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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 87 101 it is the complementary color RGB 191 168 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 87 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 87 101: RGB 69 87 96, RGB 86 105 115, RGB 103 123 134, RGB 120 141 153 and RGB 137 159 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 87 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 87 101: RGB 64 87 101, RGB 47 69 82, RGB 30 51 63, RGB 13 33 44 and RGB 0 15 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

Complementary color

CMYK 0 / 12 / 19 / 25

HEX #BFA89A

RGB 191 168 154

HSL 22.7, 0.22%, 0.68%

LAB 70.47, 6.08, 10.29

 

CMYK 28 / 9 / 0 / 62

HEX #455760

RGB 69 87 96

HSL 200, 0.16%, 0.32%

LAB 35.84, -4.57, -7.48

 

CMYK 25 / 9 / 0 / 55

HEX #566973

RGB 86 105 115

HSL 200.69, 0.14%, 0.39%

LAB 43.24, -4.63, -7.95

 

CMYK 23 / 8 / 0 / 47

HEX #677B86

RGB 103 123 134

HSL 201.29, 0.13%, 0.46%

LAB 50.42, -4.68, -8.41

 

CMYK 22 / 8 / 0 / 40

HEX #788D99

RGB 120 141 153

HSL 201.82, 0.14%, 0.54%

LAB 57.41, -4.74, -8.88

 

CMYK 20 / 8 / 0 / 33

HEX #899FAC

RGB 137 159 172

HSL 202.29, 0.17%, 0.61%

LAB 64.24, -4.81, -9.33

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 43 / 16 / 0 / 68

HEX #2F4552

RGB 47 69 82

HSL 202.29, 0.27%, 0.25%

LAB 28.03, -4.68, -10.5

 

CMYK 52 / 19 / 0 / 75

HEX #1E333F

RGB 30 51 63

HSL 201.82, 0.35%, 0.18%

LAB 20.05, -4.43, -10.14

 

CMYK 70 / 25 / 0 / 83

HEX #0D212C

RGB 13 33 44

HSL 201.29, 0.54%, 0.11%

LAB 11.66, -3.94, -9.79

 

CMYK 100 / 40 / 0 / 90

HEX #000F19

RGB 0 15 25

HSL 204, 1%, 0.05%

LAB 3.72, -1.85, -7.62

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 36 / 19 / 0 / 61

HEX #3F5063

RGB 63 80 99

HSL 211.67, 0.22%, 0.32%

LAB 33.34, -1.4, -13.19

 

CMYK 36 / 25 / 0 / 61

HEX #3F4A63

RGB 63 74 99

HSL 221.67, 0.22%, 0.32%

LAB 31.47, 2.43, -16.05

 

CMYK 36 / 31 / 0 / 61

HEX #3F4463

RGB 63 68 99

HSL 231.67, 0.22%, 0.32%

LAB 29.64, 6.35, -18.88

 

CMYK 35 / 36 / 0 / 61

HEX #403F63

RGB 64 63 99

HSL 241.67, 0.22%, 0.32%

LAB 28.24, 9.99, -21.07

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 37 / 14 / 0 / 40

HEX #608398

RGB 96 131 152

HSL 202.5, 0.23%, 0.49%

LAB 52.93, -6.8, -15.19

 

CMYK 36 / 14 / 0 / 20

HEX #81AFCB

RGB 129 175 203

HSL 202.7, 0.42%, 0.65%

LAB 69.21, -8.35, -19.12

 

CMYK 37 / 14 / 0 / 0

HEX #A1DBFE

RGB 161 219 254

HSL 202.58, 0.98%, 0.81%

LAB 84.69, -10.1, -22.95

 

CMYK 36 / 14 / 0 / 80

HEX #202B32

RGB 32 43 50

HSL 203.33, 0.22%, 0.16%

LAB 16.82, -2.63, -6.07

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 16 / 36 / 0 / 61

HEX #533F63

RGB 83 63 99

HSL 273.33, 0.22%, 0.32%

LAB 30.14, 16.48, -17.95

 

CMYK 0 / 1 / 36 / 61

HEX #63623F

RGB 99 98 63

HSL 58.33, 0.22%, 0.32%

LAB 40.81, -5.65, 20.1

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 0 / 36 / 13 / 61

HEX #633F56

RGB 99 63 86

HSL 321.67, 0.22%, 0.32%

LAB 31.53, 19.62, -7.31

 

CMYK 13 / 0 / 36 / 61

HEX #56633F

RGB 86 99 63

HSL 81.67, 0.22%, 0.32%

LAB 40.02, -11.91, 18.85

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 16 / 36 / 0 / 61

HEX #533F63

RGB 83 63 99

HSL 273.33, 0.22%, 0.32%

LAB 30.14, 16.48, -17.95

 

CMYK 0 / 23 / 36 / 61

HEX #634C3F

RGB 99 76 63

HSL 21.67, 0.22%, 0.32%

LAB 34.36, 7.65, 11.45

 

CMYK 20 / 0 / 36 / 61

HEX #4F633F

RGB 79 99 63

HSL 93.33, 0.22%, 0.32%

LAB 39.49, -14.84, 18.06

 

CMYK 37 / 14 / 0 / 60

HEX #405765

RGB 64 87 101

HSL 202.7, 0.22%, 0.32%

LAB 35.69, -4.84, -10.87

 

CMYK 5 / 36 / 0 / 61

HEX #5E3F63

RGB 94 63 99

HSL 291.67, 0.22%, 0.32%

LAB 31.43, 20.43, -15.86

 

CMYK 0 / 23 / 36 / 61

HEX #634C3F

RGB 99 76 63

HSL 21.67, 0.22%, 0.32%

LAB 34.36, 7.65, 11.45

 

CMYK 31 / 0 / 36 / 61

HEX #44633F

RGB 68 99 63

HSL 111.67, 0.22%, 0.32%

LAB 38.75, -19.22, 16.94

 

Description

Color code: RGB 64 87 101 | qconv.com Color code: RGB 64 87 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 87 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 87 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 14 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 14% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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