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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 128.2 171.6 it is the complementary color RGB 184 126.8 83.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 128.2 171.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 128.2 171.6 shade: RGB 76 128.2 166.6, RGB 93 146.2 185.6, RGB 110 164.2 204.6, RGB 127 182.2 223.6 and RGB 144 200.2 242.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 128.2 171.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 128.2 171.6 shade: RGB 71 128.2 171.6, RGB 54 110.2 152.6, RGB 37 92.2 133.6, RGB 20 74.2 114.6 and RGB 3 56.2 95.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 128.2 171.6 shade: RGB 72 129 173, RGB 72 102 173, RGB 72 75 173, RGB 96 72 173 and RGB 123 72 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 128.2 171.6 shade: RGB 72 129 173, RGB 72 102 173, RGB 72 75 173 and RGB 72 72 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 128.2 171.6 shade matches the following richer shades: RGB 72 129 173, RGB 52 132 192, RGB 33 135 212 and RGB 13 137 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 128.2 171.6 shade: RGB 72 129 173, RGB 92 127 153, RGB 112 124 133, RGB 132 121 113 and RGB 151 118 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 128.2 171.6 shade: RGB 72 173 161, RGB 72 158 173, RGB 72 131 173, RGB 72 104 173 and RGB 72 77 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 128.2 171.6 shade: RGB 48 86 114, RGB 60 108 143, RGB 72 129 173, RGB 97 149 189 and RGB 126 169 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 128.2 171.6 shade: RGB 71 128.2 171.6, RGB 134 72 173 and RGB 171 173 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 128.2 171.6 shade: RGB 71 128.2 171.6, RGB 173 72 131 and RGB 131 173 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 128.2 171.6 shade: RGB 71 128.2 171.6, RGB 134 72 173, RGB 173 114 72 and RGB 111 173 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 128.2 171.6 shade: RGB 71 128.2 171.6, RGB 164 72 173, RGB 173 114 72 and RGB 81 173 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

Complementary color

CMYK 0 / 31 / 55 / 28

HEX #B87E53

RGB 184 126.8 83.4

HSL 25.88, 0.41%, 0.52%

LAB 57.99, 17.34, 32.35

 

CMYK 54 / 23 / 0 / 35

HEX #4C80A6

RGB 76 128.2 166.6

HSL 205.43, 0.37%, 0.48%

LAB 51.61, -6.1, -25.77

 

CMYK 50 / 21 / 0 / 27

HEX #5D92B9

RGB 93 146.2 185.6

HSL 205.53, 0.4%, 0.55%

LAB 58.49, -6.6, -25.98

 

CMYK 46 / 20 / 0 / 20

HEX #6EA4CC

RGB 110 164.2 204.6

HSL 205.62, 0.48%, 0.62%

LAB 65.22, -6.98, -26.19

 

CMYK 43 / 19 / 0 / 12

HEX #7FB6DF

RGB 127 182.2 223.6

HSL 205.71, 0.61%, 0.69%

LAB 71.83, -7.29, -26.41

 

CMYK 41 / 17 / 0 / 5

HEX #90C8F2

RGB 144 200.2 242.6

HSL 205.8, 0.8%, 0.76%

LAB 78.33, -7.55, -26.65

 

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

CMYK 65 / 28 / 0 / 40

HEX #366E98

RGB 54 110.2 152.6

HSL 205.8, 0.48%, 0.41%

LAB 44.61, -4.73, -28.53

 

CMYK 72 / 31 / 0 / 48

HEX #255C85

RGB 37 92.2 133.6

HSL 205.71, 0.57%, 0.33%

LAB 37.47, -3.56, -28.34

 

CMYK 83 / 35 / 0 / 55

HEX #144A72

RGB 20 74.2 114.6

HSL 205.62, 0.7%, 0.26%

LAB 30.16, -1.87, -28.12

 

CMYK 97 / 41 / 0 / 63

HEX #03385F

RGB 3 56.2 95.6

HSL 205.53, 0.94%, 0.19%

LAB 22.67, 0.53, -27.86

 

