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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 158 55 it is the complementary color RGB 190 97 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 158 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 158 55: RGB 70 158 50, RGB 87 176 69, RGB 104 194 88, RGB 121 212 107 and RGB 138 230 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 158 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 158 55: RGB 65 158 55, RGB 48 140 36, RGB 31 122 17, RGB 14 104 0 and RGB 0 86 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

Complementary color

CMYK 5 / 52 / 0 / 22

HEX #BE61C8

RGB 190 97 200

HSL 294.17, 0.48%, 0.58%

LAB 55.75, 52.27, -37.78

 

CMYK 56 / 0 / 68 / 38

HEX #469E32

RGB 70 158 50

HSL 108.89, 0.52%, 0.41%

LAB 58.02, -46.91, 46.66

 

CMYK 51 / 0 / 61 / 31

HEX #57B045

RGB 87 176 69

HSL 109.91, 0.44%, 0.48%

LAB 64.57, -47.28, 45.72

 

CMYK 46 / 0 / 55 / 24

HEX #68C258

RGB 104 194 88

HSL 110.94, 0.46%, 0.55%

LAB 71.03, -47.41, 44.57

 

CMYK 43 / 0 / 50 / 17

HEX #79D46B

RGB 121 212 107

HSL 112, 0.55%, 0.63%

LAB 77.41, -47.4, 43.35

 

CMYK 40 / 0 / 45 / 10

HEX #8AE67E

RGB 138 230 126

HSL 113.08, 0.68%, 0.7%

LAB 83.71, -47.29, 42.12

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 66 / 0 / 74 / 45

HEX #308C24

RGB 48 140 36

HSL 113.08, 0.59%, 0.35%

LAB 51.28, -46.97, 45.06

 

CMYK 75 / 0 / 86 / 52

HEX #1F7A11

RGB 31 122 17

HSL 112, 0.76%, 0.27%

LAB 44.59, -45.51, 44.88

 

CMYK 87 / 0 / 100 / 59

HEX #0E6800

RGB 14 104 0

HSL 111.92, 1%, 0.2%

LAB 37.83, -43.06, 43.24

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 65 / 0 / 61 / 38

HEX #379E3E

RGB 55 158 62

HSL 124.08, 0.48%, 0.42%

LAB 57.67, -49.32, 40.78

 

CMYK 65 / 0 / 50 / 38

HEX #379E4F

RGB 55 158 79

HSL 133.98, 0.48%, 0.42%

LAB 57.88, -46.95, 32.61

 

CMYK 65 / 0 / 39 / 38

HEX #379E60

RGB 55 158 96

HSL 143.88, 0.48%, 0.42%

LAB 58.14, -44, 23.93

 

CMYK 65 / 0 / 28 / 38

HEX #379E71

RGB 55 158 113

HSL 153.79, 0.48%, 0.42%

LAB 58.47, -40.48, 15

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 59 / 0 / 65 / 18

HEX #56D149

RGB 86 209 73

HSL 114.26, 0.6%, 0.55%

LAB 74.86, -59.59, 55.45

 

CMYK 60 / 0 / 60 / 98

HEX #020502

RGB 2 5 2

HSL 120, 0.43%, 0.01%

LAB 1.14, -1.2, 0.86

 

CMYK 59 / 0 / 66 / 78

HEX #173813

RGB 23 56 19

HSL 113.51, 0.49%, 0.15%

LAB 20.27, -21.01, 19.21

 

CMYK 59 / 0 / 65 / 58

HEX #2C6B25

RGB 44 107 37

HSL 114, 0.49%, 0.28%

LAB 39.89, -35.08, 32.41

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 65 / 6 / 0 / 38

HEX #37949E

RGB 55 148 158

HSL 185.83, 0.48%, 0.42%

LAB 56.55, -23.79, -13.35

 

CMYK 0 / 65 / 32 / 38

HEX #9E376B

RGB 158 55 107

HSL 329.71, 0.48%, 0.42%

LAB 39.69, 47.74, -7.49

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 65 / 59 / 0 / 38

HEX #37419E

RGB 55 65 158

HSL 234.17, 0.48%, 0.42%

LAB 31.95, 26.49, -51.95

 

CMYK 0 / 65 / 59 / 38

HEX #9E3741

RGB 158 55 65

HSL 354.17, 0.48%, 0.42%

LAB 38.52, 43.47, 17.31

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 65 / 6 / 0 / 38

HEX #37949E

RGB 55 148 158

HSL 185.83, 0.48%, 0.42%

LAB 56.55, -23.79, -13.35

 

CMYK 6 / 65 / 0 / 38

HEX #94379E

RGB 148 55 158

HSL 294.17, 0.48%, 0.42%

LAB 40.41, 53.03, -37.8

 

CMYK 0 / 59 / 65 / 38

HEX #9E4137

RGB 158 65 55

HSL 5.83, 0.48%, 0.42%

LAB 40.12, 38.03, 25.52

 

CMYK 59 / 0 / 65 / 38

HEX #419E37

RGB 65 158 55

HSL 114.17, 0.48%, 0.42%

LAB 57.9, -47.75, 44.31

 

CMYK 65 / 26 / 0 / 38

HEX #37759E

RGB 55 117 158

HSL 203.88, 0.48%, 0.42%

LAB 46.98, -6.72, -28.02

 

CMYK 6 / 65 / 0 / 38

HEX #94379E

RGB 148 55 158

HSL 294.17, 0.48%, 0.42%

LAB 40.41, 53.03, -37.8

 

CMYK 0 / 39 / 65 / 38

HEX #9E6037

RGB 158 96 55

HSL 23.88, 0.48%, 0.42%

LAB 46.86, 21.28, 33.62

 

Description

Color code: RGB 65 158 55 | qconv.com Color code: RGB 65 158 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 158 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 158 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 65 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 65% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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