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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 76 5 it is the complementary color RGB 179 179 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 76 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 76 5: RGB 81 76 0, RGB 98 94 19, RGB 115 112 38, RGB 132 130 57 and RGB 149 148 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 76 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 76 5: RGB 76 76 5, RGB 59 58 0, RGB 42 40 0, RGB 25 22 0 and RGB 8 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

Complementary color

CMYK 28 / 28 / 0 / 2

HEX #B3B3FA

RGB 179 179 250

HSL 240, 0.88%, 0.84%

LAB 75.28, 15.4, -35.13

 

CMYK 0 / 6 / 100 / 68

HEX #514C00

RGB 81 76 0

HSL 56.3, 1%, 0.16%

LAB 31.62, -6.42, 39.94

 

CMYK 0 / 4 / 81 / 62

HEX #625E13

RGB 98 94 19

HSL 56.96, 0.68%, 0.23%

LAB 38.98, -7.78, 40.42

 

CMYK 0 / 3 / 67 / 55

HEX #737026

RGB 115 112 38

HSL 57.66, 0.5%, 0.3%

LAB 46.14, -8.83, 40.08

 

CMYK 0 / 2 / 57 / 48

HEX #848239

RGB 132 130 57

HSL 58.4, 0.4%, 0.37%

LAB 53.13, -9.59, 39.09

 

CMYK 0 / 1 / 49 / 42

HEX #95944C

RGB 149 148 76

HSL 59.18, 0.32%, 0.44%

LAB 59.97, -10.17, 37.89

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 0 / 2 / 100 / 77

HEX #3B3A00

RGB 59 58 0

HSL 58.98, 1%, 0.12%

LAB 23.53, -6.98, 32.14

 

CMYK 0 / 5 / 100 / 84

HEX #2A2800

RGB 42 40 0

HSL 57.14, 1%, 0.08%

LAB 15.54, -4.83, 22.53

 

CMYK 0 / 12 / 100 / 90

HEX #191600

RGB 25 22 0

HSL 52.8, 1%, 0.05%

LAB 7.05, -2.21, 10.52

 

CMYK 0 / 50 / 100 / 97

HEX #080400

RGB 8 4 0

HSL 30, 1%, 0.02%

LAB 1.25, 0.49, 1.88

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 16 / 0 / 95 / 70

HEX #404C04

RGB 64 76 4

HSL 70, 0.9%, 0.16%

LAB 30.08, -14.82, 36.53

 

CMYK 32 / 0 / 95 / 70

HEX #344C04

RGB 52 76 4

HSL 80, 0.9%, 0.16%

LAB 29.18, -20.49, 35.42

 

CMYK 47 / 0 / 95 / 70

HEX #284C04

RGB 40 76 4

HSL 90, 0.9%, 0.16%

LAB 28.46, -25.57, 34.52

 

CMYK 63 / 0 / 95 / 70

HEX #1C4C04

RGB 28 76 4

HSL 100, 0.9%, 0.16%

LAB 27.91, -29.78, 33.84

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 0 / 0 / 94 / 50

HEX #7F7F08

RGB 127 127 8

HSL 60, 0.88%, 0.26%

LAB 51.51, -12.7, 54.86

 

CMYK 0 / 0 / 93 / 30

HEX #B2B20C

RGB 178 178 12

HSL 60, 0.87%, 0.37%

LAB 70.41, -16.31, 70.75

 

CMYK 0 / 0 / 93 / 10

HEX #E5E50F

RGB 229 229 15

HSL 60, 0.88%, 0.48%

LAB 88.32, -19.74, 85.86

 

CMYK 0 / 0 / 92 / 90

HEX #191902

RGB 25 25 2

HSL 60, 0.85%, 0.05%

LAB 8.19, -4.17, 11.36

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 95 / 0 / 75 / 70

HEX #044C13

RGB 4 76 19

HSL 132.5, 0.9%, 0.16%

LAB 27.41, -33.59, 27.09

 

CMYK 38 / 95 / 0 / 70

HEX #2F044C

RGB 47 4 76

HSL 275.83, 0.9%, 0.16%

LAB 10.65, 34.21, -33.93

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 95 / 0 / 0 / 70

HEX #044C4C

RGB 4 76 76

HSL 180, 0.9%, 0.16%

LAB 28.69, -19.58, -5.78

 

CMYK 0 / 95 / 0 / 70

HEX #4C044C

RGB 76 4 76

HSL 300, 0.9%, 0.16%

LAB 16.23, 39.63, -24.64

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 95 / 0 / 75 / 70

HEX #044C13

RGB 4 76 19

HSL 132.5, 0.9%, 0.16%

LAB 27.41, -33.59, 27.09

 

CMYK 95 / 95 / 0 / 70

HEX #04044C

RGB 4 4 76

HSL 240, 0.9%, 0.16%

LAB 5.73, 28.84, -42.22

 

CMYK 0 / 95 / 18 / 70

HEX #4C043E

RGB 76 4 62

HSL 311.67, 0.9%, 0.16%

LAB 15.34, 37.29, -16.29

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 95 / 0 / 47 / 70

HEX #044C28

RGB 4 76 40

HSL 150, 0.9%, 0.16%

LAB 27.7, -30.06, 15.76

 

CMYK 95 / 95 / 0 / 70

HEX #04044C

RGB 4 4 76

HSL 240, 0.9%, 0.16%

LAB 5.73, 28.84, -42.22

 

CMYK 0 / 95 / 47 / 70

HEX #4C0428

RGB 76 4 40

HSL 330, 0.9%, 0.16%

LAB 14.27, 34.39, -2.05

 

Description

Color code: RGB 76 76 5 | qconv.com Color code: RGB 76 76 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 76 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 76 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 93 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 93% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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