CMYK 58 / 25 / 0 / 32

HEX #4881AD

RGB 72 129 173

HSL 206.14, 0.41%, 0.48%

LAB 51.94, -5.39, -28.97

 

CMYK 58 / 41 / 0 / 32

HEX #4866AD

RGB 72 102 173

HSL 222.18, 0.41%, 0.48%

LAB 44.09, 11.01, -41.33

 

CMYK 58 / 57 / 0 / 32

HEX #484BAD

RGB 72 75 173

HSL 238.22, 0.41%, 0.48%

LAB 36.79, 28.27, -53.03

 

CMYK 45 / 58 / 0 / 32

HEX #6048AD

RGB 96 72 173

HSL 254.26, 0.41%, 0.48%

LAB 38.09, 35.14, -50.83

 

CMYK 29 / 58 / 0 / 32

HEX #7B48AD

RGB 123 72 173

HSL 270.3, 0.41%, 0.48%

LAB 41, 41.61, -46.01

 

CMYK 58 / 25 / 0 / 32

HEX #4881AD

RGB 72 129 173

HSL 206.14, 0.41%, 0.48%

LAB 51.94, -5.39, -28.97

 

CMYK 58 / 41 / 0 / 32

HEX #4866AD

RGB 72 102 173

HSL 222.18, 0.41%, 0.48%

LAB 44.09, 11.01, -41.33

 

CMYK 58 / 57 / 0 / 32

HEX #484BAD

RGB 72 75 173

HSL 238.22, 0.41%, 0.48%

LAB 36.79, 28.27, -53.03

 

CMYK 58 / 58 / 0 / 32

HEX #4848AD

RGB 72 72 173

HSL 240, 0.41%, 0.48%

LAB 36.04, 30.18, -54.25

 

CMYK 58 / 25 / 0 / 32

HEX #4881AD

RGB 72 129 173

HSL 206.14, 0.41%, 0.48%

LAB 51.94, -5.39, -28.97

 

CMYK 73 / 31 / 0 / 25

HEX #3484C0

RGB 52 132 192

HSL 205.71, 0.57%, 0.48%

LAB 52.99, -4.09, -38.3

 

CMYK 84 / 36 / 0 / 17

HEX #2187D4

RGB 33 135 212

HSL 205.81, 0.73%, 0.48%

LAB 54.45, -0.57, -47.36

 

CMYK 94 / 41 / 0 / 9

HEX #0D89E8

RGB 13 137 232

HSL 206.03, 0.89%, 0.48%

LAB 55.89, 4.73, -56.29

 

CMYK 58 / 25 / 0 / 32

HEX #4881AD

RGB 72 129 173

HSL 206.14, 0.41%, 0.48%

LAB 51.94, -5.39, -28.97

 

CMYK 40 / 17 / 0 / 40

HEX #5C7F99

RGB 92 127 153

HSL 205.57, 0.25%, 0.48%

LAB 51.56, -5.39, -17.88

 

CMYK 16 / 7 / 0 / 48

HEX #707C85

RGB 112 124 133

HSL 205.71, 0.09%, 0.48%

LAB 51.33, -2.42, -6.4

 

CMYK 0 / 8 / 14 / 48

HEX #847971

RGB 132 121 113

HSL 25.26, 0.08%, 0.48%

LAB 51.58, 2.77, 5.9

 

CMYK 0 / 22 / 38 / 41

HEX #97765D

RGB 151 118 93

HSL 25.86, 0.24%, 0.48%

LAB 52.2, 9.32, 18.71

 

CMYK 58 / 0 / 7 / 32

HEX #48ADA1

RGB 72 173 161

HSL 172.87, 0.41%, 0.48%

LAB 64.83, -32.18, -2.65

 

CMYK 58 / 9 / 0 / 32

HEX #489EAD

RGB 72 158 173

HSL 188.91, 0.41%, 0.48%

LAB 60.65, -21.34, -15.62

 

