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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64.9 218.2 215 it is the complementary color RGB 190.1 36.8 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64.9 218.2 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64.9 218.2 215 shade: RGB 69.9 218.2 210, RGB 86.9 236.2 229, RGB 103.9 254.2 248, RGB 120.9 255 255 and RGB 137.9 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64.9 218.2 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64.9 218.2 215 shade: RGB 64.9 218.2 215, RGB 47.9 200.2 196, RGB 30.9 182.2 177, RGB 13.9 164.2 158 and RGB 0 146.2 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64.9 218.2 215 shade: RGB 67 219 216, RGB 67 219 175, RGB 67 219 134, RGB 67 219 92 and RGB 82 219 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64.9 218.2 215 shade: RGB 67 219 216, RGB 67 181 219, RGB 67 140 219, RGB 67 99 219 and RGB 67 67 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64.9 218.2 215 shade matches the following richer shades: RGB 67 219 216 and RGB 48 237 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64.9 218.2 215 shade: RGB 67 219 216, RGB 85 201 199, RGB 103 183 181, RGB 121 165 164 and RGB 139 146 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64.9 218.2 215 shade: RGB 67 219 133, RGB 67 219 173, RGB 67 219 214, RGB 67 183 219 and RGB 67 143 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64.9 218.2 215 shade: RGB 32 171 168, RGB 39 205 202, RGB 67 219 216, RGB 101 226 223 and RGB 136 232 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64.9 218.2 215 shade: RGB 64.9 218.2 215, RGB 92 67 219 and RGB 219 153 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64.9 218.2 215 shade: RGB 64.9 218.2 215, RGB 214 67 219 and RGB 219 214 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64.9 218.2 215 shade: RGB 64.9 218.2 215, RGB 92 67 219, RGB 219 67 72 and RGB 194 219 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64.9 218.2 215 shade: RGB 64.9 218.2 215, RGB 138 67 219, RGB 219 67 72 and RGB 148 219 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

Complementary color

CMYK 0 / 81 / 79 / 25

HEX #BE2428

RGB 190.1 36.8 40

HSL 358.75, 0.68%, 0.44%

LAB 41.88, 58.89, 37.88

 

CMYK 68 / 0 / 4 / 14

HEX #45DAD2

RGB 69.9 218.2 210

HSL 176.68, 0.67%, 0.56%

LAB 79.73, -40.2, -7.36

 

CMYK 63 / 0 / 3 / 7

HEX #56ECE5

RGB 86.9 236.2 229

HSL 177.11, 0.8%, 0.63%

LAB 85.9, -40.72, -8.23

 

CMYK 59 / 0 / 2 / 0

HEX #67FEF8

RGB 103.9 254.2 248

HSL 177.52, 0.99%, 0.7%

LAB 92.01, -41.1, -9.04

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120.9 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.62, -11.25

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137.9 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.15, -10.32

 

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

CMYK 76 / 0 / 2 / 21

HEX #2FC8C4

RGB 47.9 200.2 196

HSL 178.35, 0.61%, 0.49%

LAB 73.55, -38.61, -9.04

 

CMYK 83 / 0 / 3 / 29

HEX #1EB6B1

RGB 30.9 182.2 177

HSL 177.94, 0.71%, 0.42%

LAB 67.28, -37.46, -8

 

CMYK 92 / 0 / 4 / 36

HEX #0DA49E

RGB 13.9 164.2 158

HSL 177.52, 0.84%, 0.35%

LAB 60.94, -35.94, -6.83

 

CMYK 100 / 0 / 5 / 43

HEX #00928B

RGB 0 146.2 139

HSL 177.05, 1%, 0.29%

LAB 54.54, -34.02, -5.53

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD8

RGB 67 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.07, -39.29, -10.05

 

CMYK 69 / 0 / 20 / 14

HEX #43DBAF

RGB 67 219 175

HSL 162.63, 0.68%, 0.56%

LAB 79.01, -49.85, 10.24

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 69 / 0 / 58 / 14

HEX #43DB5C

RGB 67 219 92

HSL 129.87, 0.68%, 0.56%

LAB 77.66, -64.86, 50.26

 

CMYK 63 / 0 / 69 / 14

HEX #52DB43

RGB 82 219 67

HSL 114.08, 0.68%, 0.56%

LAB 77.79, -64.52, 60.91

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD8

RGB 67 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.07, -39.29, -10.05

 

CMYK 69 / 17 / 0 / 14

HEX #43B5DB

RGB 67 181 219

HSL 195, 0.68%, 0.56%

LAB 69.01, -19.94, -28.44

 

CMYK 69 / 36 / 0 / 14

HEX #438CDB

RGB 67 140 219

HSL 211.18, 0.68%, 0.56%

LAB 57.14, 2.87, -46.98

 

CMYK 69 / 55 / 0 / 14

HEX #4363DB

RGB 67 99 219

HSL 227.37, 0.68%, 0.56%

LAB 45.95, 28.19, -64.92

 

CMYK 69 / 69 / 0 / 14

HEX #4343DB

RGB 67 67 219

HSL 240, 0.68%, 0.56%

LAB 38.41, 47.76, -77.23

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD8

RGB 67 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.07, -39.29, -10.05

 

