8 161, RGB 136.1 90.8 180 and RGB 153.1 108.8 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80.1 36.8 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80.1 36.8 128 shade: RGB 80.1 36.8 128, RGB 63.1 18.8 109, RGB 46.1 0.8 90, RGB 29.1 0 71 and RGB 12.1 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80.1 36.8 128 shade: RGB 79 37 126, RGB 104 37 126, RGB 126 37 125, RGB 126 37 101 and RGB 126 37 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80.1 36.8 128 shade: RGB 79 37 126, RGB 55 37 126 and RGB 37 37 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80.1 36.8 128 shade matches the following richer shades: RGB 79 37 126, RGB 79 24 140 and RGB 78 10 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80.1 36.8 128 shade: RGB 79 37 126, RGB 80 50 113, RGB 81 63 100, RGB 81 76 87 and RGB 82 90 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80.1 36.8 128 shade: RGB 37 43 126, RGB 55 37 126, RGB 79 37 126, RGB 103 37 126 and RGB 126 37 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80.1 36.8 128 shade: RGB 39 18 63, RGB 59 27 95, RGB 79 37 126, RGB 99 46 158 and RGB 119 55 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80.1 36.8 128 shade: RGB 80.1 36.8 128, RGB 126 37 67 and RGB 37 126 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80.1 36.8 128 shade: RGB 80.1 36.8 128, RGB 126 79 37 and RGB 37 126 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80.1 36.8 128 shade: RGB 80.1 36.8 128, RGB 126 37 67, RGB 85 126 37 and RGB 37 126 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80.1 36.8 128 shade: RGB 80.1 36.8 128, RGB 126 37 40, RGB 85 126 37 and RGB 37 126 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

Complementary color

CMYK 20 / 0 / 42 / 14

HEX #AEDA7F

RGB 174.9 218.2 127

HSL 88.49, 0.55%, 0.68%

LAB 82.31, -29.48, 40.28

 

CMYK 31 / 70 / 0 / 52

HEX #55247B

RGB 85.1 36.8 123

HSL 273.62, 0.54%, 0.31%

LAB 25.79, 38.85, -40.14

 

CMYK 28 / 61 / 0 / 44

HEX #66368E

RGB 102.1 54.8 142

HSL 272.55, 0.44%, 0.39%

LAB 32.91, 38.11, -40.41

 

CMYK 26 / 55 / 0 / 37

HEX #7748A1

RGB 119.1 72.8 161

HSL 271.5, 0.38%, 0.46%

LAB 39.98, 37.19, -40.51

 

CMYK 24 / 50 / 0 / 29

HEX #885AB4

RGB 136.1 90.8 180

HSL 270.47, 0.37%, 0.53%

LAB 46.96, 36.24, -40.54

 

CMYK 23 / 45 / 0 / 22

HEX #996CC7

RGB 153.1 108.8 199

HSL 269.47, 0.45%, 0.6%

LAB 53.81, 35.34, -40.55

 

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

CMYK 42 / 83 / 0 / 57

HEX #3F126D

RGB 63.1 18.8 109

HSL 269.47, 0.71%, 0.25%

LAB 18.47, 39.36, -43.19

 

CMYK 49 / 99 / 0 / 65

HEX #2E005A

RGB 46.1 0.8 90

HSL 270.47, 0.98%, 0.18%

LAB 11.54, 39.03, -42.06

 

CMYK 59 / 100 / 0 / 72

HEX #1D0047

RGB 29.1 0 71

HSL 264.59, 1%, 0.14%

LAB 6.48, 32.48, -37.4

 

CMYK 77 / 100 / 0 / 80

HEX #0C0034

RGB 12.1 0 52

HSL 253.96, 1%, 0.1%

LAB 2.95, 18.93, -29.5

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 17 / 71 / 0 / 51

HEX #68257E

RGB 104 37 126

HSL 285.17, 0.55%, 0.32%

LAB 28.83, 43.87, -36.99

 

CMYK 0 / 71 / 1 / 51

HEX #7E257D

RGB 126 37 125

HSL 300.67, 0.55%, 0.32%

LAB 32.35, 49.01, -30.55

 

CMYK 0 / 71 / 20 / 51

HEX #7E2565

RGB 126 37 101

HSL 316.85, 0.55%, 0.32%

LAB 31.11, 45.06, -17.24

 

CMYK 0 / 71 / 39 / 51

HEX #7E254D

RGB 126 37 77

HSL 333.03, 0.55%, 0.32%

LAB 30.14, 41.82, -3.07

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 56 / 71 / 0 / 51

HEX #37257E

RGB 55 37 126

HSL 252.13, 0.55%, 0.32%

LAB 22.45, 33.39, -47.63

 

CMYK 71 / 71 / 0 / 51

HEX #25257E

RGB 37 37 126

HSL 240, 0.55%, 0.32%

LAB 20.91, 30.58, -50.21

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 44 / 83 / 0 / 45

HEX #4F188C

RGB 79 24 140

HSL 268.45, 0.71%, 0.32%

LAB 24.35, 47.77, -53.2

 

