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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 70 36 it is the complementary color RGB 180 185 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 70 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 70 36: RGB 80 70 31, RGB 97 88 50, RGB 114 106 69, RGB 131 124 88 and RGB 148 142 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 70 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 70 36: RGB 75 70 36, RGB 58 52 17, RGB 41 34 0, RGB 24 16 0 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

Complementary color

CMYK 18 / 16 / 0 / 14

HEX #B4B9DB

RGB 180 185 219

HSL 232.31, 0.35%, 0.78%

LAB 75.77, 5.24, -17.61

 

CMYK 0 / 13 / 61 / 69

HEX #50461F

RGB 80 70 31

HSL 47.76, 0.44%, 0.22%

LAB 29.87, -1.5, 24.72

 

CMYK 0 / 9 / 48 / 62

HEX #615832

RGB 97 88 50

HSL 48.51, 0.32%, 0.29%

LAB 37.39, -2.28, 23.29

 

CMYK 0 / 7 / 39 / 55

HEX #726A45

RGB 114 106 69

HSL 49.33, 0.25%, 0.36%

LAB 44.68, -2.84, 21.92

 

CMYK 0 / 5 / 33 / 49

HEX #837C58

RGB 131 124 88

HSL 50.23, 0.2%, 0.43%

LAB 51.78, -3.26, 20.66

 

CMYK 0 / 4 / 28 / 42

HEX #948E6B

RGB 148 142 107

HSL 51.22, 0.16%, 0.5%

LAB 58.7, -3.6, 19.49

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 0 / 10 / 71 / 77

HEX #3A3411

RGB 58 52 17

HSL 51.22, 0.55%, 0.15%

LAB 21.56, -2.61, 22.55

 

CMYK 0 / 17 / 100 / 84

HEX #292200

RGB 41 34 0

HSL 49.76, 1%, 0.08%

LAB 13.32, -1.36, 19.63

 

CMYK 0 / 33 / 100 / 91

HEX #181000

RGB 24 16 0

HSL 40, 1%, 0.05%

LAB 5.1, 1.03, 7.66

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 1 / 0 / 52 / 71

HEX #4A4B24

RGB 74 75 36

HSL 61.54, 0.35%, 0.22%

LAB 30.91, -6.98, 22.94

 

CMYK 11 / 0 / 52 / 71

HEX #434B24

RGB 67 75 36

HSL 72.31, 0.35%, 0.22%

LAB 30.29, -10.31, 22.03

 

CMYK 19 / 0 / 52 / 71

HEX #3D4B24

RGB 61 75 36

HSL 81.54, 0.35%, 0.22%

LAB 29.79, -13.09, 21.32

 

CMYK 28 / 0 / 52 / 71

HEX #364B24

RGB 54 75 36

HSL 92.31, 0.35%, 0.22%

LAB 29.27, -16.2, 20.56

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 0 / 6 / 52 / 51

HEX #7E763C

RGB 126 118 60

HSL 52.73, 0.35%, 0.36%

LAB 49.15, -5.34, 32.76

 

CMYK 0 / 7 / 52 / 31

HEX #B1A555

RGB 177 165 85

HSL 52.17, 0.37%, 0.51%

LAB 67.21, -6.45, 42.6

 

CMYK 0 / 7 / 52 / 11

HEX #E4D56D

RGB 228 213 109

HSL 52.44, 0.69%, 0.66%

LAB 84.58, -8.1, 52.66

 

CMYK 0 / 8 / 50 / 91

HEX #18160C

RGB 24 22 12

HSL 50, 0.33%, 0.07%

LAB 7.18, -1.03, 5.76

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 52 / 0 / 48 / 71

HEX #244B27

RGB 36 75 39

HSL 124.62, 0.35%, 0.22%

LAB 28.26, -22.7, 17.26

 

CMYK 28 / 52 / 0 / 71

HEX #36244B

RGB 54 36 75

HSL 267.69, 0.35%, 0.22%

LAB 18.16, 17.86, -21.1

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 52 / 0 / 7 / 71

HEX #244B46

RGB 36 75 70

HSL 172.31, 0.35%, 0.22%

LAB 29.03, -15.25, -1.3

 

CMYK 7 / 52 / 0 / 71

HEX #46244B

RGB 70 36 75

HSL 292.31, 0.35%, 0.22%

LAB 20.33, 23.3, -17.55

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 52 / 0 / 48 / 71

HEX #244B27

RGB 36 75 39

HSL 124.62, 0.35%, 0.22%

LAB 28.26, -22.7, 17.26

 

CMYK 52 / 45 / 0 / 71

HEX #24294B

RGB 36 41 75

HSL 232.31, 0.35%, 0.22%

LAB 17.78, 8.65, -21.83

 

CMYK 0 / 52 / 3 / 71

HEX #4B2449

RGB 75 36 73

HSL 303.08, 0.35%, 0.22%

LAB 20.98, 24.6, -15.13

 

CMYK 0 / 7 / 52 / 71

HEX #4B4624

RGB 75 70 36

HSL 52.31, 0.35%, 0.22%

LAB 29.42, -3.44, 21.15

 

CMYK 52 / 0 / 33 / 71

HEX #244B32

RGB 36 75 50

HSL 141.54, 0.35%, 0.22%

LAB 28.48, -20.46, 10.74

 

CMYK 52 / 45 / 0 / 71

HEX #24294B

RGB 36 41 75

HSL 232.31, 0.35%, 0.22%

LAB 17.78, 8.65, -21.83

 

CMYK 0 / 52 / 19 / 71

HEX #4B243D

RGB 75 36 61

HSL 321.54, 0.35%, 0.22%

LAB 20.42, 22.21, -7.77

 

Description

Color code: RGB 75 70 36 | qconv.com Color code: RGB 75 70 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 70 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 70 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 52 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 52% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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