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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 164.2 114.6 it is the complementary color RGB 185 90.8 140.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 164.2 114.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 164.2 114.6 shade: RGB 75 164.2 109.6, RGB 92 182.2 128.6, RGB 109 200.2 147.6, RGB 126 218.2 166.6 and RGB 143 236.2 185.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 164.2 114.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 164.2 114.6 shade: RGB 70 164.2 114.6, RGB 53 146.2 95.6, RGB 36 128.2 76.6, RGB 19 110.2 57.6 and RGB 2 92.2 38.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 164.2 114.6 shade: RGB 70 164 115, RGB 70 164 90, RGB 77 164 70, RGB 102 164 70 and RGB 127 164 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 164.2 114.6 shade: RGB 70 164 115, RGB 70 164 140, RGB 70 163 164, RGB 70 138 164 and RGB 70 112 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 164.2 114.6 shade matches the following richer shades: RGB 70 164 115, RGB 51 183 114, RGB 32 202 113 and RGB 13 221 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 164.2 114.6 shade: RGB 70 164 115, RGB 89 145 116, RGB 108 126 117, RGB 127 107 118 and RGB 146 88 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 164.2 114.6 shade: RGB 77 164 70, RGB 70 164 89, RGB 70 164 114, RGB 70 164 139 and RGB 70 164 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 164.2 114.6 shade: RGB 46 106 74, RGB 58 135 95, RGB 70 164 115, RGB 91 185 135 and RGB 120 197 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 164.2 114.6 shade: RGB 70 164.2 114.6, RGB 70 102 164 and RGB 164 77 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 164.2 114.6 shade: RGB 70 164.2 114.6, RGB 114 70 164 and RGB 164 114 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 164.2 114.6 shade: RGB 70 164.2 114.6, RGB 70 102 164, RGB 164 70 120 and RGB 164 133 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 164.2 114.6 shade: RGB 70 164.2 114.6, RGB 70 74 164, RGB 164 70 120 and RGB 164 161 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

Complementary color

CMYK 0 / 51 / 24 / 27

HEX #B95A8C

RGB 185 90.8 140.4

HSL 328.41, 0.4%, 0.54%

LAB 51.46, 43.87, -9.74

 

CMYK 54 / 0 / 33 / 36

HEX #4BA46D

RGB 75 164.2 109.6

HSL 143.27, 0.37%, 0.47%

LAB 60.99, -39.47, 20.43

 

CMYK 50 / 0 / 29 / 29

HEX #5CB680

RGB 92 182.2 128.6

HSL 144.35, 0.38%, 0.54%

LAB 67.57, -39.34, 19.18

 

CMYK 46 / 0 / 26 / 21

HEX #6DC893

RGB 109 200.2 147.6

HSL 145.39, 0.45%, 0.61%

LAB 74.05, -39.14, 18.02

 

CMYK 42 / 0 / 24 / 14

HEX #7EDAA6

RGB 126 218.2 166.6

HSL 146.42, 0.56%, 0.67%

LAB 80.44, -38.91, 16.95

 

CMYK 39 / 0 / 21 / 7

HEX #8FECB9

RGB 143 236.2 185.6

HSL 147.42, 0.71%, 0.74%

LAB 86.74, -38.67, 15.95

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

CMYK 64 / 0 / 35 / 43

HEX #35925F

RGB 53 146.2 95.6

HSL 147.42, 0.47%, 0.39%

LAB 54.25, -39.57, 18.93

 

CMYK 72 / 0 / 40 / 50

HEX #24804C

RGB 36 128.2 76.6

HSL 146.42, 0.56%, 0.32%

LAB 47.49, -39.22, 20.46

 

CMYK 83 / 0 / 48 / 57

HEX #136E39

RGB 19 110.2 57.6

HSL 145.39, 0.71%, 0.25%

LAB 40.63, -38.38, 22.18

 

CMYK 98 / 0 / 58 / 64

HEX #025C26

RGB 2 92.2 38.6

HSL 144.35, 0.96%, 0.18%

LAB 33.66, -36.87, 24.05

 

