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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 72.4 146.4 it is the complementary color RGB 248 182.6 108.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 72.4 146.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 72.4 146.4 shade: RGB 12 72.4 141.4, RGB 29 90.4 160.4, RGB 46 108.4 179.4, RGB 63 126.4 198.4 and RGB 80 144.4 217.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 72.4 146.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 72.4 146.4 shade: RGB 7 72.4 146.4, RGB 0 54.4 127.4, RGB 0 36.4 108.4, RGB 0 18.4 89.4 and RGB 0 0.40000000000001 70.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 72.4 146.4 shade: RGB 7 72 146, RGB 7 35 146, RGB 17 7 146, RGB 54 7 146 and RGB 92 7 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 72.4 146.4 shade: RGB 7 72 146, RGB 7 35 146 and RGB 7 7 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 72.4 146.4 shade matches the following richer shades: RGB 7 72 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 72.4 146.4 shade: RGB 7 72 146, RGB 19 73 134, RGB 32 74 121, RGB 44 74 109 and RGB 56 75 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 72.4 146.4 shade: RGB 7 146 144, RGB 7 111 146, RGB 7 74 146, RGB 7 37 146 and RGB 14 7 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 72.4 146.4 shade: RGB 3 33 67, RGB 5 53 107, RGB 7 72 146, RGB 9 92 186 and RGB 11 111 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 72.4 146.4 shade: RGB 7 72.4 146.4, RGB 107 7 146 and RGB 130 146 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 72.4 146.4 shade: RGB 7 72.4 146.4, RGB 146 7 74 and RGB 74 146 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 72.4 146.4 shade: RGB 7 72.4 146.4, RGB 107 7 146, RGB 146 79 7 and RGB 46 146 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 72.4 146.4 shade: RGB 7 72.4 146.4, RGB 146 7 144, RGB 146 79 7 and RGB 7 146 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

Complementary color

CMYK 0 / 26 / 56 / 3

HEX #F8B66C

RGB 248 182.6 108.6

HSL 31.85, 0.91%, 0.7%

LAB 78.9, 15.78, 46.53

 

CMYK 92 / 49 / 0 / 45

HEX #0C488D

RGB 12 72.4 141.4

HSL 211.99, 0.84%, 0.3%

LAB 31.11, 9.77, -43.27

 

CMYK 82 / 44 / 0 / 37

HEX #1D5AA0

RGB 29 90.4 160.4

HSL 211.96, 0.69%, 0.37%

LAB 38.19, 6.93, -43.38

 

CMYK 74 / 40 / 0 / 30

HEX #2E6CB3

RGB 46 108.4 179.4

HSL 211.93, 0.59%, 0.44%

LAB 45.17, 4.79, -43.42

 

CMYK 68 / 36 / 0 / 22

HEX #3F7EC6

RGB 63 126.4 198.4

HSL 211.91, 0.54%, 0.51%

LAB 52.04, 3.15, -43.43

 

CMYK 63 / 34 / 0 / 15

HEX #5090D9

RGB 80 144.4 217.4

HSL 211.88, 0.65%, 0.58%

LAB 58.79, 1.86, -43.44

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

CMYK 100 / 57 / 0 / 50

HEX #00367F

RGB 0 54.4 127.4

HSL 214.38, 1%, 0.25%

LAB 24.38, 15.69, -45.48

 

CMYK 100 / 66 / 0 / 57

HEX #00246C

RGB 0 36.4 108.4

HSL 219.85, 1%, 0.21%

LAB 17.35, 20.51, -44.81

 

CMYK 100 / 79 / 0 / 65

HEX #001259

RGB 0 18.4 89.4

HSL 227.65, 1%, 0.18%

LAB 10.36, 25.39, -43.74

 

CMYK 100 / 99 / 0 / 72

HEX #000046

RGB 0 0.40000000000001 70.4

HSL 239.66, 1%, 0.14%

LAB 4.12, 27.15, -40.95

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72 146

HSL 211.94, 0.91%, 0.3%

LAB 31.24, 11.71, -45.88

 

CMYK 95 / 76 / 0 / 43

HEX #072392

RGB 7 35 146

HSL 227.91, 0.91%, 0.3%

LAB 21.29, 36.97, -62.16

 

CMYK 88 / 95 / 0 / 43

HEX #110792

RGB 17 7 146

HSL 244.32, 0.91%, 0.3%

LAB 17.21, 50.2, -68.94

 

CMYK 63 / 95 / 0 / 43

HEX #360792

RGB 54 7 146

HSL 260.29, 0.91%, 0.3%

LAB 20.09, 51.86, -64.07

 

CMYK 37 / 95 / 0 / 43

HEX #5C0792

RGB 92 7 146

HSL 276.69, 0.91%, 0.3%

LAB 25.27, 55.6, -55.35

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72 146

HSL 211.94, 0.91%, 0.3%

LAB 31.24, 11.71, -45.88

 

CMYK 95 / 76 / 0 / 43

HEX #072392

RGB 7 35 146

HSL 227.91, 0.91%, 0.3%

LAB 21.29, 36.97, -62.16

 

