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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 66 71 it is the complementary color RGB 176 189 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 66 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 79 66 71: RGB 84 66 66, RGB 101 84 85, RGB 118 102 104, RGB 135 120 123 and RGB 152 138 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 66 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 79 66 71: RGB 79 66 71, RGB 62 48 52, RGB 45 30 33, RGB 28 12 14 and RGB 11 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

Complementary color

CMYK 7 / 0 / 3 / 26

HEX #B0BDB8

RGB 176 189 184

HSL 156.92, 0.09%, 0.72%

LAB 75.5, -5.43, 0.97

 

CMYK 0 / 21 / 21 / 67

HEX #544242

RGB 84 66 66

HSL 0, 0.12%, 0.29%

LAB 29.85, 7.76, 2.95

 

CMYK 0 / 17 / 16 / 60

HEX #655455

RGB 101 84 85

HSL 356.47, 0.09%, 0.36%

LAB 37.41, 7.19, 2.03

 

CMYK 0 / 14 / 12 / 54

HEX #766668

RGB 118 102 104

HSL 352.5, 0.07%, 0.43%

LAB 44.74, 6.72, 1.21

 

CMYK 0 / 11 / 9 / 47

HEX #87787B

RGB 135 120 123

HSL 348, 0.06%, 0.5%

LAB 51.85, 6.32, 0.46

 

CMYK 0 / 9 / 7 / 40

HEX #988A8E

RGB 152 138 142

HSL 342.86, 0.06%, 0.57%

LAB 58.79, 5.97, -0.23

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 0 / 23 / 16 / 76

HEX #3E3034

RGB 62 48 52

HSL 342.86, 0.13%, 0.22%

LAB 21.53, 7.14, -0.13

 

CMYK 0 / 33 / 27 / 82

HEX #2D1E21

RGB 45 30 33

HSL 348, 0.2%, 0.15%

LAB 13.21, 7.9, 0.86

 

CMYK 0 / 57 / 50 / 89

HEX #1C0C0E

RGB 28 12 14

HSL 352.5, 0.4%, 0.08%

LAB 4.89, 7.17, 1.52

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 0 / 17 / 13 / 70

HEX #4D4043

RGB 77 64 67

HSL 346.15, 0.09%, 0.28%

LAB 28.51, 6.19, 0.26

 

CMYK 0 / 17 / 16 / 70

HEX #4D4041

RGB 77 64 65

HSL 355.38, 0.09%, 0.28%

LAB 28.45, 5.8, 1.48

 

CMYK 0 / 14 / 17 / 70

HEX #4D4240

RGB 77 66 64

HSL 9.23, 0.09%, 0.28%

LAB 29.02, 4.32, 2.95

 

CMYK 0 / 12 / 17 / 70

HEX #4D4440

RGB 77 68 64

HSL 18.46, 0.09%, 0.28%

LAB 29.62, 3.04, 3.81

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 0 / 16 / 10 / 49

HEX #826D75

RGB 130 109 117

HSL 337.14, 0.09%, 0.47%

LAB 48.22, 9.72, -1.36

 

CMYK 0 / 17 / 10 / 29

HEX #B597A3

RGB 181 151 163

HSL 336, 0.17%, 0.65%

LAB 65.44, 13.18, -2.1

 

CMYK 0 / 16 / 10 / 9

HEX #E8C2D1

RGB 232 194 209

HSL 336.32, 0.45%, 0.84%

LAB 82.02, 15.91, -2.44

 

CMYK 0 / 18 / 11 / 89

HEX #1C1719

RGB 28 23 25

HSL 336, 0.1%, 0.1%

LAB 8.39, 2.97, -0.49

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 0 / 3 / 17 / 70

HEX #4D4B40

RGB 77 75 64

HSL 50.77, 0.09%, 0.28%

LAB 31.76, -1.38, 6.86

 

CMYK 17 / 3 / 0 / 70

HEX #404B4D

RGB 64 75 77

HSL 189.23, 0.09%, 0.28%

LAB 31.02, -3.9, -2.68

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 0 / 3 / 17 / 70

HEX #4D4B40

RGB 77 75 64

HSL 50.77, 0.09%, 0.28%

LAB 31.76, -1.38, 6.86

 

CMYK 17 / 0 / 6 / 70

HEX #404D48

RGB 64 77 72

HSL 156.92, 0.09%, 0.28%

LAB 31.5, -6.34, 1.23

 

CMYK 17 / 13 / 0 / 70

HEX #40434D

RGB 64 67 77

HSL 226.15, 0.09%, 0.28%

LAB 28.49, 1.19, -6.44

 

CMYK 0 / 16 / 10 / 69

HEX #4F4247

RGB 79 66 71

HSL 336.92, 0.09%, 0.28%

LAB 29.45, 6.57, -0.95

 

CMYK 1 / 0 / 17 / 70

HEX #4C4D40

RGB 76 77 64

HSL 64.62, 0.09%, 0.28%

LAB 32.29, -3.05, 7.59

 

CMYK 17 / 0 / 6 / 70

HEX #404D48

RGB 64 77 72

HSL 156.92, 0.09%, 0.28%

LAB 31.5, -6.34, 1.23

 

CMYK 14 / 17 / 0 / 70

HEX #42404D

RGB 66 64 77

HSL 249.23, 0.09%, 0.28%

LAB 27.74, 3.92, -7.55

 

Description

Color code: RGB 79 66 71 | qconv.com Color code: RGB 79 66 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 66 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 66 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 10 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 10% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Adolescent girls are...
Link: http://www.girleffect.org

15% - GALSTAR(ギャルスター)公式通販サ...
Link: http://www.galstar.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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