CMYK 80 / 0 / 2 / 7

HEX #30EDE9

RGB 48 237 233

HSL 178.73, 0.84%, 0.56%

LAB 85.54, -44.53, -10.94

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD8

RGB 67 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.07, -39.29, -10.05

 

CMYK 58 / 0 / 1 / 21

HEX #55C9C7

RGB 85 201 199

HSL 178.97, 0.52%, 0.56%

LAB 74.72, -32.84, -8.85

 

CMYK 44 / 0 / 1 / 28

HEX #67B7B5

RGB 103 183 181

HSL 178.5, 0.36%, 0.56%

LAB 69.53, -24.99, -6.65

 

CMYK 27 / 0 / 1 / 35

HEX #79A5A4

RGB 121 165 164

HSL 178.64, 0.2%, 0.56%

LAB 64.69, -14.94, -4.29

 

CMYK 5 / 0 / 0 / 43

HEX #8B9292

RGB 139 146 146

HSL 180, 0.03%, 0.56%

LAB 60, -2.53, -0.89

 

CMYK 69 / 0 / 39 / 14

HEX #43DB85

RGB 67 219 133

HSL 146.05, 0.68%, 0.56%

LAB 78.2, -58.63, 31.06

 

CMYK 69 / 0 / 21 / 14

HEX #43DBAD

RGB 67 219 173

HSL 161.84, 0.68%, 0.56%

LAB 78.97, -50.32, 11.24

 

CMYK 69 / 0 / 2 / 14

HEX #43DBD6

RGB 67 219 214

HSL 178.03, 0.68%, 0.56%

LAB 80.02, -39.85, -9.07

 

CMYK 69 / 16 / 0 / 14

HEX #43B7DB

RGB 67 183 219

HSL 194.21, 0.68%, 0.56%

LAB 69.59, -20.98, -27.54

 

CMYK 69 / 35 / 0 / 14

HEX #438FDB

RGB 67 143 219

HSL 210, 0.68%, 0.56%

LAB 57.99, 1.1, -45.63

 

CMYK 81 / 0 / 2 / 33

HEX #20ABA8

RGB 32 171 168

HSL 178.71, 0.68%, 0.4%

LAB 63.56, -34.87, -8.54

 

CMYK 81 / 0 / 1 / 20

HEX #27CDCA

RGB 39 205 202

HSL 178.92, 0.68%, 0.48%

LAB 75.05, -39.87, -10.07

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD8

RGB 67 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.07, -39.29, -10.05

 

CMYK 55 / 0 / 1 / 11

HEX #65E2DF

RGB 101 226 223

HSL 178.56, 0.68%, 0.64%

LAB 83.17, -35.24, -9.07

 

CMYK 41 / 0 / 1 / 9

HEX #88E8E6

RGB 136 232 230

HSL 178.75, 0.68%, 0.72%

LAB 86.34, -28.8, -7.94

 

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

CMYK 58 / 69 / 0 / 14

HEX #5C43DB

RGB 92 67 219

HSL 249.87, 0.68%, 0.56%

LAB 40.25, 50.94, -74.14

 

CMYK 0 / 30 / 69 / 14

HEX #DB9943

RGB 219 153 67

HSL 33.95, 0.68%, 0.56%

LAB 68.2, 16.74, 53.46

 

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

CMYK 2 / 69 / 0 / 14

HEX #D643DB

RGB 214 67 219

HSL 298.03, 0.68%, 0.56%

LAB 55.51, 74.2, -48.75

 

CMYK 0 / 2 / 69 / 14

HEX #DBD643

RGB 219 214 67

HSL 58.03, 0.68%, 0.56%

LAB 83.74, -15.08, 69.32

 

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

CMYK 58 / 69 / 0 / 14

HEX #5C43DB

RGB 92 67 219

HSL 249.87, 0.68%, 0.56%

LAB 40.25, 50.94, -74.14

 

CMYK 0 / 69 / 67 / 14

HEX #DB4348

RGB 219 67 72

HSL 358.03, 0.68%, 0.56%

LAB 51.32, 59.09, 31.62

 

CMYK 11 / 0 / 69 / 14

HEX #C2DB43

RGB 194 219 67

HSL 69.87, 0.68%, 0.56%

LAB 83.2, -27.78, 68.15

 

CMYK 70 / 0 / 1 / 14

HEX #40DAD7

RGB 64.9 218.2 215

HSL 178.75, 0.68%, 0.56%

LAB 79.77, -39.47, -9.98

 

CMYK 37 / 69 / 0 / 14

HEX #8A43DB

RGB 138 67 219

HSL 268.03, 0.68%, 0.56%

LAB 44.99, 58.65, -66.22

 

CMYK 0 / 69 / 67 / 14

HEX #DB4348

RGB 219 67 72

HSL 358.03, 0.68%, 0.56%

LAB 51.32, 59.09, 31.62

 

CMYK 32 / 0 / 69 / 14

HEX #94DB43

RGB 148 219 67

HSL 88.03, 0.68%, 0.56%

LAB 80.38, -45.31, 64.4

 

Description

Color code: RGB 64.9 218.2 215 | qconv.com Color code: RGB 64.9 218.2 215 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64.9 red, 218.2 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64.9 218.2 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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