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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73.1 198.8 252 it is the complementary color RGB 181.9 56.2 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73.1 198.8 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73.1 198.8 252 shade: RGB 78.1 198.8 247, RGB 95.1 216.8 255, RGB 112.1 234.8 255, RGB 129.1 252.8 255 and RGB 146.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73.1 198.8 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73.1 198.8 252 shade: RGB 73.1 198.8 252, RGB 56.1 180.8 233, RGB 39.1 162.8 214, RGB 22.1 144.8 195 and RGB 5.1 126.8 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73.1 198.8 252 shade: RGB 74 199 252, RGB 74 151 252, RGB 74 103 252, RGB 93 74 252 and RGB 141 74 252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73.1 198.8 252 shade: RGB 74 199 252, RGB 74 151 252, RGB 74 103 252 and RGB 74 74 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73.1 198.8 252 shade matches the following richer shades: RGB 74 199 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73.1 198.8 252 shade: RGB 74 199 252, RGB 89 193 237, RGB 104 187 223, RGB 119 181 208 and RGB 134 175 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73.1 198.8 252 shade: RGB 74 252 208, RGB 74 249 252, RGB 74 202 252, RGB 74 154 252 and RGB 74 107 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73.1 198.8 252 shade: RGB 4 170 240, RGB 34 187 252, RGB 74 199 252, RGB 115 212 253 and RGB 155 224 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73.1 198.8 252 shade: RGB 73.1 198.8 252, RGB 160 74 252 and RGB 252 231 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73.1 198.8 252 shade: RGB 73.1 198.8 252, RGB 252 74 202 and RGB 202 252 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73.1 198.8 252 shade: RGB 73.1 198.8 252, RGB 160 74 252, RGB 252 125 74 and RGB 166 252 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73.1 198.8 252 shade: RGB 73.1 198.8 252, RGB 214 74 252, RGB 252 125 74 and RGB 113 252 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

Complementary color

CMYK 0 / 69 / 98 / 29

HEX #B53803

RGB 181.9 56.2 3

HSL 17.84, 0.97%, 0.36%

LAB 42.44, 48.96, 53.21

 

CMYK 68 / 20 / 0 / 3

HEX #4EC6F7

RGB 78.1 198.8 247

HSL 197.12, 0.91%, 0.64%

LAB 75.51, -18.76, -33.57

 

CMYK 63 / 15 / 0 / 0

HEX #5FD8FF

RGB 95.1 216.8 255

HSL 194.33, 1%, 0.69%

LAB 81.39, -22.89, -28.75

 

CMYK 56 / 8 / 0 / 0

HEX #70EAFF

RGB 112.1 234.8 255

HSL 188.48, 1%, 0.72%

LAB 86.98, -28.77, -20.19

 

CMYK 49 / 1 / 0 / 0

HEX #81FCFF

RGB 129.1 252.8 255

HSL 181.05, 1%, 0.75%

LAB 92.58, -33.98, -11.73

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146.1 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.32, -9.82

 

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

CMYK 76 / 22 / 0 / 9

HEX #38B4E9

RGB 56.1 180.8 233

HSL 197.7, 0.8%, 0.57%

LAB 69.25, -16.65, -35.73

 

CMYK 82 / 24 / 0 / 16

HEX #27A2D6

RGB 39.1 162.8 214

HSL 197.56, 0.69%, 0.5%

LAB 62.85, -15.15, -35.26

 

CMYK 89 / 26 / 0 / 24

HEX #1690C3

RGB 22.1 144.8 195

HSL 197.42, 0.8%, 0.43%

LAB 56.39, -13.25, -34.72

 

CMYK 97 / 28 / 0 / 31

HEX #057EB0

RGB 5.1 126.8 176

HSL 197.27, 0.94%, 0.36%

LAB 49.85, -10.88, -34.09

 

CMYK 71 / 21 / 0 / 1

HEX #4AC7FC

RGB 74 199 252

HSL 197.87, 0.97%, 0.64%

LAB 75.66, -17.84, -36.03

 

CMYK 71 / 40 / 0 / 1

HEX #4A97FC

RGB 74 151 252

HSL 214.04, 0.97%, 0.64%

LAB 62.18, 8.88, -57.21

 

CMYK 71 / 59 / 0 / 1

HEX #4A67FC

RGB 74 103 252

HSL 230.22, 0.97%, 0.64%

LAB 49.72, 38.13, -77.31

 

CMYK 63 / 71 / 0 / 1

HEX #5D4AFC

RGB 93 74 252

HSL 246.4, 0.97%, 0.64%

LAB 44.59, 57.18, -85.66

 

CMYK 44 / 71 / 0 / 1

HEX #8D4AFC

RGB 141 74 252

HSL 262.58, 0.97%, 0.64%

LAB 48.99, 64.05, -78.28

 

CMYK 71 / 21 / 0 / 1

HEX #4AC7FC

RGB 74 199 252

HSL 197.87, 0.97%, 0.64%

LAB 75.66, -17.84, -36.03

 

CMYK 71 / 40 / 0 / 1

HEX #4A97FC

RGB 74 151 252

HSL 214.04, 0.97%, 0.64%

LAB 62.18, 8.88, -57.21

 

CMYK 71 / 59 / 0 / 1

HEX #4A67FC

RGB 74 103 252

HSL 230.22, 0.97%, 0.64%

LAB 49.72, 38.13, -77.31

 

CMYK 71 / 71 / 0 / 1

HEX #4A4AFC

RGB 74 74 252

HSL 240, 0.97%, 0.64%

LAB 43.33, 55.12, -87.78

 

