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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 72.8 141.4 it is the complementary color RGB 177 182.2 113.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 72.8 141.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 72.8 141.4 shade: RGB 83 72.8 136.4, RGB 100 90.8 155.4, RGB 117 108.8 174.4, RGB 134 126.8 193.4 and RGB 151 144.8 212.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 72.8 141.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 72.8 141.4 shade: RGB 78 72.8 141.4, RGB 61 54.8 122.4, RGB 44 36.8 103.4, RGB 27 18.8 84.4 and RGB 10 0.8 65.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 72.8 141.4 shade: RGB 78 73 141, RGB 97 73 141, RGB 115 73 141, RGB 133 73 141 and RGB 141 73 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 72.8 141.4 shade: RGB 78 73 141 and RGB 73 73 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 72.8 141.4 shade matches the following richer shades: RGB 78 73 141, RGB 63 55 159, RGB 49 38 176, RGB 34 21 193 and RGB 19 4 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 72.8 141.4 shade: RGB 78 73 141, RGB 93 90 124, RGB 107 107 107, RGB 122 125 89 and RGB 137 142 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 72.8 141.4 shade: RGB 73 105 141, RGB 73 87 141, RGB 77 73 141, RGB 96 73 141 and RGB 114 73 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 72.8 141.4 shade: RGB 48 45 87, RGB 63 59 114, RGB 78 73 141, RGB 93 87 168 and RGB 119 114 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 72.8 141.4 shade: RGB 78 72.8 141.4, RGB 141 73 123 and RGB 96 141 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 72.8 141.4 shade: RGB 78 72.8 141.4, RGB 141 77 73 and RGB 73 141 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 72.8 141.4 shade: RGB 78 72.8 141.4, RGB 141 73 123, RGB 137 141 73 and RGB 73 141 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 72.8 141.4 shade: RGB 78 72.8 141.4, RGB 141 73 103, RGB 137 141 73 and RGB 73 141 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

Complementary color

CMYK 3 / 0 / 38 / 29

HEX #B1B671

RGB 177 182.2 113.6

HSL 64.55, 0.32%, 0.58%

LAB 72.29, -12.49, 34.31

 

CMYK 39 / 47 / 0 / 47

HEX #534888

RGB 83 72.8 136.4

HSL 249.62, 0.3%, 0.41%

LAB 34.74, 20.53, -34.18

 

CMYK 36 / 42 / 0 / 39

HEX #645A9B

RGB 100 90.8 155.4

HSL 248.54, 0.26%, 0.48%

LAB 42.06, 19.53, -34

 

CMYK 33 / 38 / 0 / 32

HEX #756CAE

RGB 117 108.8 174.4

HSL 247.5, 0.29%, 0.56%

LAB 49.19, 18.68, -33.88

 

CMYK 31 / 34 / 0 / 24

HEX #867EC1

RGB 134 126.8 193.4

HSL 246.49, 0.35%, 0.63%

LAB 56.15, 17.95, -33.82

 

CMYK 29 / 32 / 0 / 17

HEX #9790D4

RGB 151 144.8 212.4

HSL 245.5, 0.44%, 0.7%

LAB 62.96, 17.31, -33.81

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

CMYK 50 / 55 / 0 / 52

HEX #3D367A

RGB 61 54.8 122.4

HSL 245.5, 0.38%, 0.35%

LAB 27.08, 22.09, -37.83

 

CMYK 57 / 64 / 0 / 59

HEX #2C2467

RGB 44 36.8 103.4

HSL 246.49, 0.48%, 0.27%

LAB 19.36, 23.81, -38.17

 

CMYK 68 / 78 / 0 / 67

HEX #1B1254

RGB 27 18.8 84.4

HSL 247.5, 0.64%, 0.2%

LAB 11.54, 25.86, -38.35

 

CMYK 85 / 99 / 0 / 74

HEX #0A0041

RGB 10 0.8 65.4

HSL 248.54, 0.98%, 0.13%

LAB 4.23, 25.89, -37.19

 

CMYK 45 / 48 / 0 / 45

HEX #4E498D

RGB 78 73 141

HSL 244.41, 0.32%, 0.42%

LAB 34.62, 20.46, -37.22

 

CMYK 31 / 48 / 0 / 45

HEX #61498D

RGB 97 73 141

HSL 261.18, 0.32%, 0.42%

LAB 36.42, 25.71, -34.24

 

CMYK 18 / 48 / 0 / 45

HEX #73498D

RGB 115 73 141

HSL 277.06, 0.32%, 0.42%

LAB 38.43, 31.06, -30.93

 

CMYK 6 / 48 / 0 / 45

HEX #85498D

RGB 133 73 141

HSL 292.94, 0.32%, 0.42%

LAB 40.69, 36.58, -27.22

 

CMYK 0 / 48 / 7 / 45

HEX #8D4983

RGB 141 73 131

HSL 308.82, 0.32%, 0.42%

LAB 41.32, 37.18, -20.08

 

CMYK 45 / 48 / 0 / 45

HEX #4E498D

RGB 78 73 141

HSL 244.41, 0.32%, 0.42%

LAB 34.62, 20.46, -37.22

 

CMYK 48 / 48 / 0 / 45

HEX #49498D

RGB 73 73 141

HSL 240, 0.32%, 0.42%

LAB 34.2, 19.17, -37.91

 

CMYK 45 / 48 / 0 / 45

HEX #4E498D

RGB 78 73 141

HSL 244.41, 0.32%, 0.42%

LAB 34.62, 20.46, -37.22

 

CMYK 60 / 65 / 0 / 38

HEX #3F379F

RGB 63 55 159

HSL 244.62, 0.49%, 0.42%

LAB 30.14, 34.58, -55.48

 