CMYK 57 / 0 / 30 / 36

HEX #46A473

RGB 70 164 115

HSL 148.72, 0.4%, 0.46%

LAB 60.86, -39.48, 17.26

 

CMYK 57 / 0 / 45 / 36

HEX #46A45A

RGB 70 164 90

HSL 132.77, 0.4%, 0.46%

LAB 60.42, -44.15, 30.19

 

CMYK 53 / 0 / 57 / 36

HEX #4DA446

RGB 77 164 70

HSL 115.53, 0.4%, 0.46%

LAB 60.4, -45.18, 40.33

 

CMYK 38 / 0 / 57 / 36

HEX #66A446

RGB 102 164 70

HSL 99.57, 0.4%, 0.46%

LAB 61.5, -37.34, 41.89

 

CMYK 23 / 0 / 57 / 36

HEX #7FA446

RGB 127 164 70

HSL 83.62, 0.4%, 0.46%

LAB 62.93, -28.04, 43.92

 

CMYK 57 / 0 / 30 / 36

HEX #46A473

RGB 70 164 115

HSL 148.72, 0.4%, 0.46%

LAB 60.86, -39.48, 17.26

 

CMYK 57 / 0 / 15 / 36

HEX #46A48C

RGB 70 164 140

HSL 164.68, 0.4%, 0.46%

LAB 61.43, -33.75, 4.14

 

CMYK 57 / 1 / 0 / 36

HEX #46A3A4

RGB 70 163 164

HSL 180.64, 0.4%, 0.46%

LAB 61.81, -26.88, -8.82

 

CMYK 57 / 16 / 0 / 36

HEX #468AA4

RGB 70 138 164

HSL 196.6, 0.4%, 0.46%

LAB 54.2, -13.77, -20.32

 

CMYK 57 / 32 / 0 / 36

HEX #4670A4

RGB 70 112 164

HSL 213.19, 0.4%, 0.46%

LAB 46.41, 1.33, -32.39

 

CMYK 57 / 0 / 30 / 36

HEX #46A473

RGB 70 164 115

HSL 148.72, 0.4%, 0.46%

LAB 60.86, -39.48, 17.26

 

CMYK 72 / 0 / 38 / 28

HEX #33B772

RGB 51 183 114

HSL 148.64, 0.56%, 0.46%

LAB 66.36, -51.11, 25.17

 

CMYK 84 / 0 / 44 / 21

HEX #20CA71

RGB 32 202 113

HSL 148.59, 0.73%, 0.46%

LAB 72.05, -60.49, 33.12

 

CMYK 94 / 0 / 49 / 13

HEX #0DDD70

RGB 13 221 112

HSL 148.56, 0.89%, 0.46%

LAB 77.86, -68.15, 40.96

 

CMYK 57 / 0 / 30 / 36

HEX #46A473

RGB 70 164 115

HSL 148.72, 0.4%, 0.46%

LAB 60.86, -39.48, 17.26

 

CMYK 39 / 0 / 20 / 43

HEX #599174

RGB 89 145 116

HSL 148.93, 0.24%, 0.46%

LAB 55.72, -25.25, 9.65

 

CMYK 14 / 0 / 7 / 51

HEX #6C7E75

RGB 108 126 117

HSL 150, 0.08%, 0.46%

LAB 51.15, -8.5, 2.68

 

CMYK 0 / 16 / 7 / 50

HEX #7F6B76

RGB 127 107 118

HSL 327, 0.09%, 0.46%

LAB 47.41, 9.93, -3.18

 

CMYK 0 / 40 / 18 / 43

HEX #925877

RGB 146 88 119

HSL 327.93, 0.25%, 0.46%

LAB 44.83, 28.46, -7.37

 

CMYK 53 / 0 / 57 / 36

HEX #4DA446

RGB 77 164 70

HSL 115.53, 0.4%, 0.46%

LAB 60.4, -45.18, 40.33

 

