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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 30 16 it is the complementary color RGB 191 225 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 30 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 30 16: RGB 69 30 11, RGB 86 48 30, RGB 103 66 49, RGB 120 84 68 and RGB 137 102 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 30 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 30 16: RGB 64 30 16, RGB 47 12 0, RGB 30 0 0, RGB 13 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

Complementary color

CMYK 20 / 6 / 0 / 6

HEX #BFE1EF

RGB 191 225 239

HSL 197.5, 0.6%, 0.84%

LAB 87.56, -8.16, -10.54

 

CMYK 0 / 57 / 84 / 73

HEX #451E0B

RGB 69 30 11

HSL 19.66, 0.73%, 0.16%

LAB 16.59, 17.16, 20.2

 

CMYK 0 / 44 / 65 / 66

HEX #56301E

RGB 86 48 30

HSL 19.29, 0.48%, 0.23%

LAB 24.28, 15.34, 18.82

 

CMYK 0 / 36 / 52 / 60

HEX #674231

RGB 103 66 49

HSL 18.89, 0.36%, 0.3%

LAB 31.81, 13.92, 16.9

 

CMYK 0 / 30 / 43 / 53

HEX #785444

RGB 120 84 68

HSL 18.46, 0.28%, 0.37%

LAB 39.16, 12.8, 15.31

 

CMYK 0 / 26 / 36 / 46

HEX #896657

RGB 137 102 87

HSL 18, 0.22%, 0.44%

LAB 46.32, 11.9, 13.95

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 0 / 74 / 100 / 82

HEX #2F0C00

RGB 47 12 0

HSL 15.32, 1%, 0.09%

LAB 7.83, 16.96, 12.1

 

CMYK 0 / 100 / 100 / 88

HEX #1E0000

RGB 30 0 0

HSL 0, 1%, 0.06%

LAB 2.49, 11.19, 3.94

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 0 / 42 / 75 / 75

HEX #412610

RGB 65 38 16

HSL 26.94, 0.6%, 0.16%

LAB 18.13, 10.31, 19.45

 

CMYK 0 / 29 / 75 / 75

HEX #412E10

RGB 65 46 16

HSL 36.73, 0.6%, 0.16%

LAB 20.5, 4.97, 22.18

 

CMYK 0 / 17 / 75 / 75

HEX #413610

RGB 65 54 16

HSL 46.53, 0.6%, 0.16%

LAB 23, -0.29, 24.88

 

CMYK 0 / 5 / 75 / 75

HEX #413E10

RGB 65 62 16

HSL 56.33, 0.6%, 0.16%

LAB 25.58, -5.37, 27.58

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 0 / 53 / 75 / 55

HEX #73361D

RGB 115 54 29

HSL 17.44, 0.6%, 0.28%

LAB 30.33, 24.86, 27.66

 

CMYK 0 / 53 / 75 / 35

HEX #A64E2A

RGB 166 78 42

HSL 17.42, 0.6%, 0.41%

LAB 43.83, 33.78, 37.55

 

CMYK 0 / 53 / 75 / 15

HEX #D96636

RGB 217 102 54

HSL 17.67, 0.68%, 0.53%

LAB 56.61, 42.09, 47.3

 

CMYK 0 / 54 / 77 / 95

HEX #0D0603

RGB 13 6 3

HSL 18, 0.63%, 0.03%

LAB 2.01, 1.48, 1.8

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 37 / 0 / 75 / 75

HEX #294110

RGB 41 65 16

HSL 89.39, 0.6%, 0.16%

LAB 24.61, -18.82, 25.93

 

CMYK 75 / 66 / 0 / 75

HEX #101641

RGB 16 22 65

HSL 232.65, 0.6%, 0.16%

LAB 9.53, 14.11, -28.22

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 75 / 0 / 54 / 75

HEX #10411E

RGB 16 65 30

HSL 137.14, 0.6%, 0.16%

LAB 23.62, -25.36, 16.67

 

CMYK 54 / 75 / 0 / 75

HEX #1E1041

RGB 30 16 65

HSL 257.14, 0.6%, 0.16%

LAB 9.22, 21.38, -28.66

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 37 / 0 / 75 / 75

HEX #294110

RGB 41 65 16

HSL 89.39, 0.6%, 0.16%

LAB 24.61, -18.82, 25.93

 

CMYK 75 / 22 / 0 / 75

HEX #103341

RGB 16 51 65

HSL 197.14, 0.6%, 0.16%

LAB 19.47, -7.2, -12.45

 

CMYK 40 / 75 / 0 / 75

HEX #271041

RGB 39 16 65

HSL 268.16, 0.6%, 0.16%

LAB 10.44, 23.54, -26.63

 

CMYK 0 / 53 / 75 / 75

HEX #401E10

RGB 64 30 16

HSL 17.5, 0.6%, 0.16%

LAB 15.78, 15.06, 16.53

 

CMYK 60 / 0 / 75 / 75

HEX #1A4110

RGB 26 65 16

HSL 107.76, 0.6%, 0.16%

LAB 23.8, -24.64, 24.83

 

CMYK 75 / 22 / 0 / 75

HEX #103341

RGB 16 51 65

HSL 197.14, 0.6%, 0.16%

LAB 19.47, -7.2, -12.45

 

CMYK 17 / 75 / 0 / 75

HEX #361041

RGB 54 16 65

HSL 286.53, 0.6%, 0.16%

LAB 12.84, 27.52, -22.64

 

Description

Color code: RGB 64 30 16 | qconv.com Color code: RGB 64 30 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 30 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 30 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 75 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 75% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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