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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 192 192 it is the complementary color RGB 191 63 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 192 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 192 192: RGB 69 192 187, RGB 86 210 206, RGB 103 228 225, RGB 120 246 244 and RGB 137 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 192 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 192 192: RGB 64 192 192, RGB 47 174 173, RGB 30 156 154, RGB 13 138 135 and RGB 0 120 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

Complementary color

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 64 / 0 / 3 / 25

HEX #45C0BB

RGB 69 192 187

HSL 177.56, 0.49%, 0.51%

LAB 71.25, -34.61, -7.52

 

CMYK 59 / 0 / 2 / 18

HEX #56D2CE

RGB 86 210 206

HSL 178.06, 0.58%, 0.58%

LAB 77.6, -35.01, -8.34

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E1

RGB 103 228 225

HSL 178.56, 0.7%, 0.65%

LAB 83.86, -35.27, -9.1

 

CMYK 51 / 0 / 1 / 4

HEX #78F6F4

RGB 120 246 244

HSL 179.05, 0.88%, 0.72%

LAB 90.06, -35.44, -9.8

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 73 / 0 / 1 / 32

HEX #2FAEAD

RGB 47 174 173

HSL 179.53, 0.57%, 0.43%

LAB 64.88, -33.24, -9.33

 

CMYK 81 / 0 / 1 / 39

HEX #1E9C9A

RGB 30 156 154

HSL 179.05, 0.68%, 0.36%

LAB 58.4, -32.21, -8.34

 

CMYK 91 / 0 / 2 / 46

HEX #0D8A87

RGB 13 138 135

HSL 178.56, 0.83%, 0.3%

LAB 51.85, -30.76, -7.2

 

CMYK 100 / 0 / 3 / 53

HEX #007874

RGB 0 120 116

HSL 178, 1%, 0.24%

LAB 45.21, -28.84, -5.91

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 67 / 11 / 0 / 25

HEX #3FAABF

RGB 63 170 191

HSL 189.84, 0.5%, 0.5%

LAB 64.62, -23.63, -19.71

 

CMYK 67 / 23 / 0 / 25

HEX #3F94BF

RGB 63 148 191

HSL 200.16, 0.5%, 0.5%

LAB 58.04, -11.92, -29.82

 

CMYK 67 / 34 / 0 / 25

HEX #3F7FBF

RGB 63 127 191

HSL 210, 0.5%, 0.5%

LAB 51.83, 0.19, -39.52

 

CMYK 67 / 45 / 0 / 25

HEX #3F6ABF

RGB 63 106 191

HSL 219.84, 0.5%, 0.5%

LAB 45.81, 13.12, -49.1

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 67 / 0 / 0 / 5

HEX #51F3F3

RGB 81 243 243

HSL 180, 0.87%, 0.64%

LAB 88.12, -40.86, -12.28

 

CMYK 67 / 0 / 0 / 85

HEX #0D2727

RGB 13 39 39

HSL 180, 0.5%, 0.1%

LAB 13.73, -9.87, -3.04

 

CMYK 67 / 0 / 0 / 65

HEX #1E5A5A

RGB 30 90 90

HSL 180, 0.5%, 0.24%

LAB 34.65, -18.84, -5.71

 

CMYK 67 / 0 / 0 / 45

HEX #2F8D8D

RGB 47 141 141

HSL 180, 0.5%, 0.37%

LAB 53.58, -26.69, -8.05

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 53 / 67 / 0 / 25

HEX #593FBF

RGB 89 63 191

HSL 252.19, 0.5%, 0.5%

LAB 36.82, 44.33, -63.55

 

CMYK 0 / 27 / 67 / 25

HEX #BF8C3F

RGB 191 140 63

HSL 36.09, 0.5%, 0.5%

LAB 61.82, 11.54, 47.52

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 0 / 67 / 0 / 25

HEX #BF3FBF

RGB 191 63 191

HSL 300, 0.5%, 0.5%

LAB 49.97, 65.89, -41.7

 

CMYK 0 / 0 / 67 / 25

HEX #BFBF3F

RGB 191 191 63

HSL 60, 0.5%, 0.5%

LAB 75.26, -15.54, 61.62

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 53 / 67 / 0 / 25

HEX #593FBF

RGB 89 63 191

HSL 252.19, 0.5%, 0.5%

LAB 36.82, 44.33, -63.55

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 14 / 0 / 67 / 25

HEX #A5BF3F

RGB 165 191 63

HSL 72.19, 0.5%, 0.5%

LAB 73.3, -26.37, 58.98

 

CMYK 67 / 0 / 0 / 25

HEX #40C0C0

RGB 64 192 192

HSL 180, 0.5%, 0.5%

LAB 71.28, -33.97, -10.22

 

CMYK 34 / 67 / 0 / 25

HEX #7F3FBF

RGB 127 63 191

HSL 270, 0.5%, 0.5%

LAB 40.94, 51.63, -56.66

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 34 / 0 / 67 / 25

HEX #7FBF3F

RGB 127 191 63

HSL 90, 0.5%, 0.5%

LAB 70.96, -41.04, 55.82

 

Description

Color code: RGB 64 192 192 | qconv.com Color code: RGB 64 192 192 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 192 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 192 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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