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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 74 127 it is the complementary color RGB 182 181 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 74 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 74 127: RGB 78 74 122, RGB 95 92 141, RGB 112 110 160, RGB 129 128 179 and RGB 146 146 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 74 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 74 127: RGB 73 74 127, RGB 56 56 108, RGB 39 38 89, RGB 22 20 70 and RGB 5 2 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

Complementary color

CMYK 0 / 1 / 30 / 29

HEX #B6B580

RGB 182 181 128

HSL 58.89, 0.27%, 0.61%

LAB 72.6, -8.09, 27.21

 

CMYK 36 / 39 / 0 / 52

HEX #4E4A7A

RGB 78 74 122

HSL 245, 0.24%, 0.38%

LAB 33.82, 14.02, -26.76

 

CMYK 33 / 35 / 0 / 45

HEX #5F5C8D

RGB 95 92 141

HSL 243.67, 0.21%, 0.46%

LAB 41.23, 13.24, -26.68

 

CMYK 30 / 31 / 0 / 37

HEX #706EA0

RGB 112 110 160

HSL 242.4, 0.21%, 0.53%

LAB 48.43, 12.59, -26.68

 

CMYK 28 / 28 / 0 / 30

HEX #8180B3

RGB 129 128 179

HSL 241.18, 0.25%, 0.6%

LAB 55.44, 12.03, -26.73

 

CMYK 26 / 26 / 0 / 22

HEX #9292C6

RGB 146 146 198

HSL 240, 0.31%, 0.67%

LAB 62.29, 11.54, -26.82

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 48 / 48 / 0 / 58

HEX #38386C

RGB 56 56 108

HSL 240, 0.32%, 0.32%

LAB 26.02, 15.2, -30.4

 

CMYK 56 / 57 / 0 / 65

HEX #272659

RGB 39 38 89

HSL 241.18, 0.4%, 0.25%

LAB 18.09, 16.7, -30.74

 

CMYK 69 / 71 / 0 / 73

HEX #161446

RGB 22 20 70

HSL 242.4, 0.56%, 0.18%

LAB 9.9, 18.78, -31.11

 

CMYK 90 / 96 / 0 / 80

HEX #050233

RGB 5 2 51

HSL 243.67, 0.92%, 0.1%

LAB 2.84, 15.68, -28.95

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 37 / 43 / 0 / 51

HEX #4F487E

RGB 79 72 126

HSL 247.78, 0.27%, 0.39%

LAB 33.57, 16.8, -29.64

 

CMYK 30 / 43 / 0 / 51

HEX #58487E

RGB 88 72 126

HSL 257.78, 0.27%, 0.39%

LAB 34.43, 19.52, -28.22

 

CMYK 23 / 43 / 0 / 51

HEX #61487E

RGB 97 72 126

HSL 267.78, 0.27%, 0.39%

LAB 35.37, 22.35, -26.69

 

CMYK 16 / 43 / 0 / 51

HEX #6A487E

RGB 106 72 126

HSL 277.78, 0.27%, 0.39%

LAB 36.38, 25.26, -25.03

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 43 / 42 / 0 / 30

HEX #6668B2

RGB 102 104 178

HSL 238.42, 0.33%, 0.55%

LAB 46.9, 18.49, -39.67

 

CMYK 42 / 42 / 0 / 10

HEX #8485E5

RGB 132 133 229

HSL 239.38, 0.65%, 0.71%

LAB 59.29, 23.5, -48.93

 

CMYK 44 / 40 / 0 / 90

HEX #0E0F19

RGB 14 15 25

HSL 234.55, 0.28%, 0.08%

LAB 4.56, 1.93, -6.28

 

CMYK 42 / 42 / 0 / 70

HEX #2C2C4C

RGB 44 44 76

HSL 240, 0.27%, 0.24%

LAB 19.47, 9.3, -19.79

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 0 / 43 / 7 / 51

HEX #7E4875

RGB 126 72 117

HSL 310, 0.27%, 0.39%

LAB 38.47, 30.1, -16.02

 

CMYK 25 / 0 / 43 / 51

HEX #5F7E48

RGB 95 126 72

HSL 94.44, 0.27%, 0.39%

LAB 49.28, -21.47, 25.86

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 0 / 43 / 41 / 51

HEX #7E484A

RGB 126 72 74

HSL 357.78, 0.27%, 0.39%

LAB 37.05, 23.26, 8.82

 

CMYK 41 / 0 / 43 / 51

HEX #4A7E48

RGB 74 126 72

HSL 117.78, 0.27%, 0.39%

LAB 48.06, -29.17, 24.06

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 0 / 43 / 7 / 51

HEX #7E4875

RGB 126 72 117

HSL 310, 0.27%, 0.39%

LAB 38.47, 30.1, -16.02

 

CMYK 0 / 2 / 43 / 51

HEX #7E7C48

RGB 126 124 72

HSL 57.78, 0.27%, 0.39%

LAB 51.06, -7.43, 28.61

 

CMYK 43 / 0 / 36 / 51

HEX #487E51

RGB 72 126 81

HSL 130, 0.27%, 0.39%

LAB 48.13, -28.26, 19.04

 

CMYK 43 / 42 / 0 / 50

HEX #494A7F

RGB 73 74 127

HSL 238.89, 0.27%, 0.39%

LAB 33.66, 14.07, -30.15

 

CMYK 0 / 43 / 20 / 51

HEX #7E4865

RGB 126 72 101

HSL 327.78, 0.27%, 0.39%

LAB 37.86, 27.23, -6.98

 

CMYK 0 / 2 / 43 / 51

HEX #7E7C48

RGB 126 124 72

HSL 57.78, 0.27%, 0.39%

LAB 51.06, -7.43, 28.61

 

CMYK 43 / 0 / 23 / 51

HEX #487E61

RGB 72 126 97

HSL 147.78, 0.27%, 0.39%

LAB 48.46, -25.02, 10.26

 

Description

Color code: RGB 73 74 127 | qconv.com Color code: RGB 73 74 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 74 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 74 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 42 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 42% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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