CMYK 95 / 95 / 0 / 43

HEX #070792

RGB 7 7 146

HSL 240, 0.91%, 0.3%

LAB 16.86, 50.02, -69.54

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72 146

HSL 211.94, 0.91%, 0.3%

LAB 31.24, 11.71, -45.88

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72 146

HSL 211.94, 0.91%, 0.3%

LAB 31.24, 11.71, -45.88

 

CMYK 86 / 46 / 0 / 47

HEX #134986

RGB 19 73 134

HSL 211.83, 0.75%, 0.3%

LAB 30.94, 6.81, -38.99

 

CMYK 74 / 39 / 0 / 53

HEX #204A79

RGB 32 74 121

HSL 211.69, 0.58%, 0.3%

LAB 30.84, 2.51, -31.03

 

CMYK 60 / 32 / 0 / 57

HEX #2C4A6D

RGB 44 74 109

HSL 212.31, 0.42%, 0.3%

LAB 30.73, 0.37, -23.64

 

CMYK 42 / 23 / 0 / 62

HEX #384B61

RGB 56 75 97

HSL 212.2, 0.27%, 0.3%

LAB 31.2, -1.04, -15.25

 

CMYK 95 / 0 / 1 / 43

HEX #079290

RGB 7 146 144

HSL 179.14, 0.91%, 0.3%

LAB 54.68, -32.05, -8.2

 

CMYK 95 / 24 / 0 / 43

HEX #076F92

RGB 7 111 146

HSL 195.11, 0.91%, 0.3%

LAB 43.49, -13.06, -26.43

 

CMYK 95 / 49 / 0 / 43

HEX #074A92

RGB 7 74 146

HSL 211.08, 0.91%, 0.3%

LAB 31.85, 10.34, -44.9

 

CMYK 95 / 75 / 0 / 43

HEX #072592

RGB 7 37 146

HSL 227.05, 0.91%, 0.3%

LAB 21.74, 35.72, -61.42

 

CMYK 90 / 95 / 0 / 43

HEX #0E0792

RGB 14 7 146

HSL 243.02, 0.91%, 0.3%

LAB 17.09, 50.14, -69.15

 

CMYK 96 / 51 / 0 / 74

HEX #032143

RGB 3 33 67

HSL 211.88, 0.91%, 0.14%

LAB 12.69, 4.35, -24.55

 

CMYK 95 / 50 / 0 / 58

HEX #05356B

RGB 5 53 107

HSL 211.76, 0.91%, 0.22%

LAB 22.44, 8.06, -35.62

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72 146

HSL 211.94, 0.91%, 0.3%

LAB 31.24, 11.71, -45.88

 

CMYK 95 / 51 / 0 / 27

HEX #095CBA

RGB 9 92 186

HSL 211.86, 0.91%, 0.38%

LAB 40.01, 14.88, -55.59

 

CMYK 95 / 51 / 0 / 12

HEX #0B6FE1

RGB 11 111 225

HSL 211.96, 0.91%, 0.46%

LAB 48.1, 18.15, -64.9

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

CMYK 27 / 95 / 0 / 43

HEX #6B0792

RGB 107 7 146

HSL 283.17, 0.91%, 0.3%

LAB 27.72, 57.62, -51.25

 

CMYK 11 / 0 / 95 / 43

HEX #829207

RGB 130 146 7

HSL 66.91, 0.91%, 0.3%

LAB 57.38, -21.3, 59.71

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

CMYK 0 / 95 / 49 / 43

HEX #92074A

RGB 146 7 74

HSL 331.08, 0.91%, 0.3%

LAB 31.25, 55.05, 1

 

CMYK 49 / 0 / 95 / 43

HEX #4A9207

RGB 74 146 7

HSL 91.08, 0.91%, 0.3%

LAB 54.06, -43.43, 55.66

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

CMYK 27 / 95 / 0 / 43

HEX #6B0792

RGB 107 7 146

HSL 283.17, 0.91%, 0.3%

LAB 27.72, 57.62, -51.25

 

CMYK 0 / 46 / 95 / 43

HEX #924F07

RGB 146 79 7

HSL 31.08, 0.91%, 0.3%

LAB 40.76, 23.64, 47.99

 

CMYK 68 / 0 / 95 / 43

HEX #2E9207

RGB 46 146 7

HSL 103.17, 0.91%, 0.3%

LAB 53.12, -51.02, 54.5

 

CMYK 95 / 51 / 0 / 43

HEX #074892

RGB 7 72.4 146.4

HSL 211.85, 0.91%, 0.3%

LAB 31.39, 11.6, -45.88

 

CMYK 0 / 95 / 1 / 43

HEX #920790

RGB 146 7 144

HSL 300.86, 0.91%, 0.3%

LAB 34.55, 63.62, -38.63

 

CMYK 0 / 46 / 95 / 43

HEX #924F07

RGB 146 79 7

HSL 31.08, 0.91%, 0.3%

LAB 40.76, 23.64, 47.99

 

CMYK 95 / 0 / 94 / 43

HEX #079209

RGB 7 146 9

HSL 120.86, 0.91%, 0.3%

LAB 52.53, -56.14, 53.44

 

Description

Color code: RGB 7 72.4 146.4 | qconv.com Color code: RGB 7 72.4 146.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 72.4 green and 146.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 72.4 146.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 51 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 51% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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