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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73.3 162.4 217 it is the complementary color RGB 181.7 92.6 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73.3 162.4 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73.3 162.4 217 shade: RGB 78.3 162.4 212, RGB 95.3 180.4 231, RGB 112.3 198.4 250, RGB 129.3 216.4 255 and RGB 146.3 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73.3 162.4 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73.3 162.4 217 shade: RGB 73.3 162.4 217, RGB 56.3 144.4 198, RGB 39.3 126.4 179, RGB 22.3 108.4 160 and RGB 5.3 90.4 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73.3 162.4 217 shade: RGB 74 162 217, RGB 74 124 217, RGB 74 86 217, RGB 101 74 217 and RGB 139 74 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73.3 162.4 217 shade: RGB 74 162 217, RGB 74 124 217, RGB 74 86 217 and RGB 74 74 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73.3 162.4 217 shade matches the following richer shades: RGB 74 162 217, RGB 56 167 234 and RGB 39 171 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73.3 162.4 217 shade: RGB 74 162 217, RGB 92 158 199, RGB 110 154 181, RGB 127 150 163 and RGB 145 145 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73.3 162.4 217 shade: RGB 74 217 193, RGB 74 202 217, RGB 74 164 217, RGB 74 126 217 and RGB 74 88 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73.3 162.4 217 shade: RGB 36 120 172, RGB 44 144 206, RGB 74 162 217, RGB 108 180 224 and RGB 142 197 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73.3 162.4 217 shade: RGB 73.3 162.4 217, RGB 155 74 217 and RGB 217 212 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73.3 162.4 217 shade: RGB 73.3 162.4 217, RGB 217 74 164 and RGB 164 217 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73.3 162.4 217 shade: RGB 73.3 162.4 217, RGB 155 74 217, RGB 217 126 74 and RGB 136 217 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73.3 162.4 217 shade: RGB 73.3 162.4 217, RGB 198 74 217, RGB 217 126 74 and RGB 93 217 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

Complementary color

CMYK 0 / 49 / 79 / 29

HEX #B55C26

RGB 181.7 92.6 38

HSL 22.8, 0.65%, 0.43%

LAB 49.26, 32.3, 45.84

 

CMYK 63 / 23 / 0 / 17

HEX #4EA2D4

RGB 78.3 162.4 212

HSL 202.26, 0.61%, 0.57%

LAB 63.65, -10.44, -32.84

 

CMYK 59 / 22 / 0 / 9

HEX #5FB4E7

RGB 95.3 180.4 231

HSL 202.37, 0.74%, 0.64%

LAB 70.19, -11.18, -33.09

 

CMYK 55 / 21 / 0 / 2

HEX #70C6FA

RGB 112.3 198.4 250

HSL 202.48, 0.93%, 0.71%

LAB 76.64, -11.76, -33.34

 

CMYK 49 / 15 / 0 / 0

HEX #81D8FF

RGB 129.3 216.4 255

HSL 198.42, 1%, 0.75%

LAB 82.5, -16.14, -26.94

 

CMYK 43 / 8 / 0 / 0

HEX #92EAFF

RGB 146.3 234.4 255

HSL 191.37, 1%, 0.79%

LAB 88.18, -21.33, -18.26

 

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

CMYK 72 / 27 / 0 / 22

HEX #3890C6

RGB 56.3 144.4 198

HSL 202.7, 0.56%, 0.5%

LAB 57.07, -8.55, -35.3

 

CMYK 78 / 29 / 0 / 30

HEX #277EB3

RGB 39.3 126.4 179

HSL 202.59, 0.64%, 0.43%

LAB 50.35, -7.1, -35

 

CMYK 86 / 32 / 0 / 37

HEX #166CA0

RGB 22.3 108.4 160

HSL 202.48, 0.76%, 0.36%

LAB 43.54, -5.19, -34.65

 