CMYK 58 / 24 / 0 / 32

HEX #4883AD

RGB 72 131 173

HSL 204.95, 0.41%, 0.48%

LAB 52.54, -6.54, -28.05

 

CMYK 58 / 40 / 0 / 32

HEX #4868AD

RGB 72 104 173

HSL 220.99, 0.41%, 0.48%

LAB 44.65, 9.75, -40.43

 

CMYK 58 / 55 / 0 / 32

HEX #484DAD

RGB 72 77 173

HSL 237.03, 0.41%, 0.48%

LAB 37.3, 26.99, -52.2

 

CMYK 58 / 25 / 0 / 55

HEX #305672

RGB 48 86 114

HSL 205.45, 0.41%, 0.32%

LAB 35, -4.58, -20.1

 

CMYK 58 / 24 / 0 / 44

HEX #3C6C8F

RGB 60 108 143

HSL 205.3, 0.41%, 0.4%

LAB 43.75, -5.45, -24.13

 

CMYK 58 / 25 / 0 / 32

HEX #4881AD

RGB 72 129 173

HSL 206.14, 0.41%, 0.48%

LAB 51.94, -5.39, -28.97

 

CMYK 49 / 21 / 0 / 26

HEX #6195BD

RGB 97 149 189

HSL 206.09, 0.41%, 0.56%

LAB 59.63, -6.2, -26.12

 

CMYK 37 / 16 / 0 / 21

HEX #7EA9C9

RGB 126 169 201

HSL 205.6, 0.41%, 0.64%

LAB 67.3, -6.44, -20.94

 

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

CMYK 23 / 58 / 0 / 32

HEX #8648AD

RGB 134 72 173

HSL 276.83, 0.41%, 0.48%

LAB 42.34, 44.4, -43.78

 

CMYK 1 / 0 / 58 / 32

HEX #ABAD48

RGB 171 173 72

HSL 61.19, 0.41%, 0.48%

LAB 68.76, -14.25, 50.45

 

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

CMYK 0 / 58 / 24 / 32

HEX #AD4883

RGB 173 72 131

HSL 324.95, 0.41%, 0.48%

LAB 45.85, 47.88, -12.74

 

CMYK 24 / 0 / 58 / 32

HEX #83AD48

RGB 131 173 72

HSL 84.95, 0.41%, 0.48%

LAB 65.89, -30.6, 46.43

 

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

CMYK 23 / 58 / 0 / 32

HEX #8648AD

RGB 134 72 173

HSL 276.83, 0.41%, 0.48%

LAB 42.34, 44.4, -43.78

 

CMYK 0 / 34 / 58 / 32

HEX #AD7248

RGB 173 114 72

HSL 24.95, 0.41%, 0.48%

LAB 53.37, 18.86, 32.57

 

CMYK 36 / 0 / 58 / 32

HEX #6FAD48

RGB 111 173 72

HSL 96.83, 0.41%, 0.48%

LAB 64.75, -37.99, 44.83

 

CMYK 59 / 25 / 0 / 33

HEX #4780AB

RGB 71 128.2 171.6

HSL 205.88, 0.41%, 0.48%

LAB 51.6, -5.59, -28.7

 

CMYK 5 / 58 / 0 / 32

HEX #A448AD

RGB 164 72 173

HSL 294.65, 0.41%, 0.48%

LAB 46.37, 52.24, -37.13

 

CMYK 0 / 34 / 58 / 32

HEX #AD7248

RGB 173 114 72

HSL 24.95, 0.41%, 0.48%

LAB 53.37, 18.86, 32.57

 

CMYK 53 / 0 / 58 / 32

HEX #51AD48

RGB 81 173 72

HSL 114.65, 0.41%, 0.48%

LAB 63.43, -47.44, 42.96

 

Description

Color code: RGB 71 128.2 171.6 | qconv.com Color code: RGB 71 128.2 171.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 128.2 green and 171.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 128.2 171.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 25 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 25% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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