CMYK 71 / 21 / 0 / 1

HEX #4AC7FC

RGB 74 199 252

HSL 197.87, 0.97%, 0.64%

LAB 75.66, -17.84, -36.03

 

CMYK 71 / 21 / 0 / 1

HEX #4AC7FC

RGB 74 199 252

HSL 197.87, 0.97%, 0.64%

LAB 75.66, -17.84, -36.03

 

CMYK 62 / 19 / 0 / 7

HEX #59C1ED

RGB 89 193 237

HSL 197.84, 0.8%, 0.64%

LAB 73.79, -17.15, -30.81

 

CMYK 53 / 16 / 0 / 13

HEX #68BBDF

RGB 104 187 223

HSL 198.15, 0.65%, 0.64%

LAB 72.1, -15.33, -25.77

 

CMYK 43 / 13 / 0 / 18

HEX #77B5D0

RGB 119 181 208

HSL 198.2, 0.49%, 0.64%

LAB 70.54, -12.89, -19.9

 

CMYK 31 / 9 / 0 / 24

HEX #86AFC1

RGB 134 175 193

HSL 198.31, 0.32%, 0.64%

LAB 69.17, -9.45, -13.64

 

CMYK 71 / 0 / 17 / 1

HEX #4AFCD0

RGB 74 252 208

HSL 165.17, 0.97%, 0.64%

LAB 89.69, -54.58, 8.23

 

CMYK 71 / 1 / 0 / 1

HEX #4AF9FC

RGB 74 249 252

HSL 181.01, 0.97%, 0.64%

LAB 89.97, -41.96, -14.23

 

CMYK 71 / 20 / 0 / 1

HEX #4ACAFC

RGB 74 202 252

HSL 196.85, 0.97%, 0.64%

LAB 76.51, -19.39, -34.71

 

CMYK 71 / 39 / 0 / 1

HEX #4A9AFC

RGB 74 154 252

HSL 213.03, 0.97%, 0.64%

LAB 63.01, 7.11, -55.9

 

CMYK 71 / 58 / 0 / 1

HEX #4A6BFC

RGB 74 107 252

HSL 228.88, 0.97%, 0.64%

LAB 50.69, 35.68, -75.74

 

CMYK 98 / 29 / 0 / 6

HEX #04AAF0

RGB 4 170 240

HSL 197.8, 0.97%, 0.48%

LAB 65.8, -11.58, -44.99

 

CMYK 87 / 26 / 0 / 1

HEX #22BBFC

RGB 34 187 252

HSL 197.89, 0.97%, 0.56%

LAB 71.49, -15.36, -42.57

 

CMYK 71 / 21 / 0 / 1

HEX #4AC7FC

RGB 74 199 252

HSL 197.87, 0.97%, 0.64%

LAB 75.66, -17.84, -36.03

 

CMYK 55 / 16 / 0 / 1

HEX #73D4FD

RGB 115 212 253

HSL 197.83, 0.97%, 0.72%

LAB 80.64, -17.44, -28.78

 

CMYK 39 / 11 / 0 / 1

HEX #9BE0FD

RGB 155 224 253

HSL 197.76, 0.96%, 0.8%

LAB 85.69, -14.46, -20.93

 

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

CMYK 37 / 71 / 0 / 1

HEX #A04AFC

RGB 160 74 252

HSL 268.99, 0.97%, 0.64%

LAB 51.15, 67.28, -74.67

 

CMYK 0 / 8 / 71 / 1

HEX #FCE74A

RGB 252 231 74

HSL 52.92, 0.97%, 0.64%

LAB 90.94, -9.49, 74.78

 

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

CMYK 0 / 71 / 20 / 1

HEX #FC4ACA

RGB 252 74 202

HSL 316.85, 0.97%, 0.64%

LAB 61.53, 78.02, -29.22

 

CMYK 20 / 0 / 71 / 1

HEX #CAFC4A

RGB 202 252 74

HSL 76.85, 0.97%, 0.64%

LAB 92.87, -39.39, 75.45

 

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

CMYK 37 / 71 / 0 / 1

HEX #A04AFC

RGB 160 74 252

HSL 268.99, 0.97%, 0.64%

LAB 51.15, 67.28, -74.67

 

CMYK 0 / 50 / 71 / 1

HEX #FC7D4A

RGB 252 125 74

HSL 17.19, 0.97%, 0.64%

LAB 66.41, 44.92, 49.42

 

CMYK 34 / 0 / 71 / 1

HEX #A6FC4A

RGB 166 252 74

HSL 88.99, 0.97%, 0.64%

LAB 90.88, -52.35, 72.81

 

CMYK 71 / 21 / 0 / 1

HEX #49C6FC

RGB 73.1 198.8 252

HSL 197.84, 0.97%, 0.64%

LAB 75.58, -17.85, -36.15

 

CMYK 15 / 71 / 0 / 1

HEX #D64AFC

RGB 214 74 252

HSL 287.19, 0.97%, 0.64%

LAB 58.25, 77.45, -62.86

 

CMYK 0 / 50 / 71 / 1

HEX #FC7D4A

RGB 252 125 74

HSL 17.19, 0.97%, 0.64%

LAB 66.41, 44.92, 49.42

 

CMYK 55 / 0 / 71 / 1

HEX #71FC4A

RGB 113 252 74

HSL 106.85, 0.97%, 0.64%

LAB 88.75, -68.08, 69.96

 

Description

Color code: RGB 73.1 198.8 252 | qconv.com Color code: RGB 73.1 198.8 252 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73.1 red, 198.8 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73.1 198.8 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 21 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 21% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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