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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 180 68 it is the complementary color RGB 187 75 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 180 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 68 180 68: RGB 73 180 63, RGB 90 198 82, RGB 107 216 101, RGB 124 234 120 and RGB 141 252 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 180 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 68 180 68: RGB 68 180 68, RGB 51 162 49, RGB 34 144 30, RGB 17 126 11 and RGB 0 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

Complementary color

CMYK 0 / 60 / 0 / 27

HEX #BB4BBB

RGB 187 75 187

HSL 300, 0.45%, 0.51%

LAB 50.9, 59.39, -37.95

 

CMYK 59 / 0 / 65 / 29

HEX #49B43F

RGB 73 180 63

HSL 114.87, 0.48%, 0.48%

LAB 65.29, -53.17, 49.05

 

CMYK 55 / 0 / 59 / 22

HEX #5AC652

RGB 90 198 82

HSL 115.86, 0.5%, 0.55%

LAB 71.67, -53.59, 47.98

 

CMYK 50 / 0 / 53 / 15

HEX #6BD865

RGB 107 216 101

HSL 116.87, 0.6%, 0.62%

LAB 77.98, -53.78, 46.78

 

CMYK 47 / 0 / 49 / 8

HEX #7CEA78

RGB 124 234 120

HSL 117.89, 0.73%, 0.69%

LAB 84.22, -53.8, 45.53

 

CMYK 44 / 0 / 45 / 1

HEX #8DFC8B

RGB 141 252 139

HSL 118.94, 0.95%, 0.77%

LAB 90.39, -53.73, 44.3

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 69 / 0 / 70 / 36

HEX #33A231

RGB 51 162 49

HSL 118.94, 0.54%, 0.41%

LAB 58.76, -52.99, 47.68

 

CMYK 76 / 0 / 79 / 44

HEX #22901E

RGB 34 144 30

HSL 117.89, 0.66%, 0.34%

LAB 52.26, -51.57, 48.09

 

CMYK 87 / 0 / 91 / 51

HEX #117E0B

RGB 17 126 11

HSL 116.87, 0.84%, 0.27%

LAB 45.72, -49.21, 47.27

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 0 / 52 / 29

HEX #44B557

RGB 68 181 87

HSL 130.09, 0.45%, 0.49%

LAB 65.72, -51.77, 38.35

 

CMYK 62 / 0 / 41 / 29

HEX #44B56A

RGB 68 181 106

HSL 140.18, 0.45%, 0.49%

LAB 65.99, -48.73, 28.99

 

CMYK 62 / 0 / 31 / 29

HEX #44B57C

RGB 68 181 124

HSL 149.73, 0.45%, 0.49%

LAB 66.31, -45.29, 19.82

 

CMYK 62 / 0 / 21 / 29

HEX #44B58F

RGB 68 181 143

HSL 159.82, 0.45%, 0.49%

LAB 66.72, -41.1, 10.02

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 0 / 62 / 9

HEX #57E757

RGB 87 231 87

HSL 120, 0.75%, 0.62%

LAB 81.77, -65.68, 57.26

 

CMYK 63 / 0 / 63 / 89

HEX #0A1B0A

RGB 10 27 10

HSL 120, 0.46%, 0.07%

LAB 7.86, -10.46, 7.48

 

CMYK 63 / 0 / 63 / 69

HEX #1D4E1D

RGB 29 78 29

HSL 120, 0.46%, 0.21%

LAB 28.9, -27.93, 23.78

 

CMYK 62 / 0 / 62 / 49

HEX #318131

RGB 49 129 49

HSL 120, 0.45%, 0.35%

LAB 47.72, -41.23, 35.51

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 13 / 0 / 29

HEX #449EB5

RGB 68 158 181

HSL 192.21, 0.45%, 0.49%

LAB 60.8, -19.67, -19.92

 

CMYK 0 / 62 / 38 / 29

HEX #B54471

RGB 181 68 113

HSL 336.11, 0.45%, 0.49%

LAB 45.84, 49.94, -1.66

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 13 / 0 / 29

HEX #449EB5

RGB 68 158 181

HSL 192.21, 0.45%, 0.49%

LAB 60.8, -19.67, -19.92

 

CMYK 0 / 62 / 0 / 29

HEX #B544B5

RGB 181 68 181

HSL 300, 0.45%, 0.49%

LAB 48.63, 59.82, -38.1

 

CMYK 0 / 50 / 62 / 29

HEX #B55B44

RGB 181 91 68

HSL 12.21, 0.45%, 0.49%

LAB 49.16, 34.47, 29.88

 

CMYK 62 / 0 / 62 / 29

HEX #44B444

RGB 68 180 68

HSL 120, 0.45%, 0.49%

LAB 65.19, -53.82, 46.71

 

CMYK 62 / 31 / 0 / 29

HEX #447CB5

RGB 68 124 181

HSL 210.27, 0.45%, 0.49%

LAB 50.66, -0.58, -35.6

 

CMYK 0 / 62 / 0 / 29

HEX #B544B5

RGB 181 68 181

HSL 300, 0.45%, 0.49%

LAB 48.63, 59.82, -38.1

 

CMYK 0 / 31 / 62 / 29

HEX #B57C44

RGB 181 124 68

HSL 29.73, 0.45%, 0.49%

LAB 56.74, 16.39, 38.98

 

Description

Color code: RGB 68 180 68 | qconv.com Color code: RGB 68 180 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 180 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 180 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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