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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 68 57 it is the complementary color RGB 188 187 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 68 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 68 57: RGB 72 68 52, RGB 89 86 71, RGB 106 104 90, RGB 123 122 109 and RGB 140 140 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 68 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 68 57: RGB 67 68 57, RGB 50 50 38, RGB 33 32 19, RGB 16 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

Complementary color

CMYK 5 / 6 / 0 / 22

HEX #BCBBC6

RGB 188 187 198

HSL 245.45, 0.09%, 0.75%

LAB 76.26, 2.44, -5.42

 

CMYK 0 / 6 / 28 / 72

HEX #484434

RGB 72 68 52

HSL 48, 0.16%, 0.24%

LAB 28.8, -1.36, 10.32

 

CMYK 0 / 3 / 20 / 65

HEX #595647

RGB 89 86 71

HSL 50, 0.11%, 0.31%

LAB 36.43, -1.66, 9.18

 

CMYK 0 / 2 / 15 / 58

HEX #6A685A

RGB 106 104 90

HSL 52.5, 0.08%, 0.38%

LAB 43.8, -1.89, 8.17

 

CMYK 0 / 1 / 11 / 52

HEX #7B7A6D

RGB 123 122 109

HSL 55.71, 0.06%, 0.45%

LAB 50.96, -2.08, 7.25

 

CMYK 0 / 0 / 9 / 45

HEX #8C8C80

RGB 140 140 128

HSL 60, 0.05%, 0.53%

LAB 57.93, -2.25, 6.41

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 0 / 0 / 24 / 80

HEX #323226

RGB 50 50 38

HSL 60, 0.14%, 0.17%

LAB 20.44, -2.53, 7.66

 

CMYK 0 / 3 / 42 / 87

HEX #212013

RGB 33 32 19

HSL 55.71, 0.27%, 0.1%

LAB 11.98, -2.23, 8.92

 

CMYK 0 / 13 / 100 / 94

HEX #100E00

RGB 16 14 0

HSL 52.5, 1%, 0.03%

LAB 3.83, -1.33, 5.72

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 4 / 0 / 16 / 73

HEX #42453A

RGB 66 69 58

HSL 76.36, 0.09%, 0.25%

LAB 28.69, -3.59, 6.23

 

CMYK 7 / 0 / 16 / 73

HEX #40453A

RGB 64 69 58

HSL 87.27, 0.09%, 0.25%

LAB 28.52, -4.46, 5.95

 

CMYK 10 / 0 / 16 / 73

HEX #3E453A

RGB 62 69 58

HSL 98.18, 0.09%, 0.25%

LAB 28.34, -5.32, 5.68

 

CMYK 13 / 0 / 16 / 73

HEX #3C453A

RGB 60 69 58

HSL 109.09, 0.09%, 0.25%

LAB 28.17, -6.17, 5.42

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 2 / 0 / 16 / 53

HEX #757764

RGB 117 119 100

HSL 66.32, 0.09%, 0.43%

LAB 49.37, -4.35, 10.21

 

CMYK 1 / 0 / 16 / 33

HEX #A8AA8F

RGB 168 170 143

HSL 64.44, 0.14%, 0.61%

LAB 68.79, -5.47, 13.7

 

CMYK 1 / 0 / 16 / 13

HEX #DADDB9

RGB 218 221 185

HSL 65, 0.35%, 0.8%

LAB 87.06, -7.05, 17.36

 

CMYK 0 / 0 / 18 / 93

HEX #11110E

RGB 17 17 14

HSL 60, 0.1%, 0.06%

LAB 4.98, -0.56, 1.51

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 16 / 0 / 12 / 73

HEX #3A453D

RGB 58 69 61

HSL 136.36, 0.09%, 0.25%

LAB 28.09, -6.34, 3.34

 

CMYK 6 / 16 / 0 / 73

HEX #413A45

RGB 65 58 69

HSL 278.18, 0.09%, 0.25%

LAB 25.5, 5.51, -5.65

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 16 / 1 / 0 / 73

HEX #3A4445

RGB 58 68 69

HSL 185.45, 0.09%, 0.25%

LAB 28.02, -3.81, -1.98

 

CMYK 0 / 16 / 1 / 73

HEX #453A44

RGB 69 58 68

HSL 305.45, 0.09%, 0.25%

LAB 25.89, 6.93, -4.36

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 16 / 0 / 12 / 73

HEX #3A453D

RGB 58 69 61

HSL 136.36, 0.09%, 0.25%

LAB 28.09, -6.34, 3.34

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 0 / 16 / 4 / 73

HEX #453A42

RGB 69 58 66

HSL 316.36, 0.09%, 0.25%

LAB 25.82, 6.48, -3.14

 

CMYK 1 / 0 / 16 / 73

HEX #434439

RGB 67 68 57

HSL 65.45, 0.09%, 0.25%

LAB 28.44, -2.72, 6.53

 

CMYK 16 / 0 / 7 / 73

HEX #3A4540

RGB 58 69 64

HSL 152.73, 0.09%, 0.25%

LAB 28.18, -5.65, 1.52

 

CMYK 16 / 16 / 0 / 73

HEX #3A3A45

RGB 58 58 69

HSL 240, 0.09%, 0.25%

LAB 24.81, 2.69, -6.75

 

CMYK 0 / 16 / 10 / 73

HEX #453A3E

RGB 69 58 62

HSL 338.18, 0.09%, 0.25%

LAB 25.68, 5.63, -0.69

 

Description

Color code: RGB 67 68 57 | qconv.com Color code: RGB 67 68 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 68 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 68 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 16 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 16% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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