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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 0 157 it is the complementary color RGB 187 255 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 0 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 68 0 157: RGB 73 0 152, RGB 90 18 171, RGB 107 36 190, RGB 124 54 209 and RGB 141 72 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 0 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 68 0 157: RGB 68 0 157, RGB 51 0 138, RGB 34 0 119, RGB 17 0 100 and RGB 0 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

Complementary color

CMYK 27 / 0 / 62 / 0

HEX #BBFF62

RGB 187 255 98

HSL 85.99, 1%, 0.69%

LAB 93, -44.61, 66.3

 

CMYK 52 / 100 / 0 / 40

HEX #490098

RGB 73 0 152

HSL 268.82, 1%, 0.3%

LAB 22.6, 56.49, -63.56

 

CMYK 47 / 89 / 0 / 33

HEX #5A12AB

RGB 90 18 171

HSL 268.24, 0.81%, 0.37%

LAB 28.24, 58.63, -65.74

 

CMYK 44 / 81 / 0 / 25

HEX #6B24BE

RGB 107 36 190

HSL 267.66, 0.68%, 0.44%

LAB 34.2, 59.63, -67.17

 

CMYK 41 / 74 / 0 / 18

HEX #7C36D1

RGB 124 54 209

HSL 267.1, 0.63%, 0.52%

LAB 40.45, 59.6, -67.93

 

CMYK 38 / 68 / 0 / 11

HEX #8D48E4

RGB 141 72 228

HSL 266.54, 0.74%, 0.59%

LAB 46.84, 59.05, -68.3

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 63 / 100 / 0 / 46

HEX #33008A

RGB 51 0 138

HSL 262.17, 1%, 0.27%

LAB 18.09, 51.61, -62.4

 

CMYK 71 / 100 / 0 / 53

HEX #220077

RGB 34 0 119

HSL 257.14, 1%, 0.23%

LAB 13.66, 45.91, -57.73

 

CMYK 83 / 100 / 0 / 61

HEX #110064

RGB 17 0 100

HSL 250.2, 1%, 0.2%

LAB 9.31, 40.2, -52.57

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 42 / 100 / 0 / 38

HEX #5C009E

RGB 92 0 158

HSL 274.94, 1%, 0.31%

LAB 25.99, 59.56, -61.54

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 9 / 100 / 0 / 38

HEX #90009E

RGB 144 0 158

HSL 294.68, 1%, 0.31%

LAB 34.8, 66.43, -46.81

 

CMYK 0 / 100 / 9 / 38

HEX #9E0090

RGB 158 0 144

HSL 305.32, 1%, 0.31%

LAB 36.52, 66.65, -35.35

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 50 / 100 / 0 / 98

HEX #020004

RGB 2 0 4

HSL 270, 1%, 0.01%

LAB 0.2, 1.08, -1.33

 

CMYK 56 / 100 / 0 / 78

HEX #180037

RGB 24 0 55

HSL 266.18, 1%, 0.11%

LAB 4.25, 24.66, -29.57

 

CMYK 57 / 100 / 0 / 58

HEX #2E006A

RGB 46 0 106

HSL 266.04, 1%, 0.21%

LAB 13.36, 43.33, -49.72

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 0 / 100 / 62 / 38

HEX #9E003C

RGB 158 0 60

HSL 337.22, 1%, 0.31%

LAB 33.13, 57.95, 13.3

 

CMYK 100 / 0 / 99 / 38

HEX #009E02

RGB 0 158 2

HSL 120.76, 1%, 0.31%

LAB 56.54, -60.21, 57.86

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 0 / 59 / 100 / 38

HEX #9E4100

RGB 158 65 0

HSL 24.68, 1%, 0.31%

LAB 39.66, 36.09, 50.38

 

CMYK 100 / 0 / 59 / 38

HEX #009E41

RGB 0 158 65

HSL 144.68, 1%, 0.31%

LAB 56.91, -55.48, 38.27

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 0 / 100 / 62 / 38

HEX #9E003C

RGB 158 0 60

HSL 337.22, 1%, 0.31%

LAB 33.13, 57.95, 13.3

 

CMYK 42 / 0 / 100 / 38

HEX #5C9E00

RGB 92 158 0

HSL 85.06, 1%, 0.31%

LAB 58.72, -42.37, 60.82

 

CMYK 100 / 0 / 39 / 38

HEX #009E61

RGB 0 158 97

HSL 156.84, 1%, 0.31%

LAB 57.38, -49.85, 22.23

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 0 / 100 / 92 / 38

HEX #9E000D

RGB 158 0 13

HSL 355.06, 1%, 0.31%

LAB 32.48, 56.19, 41.11

 

CMYK 42 / 0 / 100 / 38

HEX #5C9E00

RGB 92 158 0

HSL 85.06, 1%, 0.31%

LAB 58.72, -42.37, 60.82

 

CMYK 100 / 0 / 9 / 38

HEX #009E90

RGB 0 158 144

HSL 174.68, 1%, 0.31%

LAB 58.48, -37.88, -2.57

 

Description

Color code: RGB 68 0 157 | qconv.com Color code: RGB 68 0 157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, none green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 0 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 100 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 100% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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