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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 78 244 it is the complementary color RGB 177 177 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 78 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 78 244: RGB 83 78 239, RGB 100 96 255, RGB 117 114 255, RGB 134 132 255 and RGB 151 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 78 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 78 244: RGB 78 78 244, RGB 61 60 225, RGB 44 42 206, RGB 27 24 187 and RGB 10 6 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

Complementary color

CMYK 0 / 0 / 94 / 31

HEX #B1B10B

RGB 177 177 11

HSL 60, 0.88%, 0.37%

LAB 70.05, -16.25, 70.56

 

CMYK 65 / 67 / 0 / 6

HEX #534EEF

RGB 83 78 239

HSL 241.86, 0.83%, 0.62%

LAB 43.54, 49.78, -80.14

 

CMYK 61 / 62 / 0 / 0

HEX #6460FF

RGB 100 96 255

HSL 241.51, 1%, 0.69%

LAB 49.85, 46.81, -78.7

 

CMYK 54 / 55 / 0 / 0

HEX #7572FF

RGB 117 114 255

HSL 241.28, 1%, 0.72%

LAB 55.11, 39.15, -70.1

 

CMYK 47 / 48 / 0 / 0

HEX #8684FF

RGB 134 132 255

HSL 240.98, 1%, 0.76%

LAB 60.6, 32.05, -61.21

 

CMYK 41 / 41 / 0 / 0

HEX #9796FF

RGB 151 150 255

HSL 240.57, 1%, 0.79%

LAB 66.22, 25.58, -52.18

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 73 / 73 / 0 / 12

HEX #3D3CE1

RGB 61 60 225

HSL 240.36, 0.73%, 0.56%

LAB 37.23, 53.02, -82.63

 

CMYK 79 / 80 / 0 / 19

HEX #2C2ACE

RGB 44 42 206

HSL 240.73, 0.66%, 0.49%

LAB 30.99, 55.12, -82.02

 

CMYK 86 / 87 / 0 / 27

HEX #1B18BB

RGB 27 24 187

HSL 241.1, 0.77%, 0.41%

LAB 25.18, 56.54, -80.54

 

CMYK 94 / 96 / 0 / 34

HEX #0A06A8

RGB 10 6 168

HSL 241.48, 0.93%, 0.34%

LAB 20.13, 56.39, -77.58

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 57 / 68 / 0 / 5

HEX #694DF3

RGB 105 77 243

HSL 250.12, 0.87%, 0.63%

LAB 45.33, 54.52, -79.37

 

CMYK 46 / 68 / 0 / 5

HEX #844DF3

RGB 132 77 243

HSL 259.88, 0.87%, 0.63%

LAB 47.86, 58.8, -75.14

 

CMYK 34 / 68 / 0 / 5

HEX #A04DF3

RGB 160 77 243

HSL 270, 0.87%, 0.63%

LAB 50.98, 63.87, -69.93

 

CMYK 23 / 68 / 0 / 5

HEX #BC4DF3

RGB 188 77 243

HSL 280.12, 0.87%, 0.63%

LAB 54.52, 69.37, -64.03

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 68 / 68 / 0 / 84

HEX #0D0D28

RGB 13 13 40

HSL 240, 0.51%, 0.1%

LAB 4.76, 7.88, -17.61

 

CMYK 68 / 68 / 0 / 64

HEX #1D1D5B

RGB 29 29 91

HSL 240, 0.52%, 0.24%

LAB 14.93, 21.74, -37.25

 

CMYK 68 / 68 / 0 / 44

HEX #2D2D8E

RGB 45 45 142

HSL 240, 0.52%, 0.37%

LAB 24.91, 32.26, -53.66

 

CMYK 68 / 68 / 0 / 24

HEX #3E3EC1

RGB 62 62 193

HSL 240, 0.51%, 0.5%

LAB 34.64, 41.53, -68.37

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD2

RGB 243 77 210

HSL 311.93, 0.87%, 0.63%

LAB 60.8, 75.95, -35.02

 

CMYK 41 / 0 / 68 / 5

HEX #90F34D

RGB 144 243 77

HSL 95.78, 0.87%, 0.63%

LAB 87.27, -55.76, 67.73

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 68 / 0 / 68 / 5

HEX #4DF34D

RGB 77 243 77

HSL 120, 0.87%, 0.63%

LAB 85.11, -72.53, 64.8

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 0 / 68 / 14 / 5

HEX #F34DD2

RGB 243 77 210

HSL 311.93, 0.87%, 0.63%

LAB 60.8, 75.95, -35.02

 

CMYK 0 / 0 / 68 / 5

HEX #F3F34D

RGB 243 243 77

HSL 60, 0.87%, 0.63%

LAB 93.32, -18.9, 75.81

 

CMYK 68 / 0 / 55 / 5

HEX #4DF36E

RGB 77 243 110

HSL 131.93, 0.87%, 0.63%

LAB 85.41, -68.99, 51.32

 

CMYK 68 / 68 / 0 / 4

HEX #4E4EF4

RGB 78 78 244

HSL 240, 0.88%, 0.63%

LAB 43.65, 50.77, -82.77

 

CMYK 0 / 68 / 34 / 5

HEX #F34DA0

RGB 243 77 160

HSL 330, 0.87%, 0.63%

LAB 58.88, 69.69, -9.22

 

CMYK 0 / 0 / 68 / 5

HEX #F3F34D

RGB 243 243 77

HSL 60, 0.87%, 0.63%

LAB 93.32, -18.9, 75.81

 

CMYK 68 / 0 / 34 / 5

HEX #4DF3A0

RGB 77 243 160

HSL 150, 0.87%, 0.63%

LAB 86.11, -60.96, 27.93

 

Description

Color code: RGB 78 78 244 | qconv.com Color code: RGB 78 78 244 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 78 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 78 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 68 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 68% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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