CMYK 96 / 36 / 0 / 45

HEX #055A8D

RGB 5.3 90.4 141

HSL 202.37, 0.93%, 0.29%

LAB 36.63, -2.68, -34.21

 

CMYK 66 / 25 / 0 / 15

HEX #4AA2D9

RGB 74 162 217

HSL 203.08, 0.65%, 0.57%

LAB 63.6, -9.33, -35.7

 

CMYK 66 / 43 / 0 / 15

HEX #4A7CD9

RGB 74 124 217

HSL 219.02, 0.65%, 0.57%

LAB 52.82, 12.93, -52.71

 

CMYK 66 / 60 / 0 / 15

HEX #4A56D9

RGB 74 86 217

HSL 234.97, 0.65%, 0.57%

LAB 42.95, 36.61, -68.65

 

CMYK 53 / 66 / 0 / 15

HEX #654AD9

RGB 101 74 217

HSL 251.33, 0.65%, 0.57%

LAB 42.27, 47.92, -69.67

 

CMYK 36 / 66 / 0 / 15

HEX #8B4AD9

RGB 139 74 217

HSL 267.27, 0.65%, 0.57%

LAB 46.17, 55, -63.14

 

CMYK 66 / 25 / 0 / 15

HEX #4AA2D9

RGB 74 162 217

HSL 203.08, 0.65%, 0.57%

LAB 63.6, -9.33, -35.7

 

CMYK 66 / 43 / 0 / 15

HEX #4A7CD9

RGB 74 124 217

HSL 219.02, 0.65%, 0.57%

LAB 52.82, 12.93, -52.71

 

CMYK 66 / 60 / 0 / 15

HEX #4A56D9

RGB 74 86 217

HSL 234.97, 0.65%, 0.57%

LAB 42.95, 36.61, -68.65

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD9

RGB 74 74 217

HSL 240, 0.65%, 0.57%

LAB 40.19, 43.87, -73.16

 

CMYK 66 / 25 / 0 / 15

HEX #4AA2D9

RGB 74 162 217

HSL 203.08, 0.65%, 0.57%

LAB 63.6, -9.33, -35.7

 

CMYK 76 / 29 / 0 / 8

HEX #38A7EA

RGB 56 167 234

HSL 202.58, 0.81%, 0.57%

LAB 65.29, -8.84, -42.46

 

CMYK 85 / 32 / 0 / 1

HEX #27ABFC

RGB 39 171 252

HSL 202.82, 0.97%, 0.57%

LAB 66.96, -6.29, -49.68

 

CMYK 66 / 25 / 0 / 15

HEX #4AA2D9

RGB 74 162 217

HSL 203.08, 0.65%, 0.57%

LAB 63.6, -9.33, -35.7

 

CMYK 54 / 21 / 0 / 22

HEX #5C9EC7

RGB 92 158 199

HSL 202.99, 0.49%, 0.57%

LAB 62.38, -9.38, -27.51

 

CMYK 39 / 15 / 0 / 29

HEX #6E9AB5

RGB 110 154 181

HSL 202.82, 0.32%, 0.57%

LAB 61.45, -7.9, -18.76

 

CMYK 22 / 8 / 0 / 36

HEX #7F96A3

RGB 127 150 163

HSL 201.67, 0.16%, 0.57%

LAB 60.75, -5.14, -9.53

 

CMYK 1 / 1 / 0 / 43

HEX #919192

RGB 145 145 146

HSL 240, 0%, 0.57%

LAB 60.2, 0.2, -0.54

 

CMYK 66 / 0 / 11 / 15

HEX #4AD9C1

RGB 74 217 193

HSL 169.93, 0.65%, 0.57%

LAB 79, -43.55, 0.66

 

CMYK 66 / 7 / 0 / 15

HEX #4ACAD9

RGB 74 202 217

HSL 186.29, 0.65%, 0.57%

LAB 75.27, -30.07, -17.79

 

