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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 66 71 it is the complementary color RGB 177 189 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 66 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 78 66 71: RGB 83 66 66, RGB 100 84 85, RGB 117 102 104, RGB 134 120 123 and RGB 151 138 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 66 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 78 66 71: RGB 78 66 71, RGB 61 48 52, RGB 44 30 33, RGB 27 12 14 and RGB 10 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

 

Complementary color

CMYK 6 / 0 / 3 / 26

HEX #B1BDB8

RGB 177 189 184

HSL 155, 0.08%, 0.72%

LAB 75.58, -5.09, 1.09

 

CMYK 0 / 20 / 20 / 67

HEX #534242

RGB 83 66 66

HSL 0, 0.11%, 0.29%

LAB 29.74, 7.32, 2.77

 

CMYK 0 / 16 / 15 / 61

HEX #645455

RGB 100 84 85

HSL 356.25, 0.09%, 0.36%

LAB 37.31, 6.78, 1.87

 

CMYK 0 / 13 / 11 / 54

HEX #756668

RGB 117 102 104

HSL 352, 0.07%, 0.43%

LAB 44.64, 6.32, 1.06

 

CMYK 0 / 10 / 8 / 47

HEX #86787B

RGB 134 120 123

HSL 347.14, 0.06%, 0.5%

LAB 51.76, 5.94, 0.32

 

CMYK 0 / 9 / 6 / 41

HEX #978A8E

RGB 151 138 142

HSL 341.54, 0.06%, 0.57%

LAB 58.7, 5.6, -0.38

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 0 / 21 / 15 / 76

HEX #3D3034

RGB 61 48 52

HSL 341.54, 0.12%, 0.21%

LAB 21.41, 6.69, -0.32

 

CMYK 0 / 32 / 25 / 83

HEX #2C1E21

RGB 44 30 33

HSL 347.14, 0.19%, 0.15%

LAB 13.07, 7.42, 0.64

 

CMYK 0 / 56 / 48 / 89

HEX #1B0C0E

RGB 27 12 14

HSL 352, 0.38%, 0.08%

LAB 4.77, 6.6, 1.32

 

CMYK 0 / 100 / 100 / 96

HEX #0A0000

RGB 10 0 0

HSL 0, 1%, 0.02%

LAB 0.58, 2.62, 0.92

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 0 / 16 / 12 / 70

HEX #4D4144

RGB 77 65 68

HSL 345, 0.08%, 0.28%

LAB 28.84, 5.75, 0.09

 

CMYK 0 / 16 / 14 / 70

HEX #4D4142

RGB 77 65 66

HSL 355, 0.08%, 0.28%

LAB 28.78, 5.35, 1.3

 

CMYK 0 / 14 / 16 / 70

HEX #4D4241

RGB 77 66 65

HSL 5, 0.08%, 0.28%

LAB 29.05, 4.51, 2.34

 

CMYK 0 / 12 / 16 / 70

HEX #4D4441

RGB 77 68 65

HSL 15, 0.08%, 0.28%

LAB 29.65, 3.23, 3.21

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 0 / 16 / 9 / 49

HEX #816D75

RGB 129 109 117

HSL 336, 0.08%, 0.47%

LAB 48.12, 9.33, -1.51

 

CMYK 0 / 16 / 9 / 29

HEX #B498A4

RGB 180 152 164

HSL 334.29, 0.16%, 0.65%

LAB 65.62, 12.44, -2.4

 

CMYK 0 / 16 / 9 / 9

HEX #E7C3D2

RGB 231 195 210

HSL 335, 0.43%, 0.84%

LAB 82.2, 15.19, -2.73

 

CMYK 0 / 15 / 7 / 89

HEX #1B1719

RGB 27 23 25

HSL 330, 0.08%, 0.1%

LAB 8.27, 2.47, -0.69

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 0 / 4 / 16 / 70

HEX #4D4A41

RGB 77 74 65

HSL 45, 0.08%, 0.28%

LAB 31.48, -0.57, 5.82

 

CMYK 16 / 3 / 0 / 70

HEX #414B4D

RGB 65 75 77

HSL 190, 0.08%, 0.28%

LAB 31.09, -3.52, -2.55

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 9 / 0 / 16 / 70

HEX #464D41

RGB 70 77 65

HSL 95, 0.08%, 0.28%

LAB 31.79, -5.43, 6.17

 

CMYK 16 / 9 / 0 / 70

HEX #41464D

RGB 65 70 77

HSL 215, 0.08%, 0.28%

LAB 29.51, -0.36, -4.9

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 0 / 4 / 16 / 70

HEX #4D4A41

RGB 77 74 65

HSL 45, 0.08%, 0.28%

LAB 31.48, -0.57, 5.82

 

CMYK 16 / 0 / 6 / 70

HEX #414D48

RGB 65 77 72

HSL 155, 0.08%, 0.28%

LAB 31.58, -5.95, 1.35

 

CMYK 16 / 12 / 0 / 70

HEX #41444D

RGB 65 68 77

HSL 225, 0.08%, 0.28%

LAB 28.89, 0.93, -5.83

 

CMYK 0 / 15 / 9 / 69

HEX #4E4247

RGB 78 66 71

HSL 335, 0.08%, 0.28%

LAB 29.34, 6.14, -1.12

SW® 6272

CMYK 1 / 0 / 16 / 70

HEX #4C4D41

RGB 76 77 65

HSL 65, 0.08%, 0.28%

LAB 32.32, -2.86, 6.99

 

CMYK 16 / 0 / 6 / 70

HEX #414D48

RGB 65 77 72

HSL 155, 0.08%, 0.28%

LAB 31.58, -5.95, 1.35

 

CMYK 14 / 16 / 0 / 70

HEX #42414D

RGB 66 65 77

HSL 245, 0.08%, 0.28%

LAB 28.05, 3.27, -7.08

 

Description

Color code: RGB 78 66 71 | qconv.com Color code: RGB 78 66 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 66 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 66 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 9 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 9% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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