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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 255 102 it is the complementary color RGB 178 0 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 255 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 77 255 102: RGB 82 255 97, RGB 99 255 116, RGB 116 255 135, RGB 133 255 154 and RGB 150 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 255 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 77 255 102: RGB 77 255 102, RGB 60 237 83, RGB 43 219 64, RGB 26 201 45 and RGB 9 183 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

Complementary color

CMYK 0 / 100 / 14 / 30

HEX #B20099

RGB 178 0 153

HSL 308.43, 1%, 0.35%

LAB 40.84, 71.51, -33.77

 

CMYK 68 / 0 / 62 / 0

HEX #52FF61

RGB 82 255 97

HSL 125.2, 1%, 0.66%

LAB 89.01, -73.6, 61.17

 

CMYK 61 / 0 / 55 / 0

HEX #63FF74

RGB 99 255 116

HSL 126.54, 1%, 0.69%

LAB 89.6, -68.19, 53.74

 

CMYK 55 / 0 / 47 / 0

HEX #74FF87

RGB 116 255 135

HSL 128.2, 1%, 0.73%

LAB 90.31, -61.92, 45.92

 

CMYK 48 / 0 / 40 / 0

HEX #85FF9A

RGB 133 255 154

HSL 130.33, 1%, 0.76%

LAB 91.16, -54.9, 37.93

 

CMYK 41 / 0 / 32 / 0

HEX #96FFAD

RGB 150 255 173

HSL 133.14, 1%, 0.79%

LAB 92.14, -47.26, 29.89

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 75 / 0 / 65 / 7

HEX #3CED53

RGB 60 237 83

HSL 127.8, 0.83%, 0.58%

LAB 83, -72.78, 60.1

 

CMYK 80 / 0 / 71 / 14

HEX #2BDB40

RGB 43 219 64

HSL 127.16, 0.71%, 0.51%

LAB 77.01, -71.19, 60.97

 

CMYK 87 / 0 / 78 / 21

HEX #1AC92D

RGB 26 201 45

HSL 126.51, 0.77%, 0.45%

LAB 71, -68.99, 61.36

 

CMYK 95 / 0 / 86 / 28

HEX #09B71A

RGB 9 183 26

HSL 125.86, 0.91%, 0.38%

LAB 64.96, -65.98, 60.9

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 70 / 0 / 49 / 0

HEX #4CFF82

RGB 76 255 130

HSL 138.1, 1%, 0.65%

LAB 89.24, -70.46, 46.73

 

CMYK 70 / 0 / 38 / 0

HEX #4CFF9F

RGB 76 255 159

HSL 147.82, 1%, 0.65%

LAB 89.65, -65.71, 33.17

 

CMYK 70 / 0 / 26 / 0

HEX #4CFFBD

RGB 76 255 189

HSL 157.88, 1%, 0.65%

LAB 90.2, -59.78, 18.74

 

CMYK 70 / 0 / 14 / 0

HEX #4CFFDB

RGB 76 255 219

HSL 167.93, 1%, 0.65%

LAB 90.86, -52.9, 4.23

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 71 / 0 / 61 / 80

HEX #0F3314

RGB 15 51 20

HSL 128.33, 0.55%, 0.13%

LAB 18.01, -20.97, 15.81

 

CMYK 70 / 0 / 60 / 60

HEX #1F6629

RGB 31 102 41

HSL 128.45, 0.53%, 0.26%

LAB 37.76, -35.82, 27.81

 

CMYK 70 / 0 / 60 / 40

HEX #2E993D

RGB 46 153 61

HSL 128.41, 0.54%, 0.39%

LAB 55.79, -49.45, 39.02

 

CMYK 70 / 0 / 60 / 20

HEX #3ECC52

RGB 62 204 82

HSL 128.45, 0.58%, 0.52%

LAB 72.77, -61.84, 49.05

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 70 / 24 / 0 / 0

HEX #4CC3FF

RGB 76 195 255

HSL 200.11, 1%, 0.65%

LAB 74.69, -14.52, -39.14

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7C

RGB 255 76 124

HSL 343.91, 1%, 0.65%

LAB 59.78, 70.03, 13.39

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 61 / 70 / 0 / 0

HEX #644CFF

RGB 100 76 255

HSL 248.04, 1%, 0.65%

LAB 45.77, 57.87, -85.39

 

CMYK 0 / 61 / 70 / 0

HEX #FF644C

RGB 255 100 76

HSL 8.04, 1%, 0.65%

LAB 62.42, 57.66, 44.02

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 70 / 24 / 0 / 0

HEX #4CC3FF

RGB 76 195 255

HSL 200.11, 1%, 0.65%

LAB 74.69, -14.52, -39.14

 

CMYK 0 / 70 / 9 / 0

HEX #FF4CE7

RGB 255 76 231

HSL 308.04, 1%, 0.65%

LAB 63.51, 82, -42.44

 

CMYK 0 / 47 / 70 / 0

HEX #FF884C

RGB 255 136 76

HSL 20.11, 1%, 0.65%

LAB 69.03, 40.7, 51.43

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF66

RGB 77 255 102

HSL 128.43, 1%, 0.65%

LAB 88.95, -73.91, 58.98

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 0 / 70 / 9 / 0

HEX #FF4CE7

RGB 255 76 231

HSL 308.04, 1%, 0.65%

LAB 63.51, 82, -42.44

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

Description

Color code: RGB 77 255 102 | qconv.com Color code: RGB 77 255 102 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 255 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 255 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 60% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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