CMYK 49 / 93 / 0 / 40

HEX #4E0A99

RGB 78 10 153

HSL 268.53, 0.88%, 0.32%

LAB 24.12, 54.97, -61.64

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 29 / 56 / 0 / 56

HEX #503271

RGB 80 50 113

HSL 268.57, 0.39%, 0.32%

LAB 27.24, 27.41, -31.5

 

CMYK 19 / 37 / 0 / 61

HEX #513F64

RGB 81 63 100

HSL 269.19, 0.23%, 0.32%

LAB 29.97, 16.03, -18.88

 

CMYK 7 / 13 / 0 / 66

HEX #514C57

RGB 81 76 87

HSL 267.27, 0.07%, 0.32%

LAB 33.15, 4.48, -5.73

 

CMYK 9 / 0 / 18 / 65

HEX #525A4A

RGB 82 90 74

HSL 90, 0.1%, 0.32%

LAB 37.12, -6.48, 8.2

 

CMYK 71 / 66 / 0 / 51

HEX #252B7E

RGB 37 43 126

HSL 235.96, 0.55%, 0.32%

LAB 22.4, 26.61, -47.78

 

CMYK 56 / 71 / 0 / 51

HEX #37257E

RGB 55 37 126

HSL 252.13, 0.55%, 0.32%

LAB 22.45, 33.39, -47.63

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 18 / 71 / 0 / 51

HEX #67257E

RGB 103 37 126

HSL 284.49, 0.55%, 0.32%

LAB 28.68, 43.64, -37.25

 

CMYK 0 / 71 / 0 / 51

HEX #7E257E

RGB 126 37 126

HSL 300, 0.55%, 0.32%

LAB 32.4, 49.19, -31.09

 

CMYK 38 / 71 / 0 / 75

HEX #27123F

RGB 39 18 63

HSL 268, 0.56%, 0.16%

LAB 10.72, 21.69, -24.75

 

CMYK 38 / 72 / 0 / 63

HEX #3B1B5F

RGB 59 27 95

HSL 268.24, 0.56%, 0.24%

LAB 18.1, 30.65, -34.62

 

CMYK 37 / 71 / 0 / 51

HEX #4F257E

RGB 79 37 126

HSL 268.31, 0.55%, 0.32%

LAB 25.23, 38.16, -42.98

 

CMYK 37 / 71 / 0 / 38

HEX #632E9E

RGB 99 46 158

HSL 268.39, 0.55%, 0.4%

LAB 31.98, 46.07, -51.71

 

CMYK 37 / 71 / 0 / 25

HEX #7737BE

RGB 119 55 190

HSL 268.44, 0.55%, 0.48%

LAB 38.5, 53.63, -60.08

 

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

CMYK 0 / 71 / 47 / 51

HEX #7E2543

RGB 126 37 67

HSL 339.78, 0.55%, 0.32%

LAB 29.82, 40.71, 3.07

 

CMYK 71 / 0 / 66 / 51

HEX #257E2B

RGB 37 126 43

HSL 124.04, 0.55%, 0.32%

LAB 46.3, -43.53, 36.67

 

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

CMYK 0 / 37 / 71 / 51

HEX #7E4F25

RGB 126 79 37

HSL 28.31, 0.55%, 0.32%

LAB 38.13, 15.65, 32.3

 

CMYK 71 / 0 / 37 / 51

HEX #257E4F

RGB 37 126 79

HSL 148.31, 0.55%, 0.32%

LAB 46.82, -37.62, 18.21

 

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

CMYK 0 / 71 / 47 / 51

HEX #7E2543

RGB 126 37 67

HSL 339.78, 0.55%, 0.32%

LAB 29.82, 40.71, 3.07

 

CMYK 33 / 0 / 71 / 51

HEX #557E25

RGB 85 126 37

HSL 87.64, 0.55%, 0.32%

LAB 48.24, -29.32, 42.02

 

CMYK 71 / 0 / 23 / 51

HEX #257E61

RGB 37 126 97

HSL 160.45, 0.55%, 0.32%

LAB 47.21, -33.44, 8.31

 

CMYK 37 / 71 / 0 / 50

HEX #502480

RGB 80.1 36.8 128

HSL 268.49, 0.55%, 0.32%

LAB 25.5, 39.03, -43.8

 

CMYK 0 / 71 / 68 / 51

HEX #7E2528

RGB 126 37 40

HSL 357.98, 0.55%, 0.32%

LAB 29.19, 38.46, 20.03

 

CMYK 33 / 0 / 71 / 51

HEX #557E25

RGB 85 126 37

HSL 87.64, 0.55%, 0.32%

LAB 48.24, -29.32, 42.02

 

CMYK 71 / 0 / 2 / 51

HEX #257E7B

RGB 37 126 123

HSL 177.98, 0.55%, 0.32%

LAB 47.94, -26.17, -5.95

 

Description

Color code: RGB 80.1 36.8 128 | qconv.com Color code: RGB 80.1 36.8 128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80.1 red, 36.8 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80.1 36.8 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 71 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 71% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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