CMYK 57 / 0 / 46 / 36

HEX #46A459

RGB 70 164 89

HSL 132.13, 0.4%, 0.46%

LAB 60.4, -44.31, 30.69

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164 114

HSL 148.09, 0.4%, 0.46%

LAB 60.84, -39.69, 17.79

 

CMYK 57 / 0 / 15 / 36

HEX #46A48B

RGB 70 164 139

HSL 164.04, 0.4%, 0.46%

LAB 61.41, -34, 4.66

 

CMYK 57 / 0 / 0 / 36

HEX #46A4A4

RGB 70 164 164

HSL 180, 0.4%, 0.46%

LAB 62.11, -27.38, -8.36

 

CMYK 57 / 0 / 30 / 58

HEX #2E6A4A

RGB 46 106 74

HSL 148, 0.39%, 0.3%

LAB 40.22, -27.7, 12.2

 

CMYK 57 / 0 / 30 / 47

HEX #3A875F

RGB 58 135 95

HSL 148.83, 0.4%, 0.38%

LAB 50.75, -33.62, 14.51

 

CMYK 57 / 0 / 30 / 36

HEX #46A473

RGB 70 164 115

HSL 148.72, 0.4%, 0.46%

LAB 60.86, -39.48, 17.26

 

CMYK 51 / 0 / 27 / 27

HEX #5BB987

RGB 91 185 135

HSL 148.09, 0.4%, 0.54%

LAB 68.51, -39.55, 17.01

 

CMYK 39 / 0 / 20 / 23

HEX #78C59D

RGB 120 197 157

HSL 148.83, 0.4%, 0.62%

LAB 73.78, -32.75, 12.68

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

CMYK 57 / 38 / 0 / 36

HEX #4666A4

RGB 70 102 164

HSL 219.57, 0.4%, 0.46%

LAB 43.49, 7.52, -36.99

 

CMYK 0 / 53 / 57 / 36

HEX #A44D46

RGB 164 77 70

HSL 4.47, 0.4%, 0.46%

LAB 43.72, 35.31, 21.26

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

CMYK 30 / 57 / 0 / 36

HEX #7246A4

RGB 114 70 164

HSL 268.09, 0.4%, 0.46%

LAB 38.96, 38.18, -43.97

 

CMYK 0 / 30 / 57 / 36

HEX #A47246

RGB 164 114 70

HSL 28.09, 0.4%, 0.46%

LAB 52.25, 14.8, 32.05

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

CMYK 57 / 38 / 0 / 36

HEX #4666A4

RGB 70 102 164

HSL 219.57, 0.4%, 0.46%

LAB 43.49, 7.52, -36.99

 

CMYK 0 / 57 / 27 / 36

HEX #A44678

RGB 164 70 120

HSL 328.09, 0.4%, 0.46%

LAB 43.7, 44.43, -9.42

 

CMYK 0 / 19 / 57 / 36

HEX #A48546

RGB 164 133 70

HSL 40.21, 0.4%, 0.46%

LAB 57.18, 4.07, 37.99

 

CMYK 57 / 0 / 30 / 36

HEX #46A472

RGB 70 164.2 114.6

HSL 148.41, 0.4%, 0.46%

LAB 60.92, -39.65, 17.56

 

CMYK 57 / 55 / 0 / 36

HEX #464AA4

RGB 70 74 164

HSL 237.45, 0.4%, 0.46%

LAB 35.75, 25.48, -49.35

 

CMYK 0 / 57 / 27 / 36

HEX #A44678

RGB 164 70 120

HSL 328.09, 0.4%, 0.46%

LAB 43.7, 44.43, -9.42

 

CMYK 0 / 2 / 57 / 36

HEX #A4A146

RGB 164 161 70

HSL 58.09, 0.4%, 0.46%

LAB 64.82, -11.15, 46.81

 

Description

Color code: RGB 70 164.2 114.6 | qconv.com Color code: RGB 70 164.2 114.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 164.2 green and 114.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 164.2 114.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 30 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 30% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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