CMYK 66 / 24 / 0 / 15

HEX #4AA4D9

RGB 74 164 217

HSL 202.24, 0.65%, 0.57%

LAB 64.17, -10.43, -34.8

 

CMYK 66 / 42 / 0 / 15

HEX #4A7ED9

RGB 74 126 217

HSL 218.18, 0.65%, 0.57%

LAB 53.37, 11.7, -51.83

 

CMYK 66 / 59 / 0 / 15

HEX #4A58D9

RGB 74 88 217

HSL 234.13, 0.65%, 0.57%

LAB 43.43, 35.37, -67.86

 

CMYK 79 / 30 / 0 / 33

HEX #2478AC

RGB 36 120 172

HSL 202.94, 0.65%, 0.41%

LAB 47.99, -6.28, -34.66

 

CMYK 79 / 30 / 0 / 19

HEX #2C90CE

RGB 44 144 206

HSL 202.96, 0.65%, 0.49%

LAB 57.02, -7.02, -39.92

 

CMYK 66 / 25 / 0 / 15

HEX #4AA2D9

RGB 74 162 217

HSL 203.08, 0.65%, 0.57%

LAB 63.6, -9.33, -35.7

 

CMYK 52 / 20 / 0 / 12

HEX #6CB4E0

RGB 108 180 224

HSL 202.76, 0.65%, 0.65%

LAB 70.32, -10.46, -29.03

 

CMYK 39 / 15 / 0 / 9

HEX #8EC5E7

RGB 142 197 231

HSL 202.92, 0.65%, 0.73%

LAB 76.95, -9.39, -22.53

 

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

CMYK 29 / 66 / 0 / 15

HEX #9B4AD9

RGB 155 74 217

HSL 273.99, 0.65%, 0.57%

LAB 48.1, 58.32, -59.93

 

CMYK 0 / 2 / 66 / 15

HEX #D9D44A

RGB 217 212 74

HSL 57.9, 0.65%, 0.57%

LAB 83.09, -14.55, 65.98

 

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

CMYK 0 / 66 / 24 / 15

HEX #D94AA4

RGB 217 74 164

HSL 322.24, 0.65%, 0.57%

LAB 54.37, 64.24, -18.78

 

CMYK 24 / 0 / 66 / 15

HEX #A4D94A

RGB 164 217 74

HSL 82.24, 0.65%, 0.57%

LAB 80.75, -38.12, 62.38

 

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

CMYK 29 / 66 / 0 / 15

HEX #9B4AD9

RGB 155 74 217

HSL 273.99, 0.65%, 0.57%

LAB 48.1, 58.32, -59.93

 

CMYK 0 / 42 / 66 / 15

HEX #D97E4A

RGB 217 126 74

HSL 21.82, 0.65%, 0.57%

LAB 61.8, 30.77, 42.9

 

CMYK 37 / 0 / 66 / 15

HEX #88D94A

RGB 136 217 74

HSL 93.99, 0.65%, 0.57%

LAB 79.24, -48.1, 60.34

 

CMYK 66 / 25 / 0 / 15

HEX #49A2D9

RGB 73.3 162.4 217

HSL 202.8, 0.65%, 0.57%

LAB 63.69, -9.66, -35.56

 

CMYK 9 / 66 / 0 / 15

HEX #C64AD9

RGB 198 74 217

HSL 292.03, 0.65%, 0.57%

LAB 53.93, 67.74, -50.26

 

CMYK 0 / 42 / 66 / 15

HEX #D97E4A

RGB 217 126 74

HSL 21.82, 0.65%, 0.57%

LAB 61.8, 30.77, 42.9

 

CMYK 57 / 0 / 66 / 15

HEX #5DD94A

RGB 93 217 74

HSL 112.03, 0.65%, 0.57%

LAB 77.55, -60.67, 58.02

 

Description

Color code: RGB 73.3 162.4 217 | qconv.com Color code: RGB 73.3 162.4 217 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73.3 red, 162.4 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73.3 162.4 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 25% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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