CMYK 72 / 78 / 0 / 31

HEX #3126B0

RGB 49 38 176

HSL 244.78, 0.64%, 0.42%

LAB 27.22, 48.12, -70.55

 

CMYK 82 / 89 / 0 / 24

HEX #2215C1

RGB 34 21 193

HSL 244.53, 0.8%, 0.42%

LAB 25.94, 59.54, -82.81

 

CMYK 91 / 98 / 0 / 17

HEX #1304D3

RGB 19 4 211

HSL 244.35, 0.96%, 0.42%

LAB 26.53, 68, -92.39

 

CMYK 45 / 48 / 0 / 45

HEX #4E498D

RGB 78 73 141

HSL 244.41, 0.32%, 0.42%

LAB 34.62, 20.46, -37.22

 

CMYK 25 / 27 / 0 / 51

HEX #5D5A7C

RGB 93 90 124

HSL 245.29, 0.16%, 0.42%

LAB 39.74, 9.23, -18.69

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 2 / 0 / 29 / 51

HEX #7A7D59

RGB 122 125 89

HSL 65, 0.17%, 0.42%

LAB 51.3, -7.46, 19.31

 

CMYK 4 / 0 / 49 / 44

HEX #898E48

RGB 137 142 72

HSL 64.29, 0.33%, 0.42%

LAB 57.2, -12.5, 36.38

 

CMYK 48 / 26 / 0 / 45

HEX #49698D

RGB 73 105 141

HSL 211.76, 0.32%, 0.42%

LAB 43.42, -1.14, -23.4

 

CMYK 48 / 38 / 0 / 45

HEX #49578D

RGB 73 87 141

HSL 227.65, 0.32%, 0.42%

LAB 38.12, 10.11, -31.69

 

CMYK 45 / 48 / 0 / 45

HEX #4D498D

RGB 77 73 141

HSL 243.53, 0.32%, 0.42%

LAB 34.53, 20.2, -37.36

 

CMYK 32 / 48 / 0 / 45

HEX #60498D

RGB 96 73 141

HSL 260.29, 0.32%, 0.42%

LAB 36.32, 25.42, -34.41

 

CMYK 19 / 48 / 0 / 45

HEX #72498D

RGB 114 73 141

HSL 276.18, 0.32%, 0.42%

LAB 38.31, 30.76, -31.12

 

CMYK 45 / 48 / 0 / 66

HEX #302D57

RGB 48 45 87

HSL 244.29, 0.32%, 0.26%

LAB 20.8, 13.5, -25.03

 

CMYK 45 / 48 / 0 / 55

HEX #3F3B72

RGB 63 59 114

HSL 244.36, 0.32%, 0.34%

LAB 27.84, 17.06, -31.27

 

CMYK 45 / 48 / 0 / 45

HEX #4E498D

RGB 78 73 141

HSL 244.41, 0.32%, 0.42%

LAB 34.62, 20.46, -37.22

 

CMYK 45 / 48 / 0 / 34

HEX #5D57A8

RGB 93 87 168

HSL 244.44, 0.32%, 0.5%

LAB 41.17, 23.72, -42.94

 

CMYK 35 / 37 / 0 / 29

HEX #7772B6

RGB 119 114 182

HSL 244.41, 0.32%, 0.58%

LAB 51.08, 18.19, -35.31

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

CMYK 0 / 48 / 13 / 45

HEX #8D497B

RGB 141 73 123

HSL 315.88, 0.32%, 0.42%

LAB 40.99, 35.75, -15.69

 

CMYK 32 / 0 / 48 / 45

HEX #608D49

RGB 96 141 73

HSL 99.71, 0.32%, 0.42%

LAB 54.05, -28.45, 31.34

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

CMYK 0 / 45 / 48 / 45

HEX #8D4D49

RGB 141 77 73

HSL 3.53, 0.32%, 0.42%

LAB 40.33, 26.44, 14.3

 

CMYK 48 / 0 / 45 / 45

HEX #498D4D

RGB 73 141 77

HSL 123.53, 0.32%, 0.42%

LAB 52.95, -35.61, 27.58

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

CMYK 0 / 48 / 13 / 45

HEX #8D497B

RGB 141 73 123

HSL 315.88, 0.32%, 0.42%

LAB 40.99, 35.75, -15.69

 

CMYK 3 / 0 / 48 / 45

HEX #898D49

RGB 137 141 73

HSL 63.53, 0.32%, 0.42%

LAB 56.93, -11.86, 35.53

 

CMYK 48 / 0 / 35 / 45

HEX #498D5B

RGB 73 141 91

HSL 135.88, 0.32%, 0.42%

LAB 53.19, -33.17, 20.19

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72.8 141.4

HSL 244.55, 0.32%, 0.42%

LAB 34.59, 20.71, -37.51

 

CMYK 0 / 48 / 27 / 45

HEX #8D4967

RGB 141 73 103

HSL 333.53, 0.32%, 0.42%

LAB 40.26, 32.52, -4.43

 

CMYK 3 / 0 / 48 / 45

HEX #898D49

RGB 137 141 73

HSL 63.53, 0.32%, 0.42%

LAB 56.93, -11.86, 35.53

 

CMYK 48 / 0 / 21 / 45

HEX #498D70

RGB 73 141 112

HSL 154.41, 0.32%, 0.42%

LAB 53.64, -28.79, 8.89

 

Description

Color code: RGB 78 72.8 141.4 | qconv.com Color code: RGB 78 72.8 141.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 72.8 green and 141.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 72.8 141.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 49 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 49% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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