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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63.7 110.6 192 it is the complementary color RGB 191.3 144.4 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63.7 110.6 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63.7 110.6 192 shade: RGB 68.7 110.6 187, RGB 85.7 128.6 206, RGB 102.7 146.6 225, RGB 119.7 164.6 244 and RGB 136.7 182.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63.7 110.6 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63.7 110.6 192 shade: RGB 63.7 110.6 192, RGB 46.7 92.6 173, RGB 29.7 74.6 154, RGB 12.7 56.6 135 and RGB 0 38.6 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63.7 110.6 192 shade: RGB 64 110 191, RGB 64 76 191, RGB 86 64 191, RGB 120 64 191 and RGB 155 64 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63.7 110.6 192 shade: RGB 64 110 191, RGB 64 76 191 and RGB 64 64 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63.7 110.6 192 shade matches the following richer shades: RGB 64 110 191, RGB 43 105 212, RGB 22 99 233 and RGB 2 94 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63.7 110.6 192 shade: RGB 64 110 191, RGB 84 116 171, RGB 105 121 150, RGB 126 127 129 and RGB 146 133 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63.7 110.6 192 shade: RGB 64 179 191, RGB 64 145 191, RGB 64 111 191, RGB 64 77 191 and RGB 85 64 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63.7 110.6 192 shade: RGB 43 75 129, RGB 53 92 160, RGB 64 110 191, RGB 95 134 202 and RGB 126 157 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63.7 110.6 192 shade: RGB 63.7 110.6 192, RGB 170 64 191 and RGB 162 191 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63.7 110.6 192 shade: RGB 63.7 110.6 192, RGB 191 64 111 and RGB 111 191 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63.7 110.6 192 shade: RGB 63.7 110.6 192, RGB 170 64 191, RGB 191 145 64 and RGB 85 191 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63.7 110.6 192 shade: RGB 63.7 110.6 192, RGB 191 64 174, RGB 191 145 64 and RGB 64 191 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

Complementary color

CMYK 0 / 25 / 67 / 25

HEX #BF903F

RGB 191.3 144.4 63

HSL 38.07, 0.5%, 0.5%

LAB 62.96, 9.25, 48.77

 

CMYK 63 / 41 / 0 / 27

HEX #446EBB

RGB 68.7 110.6 187

HSL 218.75, 0.47%, 0.5%

LAB 47.14, 9.81, -44.65

 

CMYK 58 / 38 / 0 / 19

HEX #5580CE

RGB 85.7 128.6 206

HSL 218.6, 0.55%, 0.57%

LAB 54.04, 8.52, -44.51

 

CMYK 54 / 35 / 0 / 12

HEX #6692E1

RGB 102.7 146.6 225

HSL 218.46, 0.67%, 0.64%

LAB 60.82, 7.48, -44.4

 

CMYK 51 / 33 / 0 / 4

HEX #77A4F4

RGB 119.7 164.6 244

HSL 218.33, 0.85%, 0.71%

LAB 67.48, 6.62, -44.33

 

CMYK 46 / 28 / 0 / 0

HEX #88B6FF

RGB 136.7 182.6 255

HSL 216.72, 1%, 0.77%

LAB 73.68, 3.61, -40.52

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

CMYK 73 / 46 / 0 / 32

HEX #2E5CAD

RGB 46.7 92.6 173

HSL 218.19, 0.57%, 0.43%

LAB 40.2, 12.57, -47.6

 

CMYK 81 / 52 / 0 / 40

HEX #1D4A9A

RGB 29.7 74.6 154

HSL 218.33, 0.68%, 0.36%

LAB 33.1, 14.98, -47.72

 

CMYK 91 / 58 / 0 / 47

HEX #0C3887

RGB 12.7 56.6 135

HSL 218.46, 0.83%, 0.29%

LAB 25.92, 18.16, -47.72

 

CMYK 100 / 67 / 0 / 55

HEX #002674

RGB 0 38.6 116

HSL 220.03, 1%, 0.23%

LAB 18.74, 22.2, -47.46

 

CMYK 66 / 42 / 0 / 25

HEX #406EBF

RGB 64 110 191

HSL 218.27, 0.5%, 0.5%

LAB 46.98, 10.77, -47.22

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 55 / 66 / 0 / 25

HEX #5640BF

RGB 86 64 191

HSL 250.39, 0.5%, 0.5%

LAB 36.76, 43.25, -63.66

 

CMYK 37 / 66 / 0 / 25

HEX #7840BF

RGB 120 64 191

HSL 266.46, 0.5%, 0.5%

LAB 40.28, 49.67, -57.77

 

CMYK 19 / 66 / 0 / 25

HEX #9B40BF

RGB 155 64 191

HSL 282.99, 0.5%, 0.5%

LAB 44.8, 57.25, -50.26

 

CMYK 66 / 42 / 0 / 25

HEX #406EBF

RGB 64 110 191

HSL 218.27, 0.5%, 0.5%

LAB 46.98, 10.77, -47.22

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 66 / 66 / 0 / 25

HEX #4040BF

RGB 64 64 191

HSL 240, 0.5%, 0.5%

LAB 35.04, 39.92, -66.54

 

CMYK 66 / 42 / 0 / 25

HEX #406EBF

RGB 64 110 191

HSL 218.27, 0.5%, 0.5%

LAB 46.98, 10.77, -47.22

 

CMYK 80 / 50 / 0 / 17

HEX #2B69D4

RGB 43 105 212

HSL 217.99, 0.66%, 0.5%

LAB 46.14, 18.93, -60.67

 

CMYK 91 / 58 / 0 / 9

HEX #1663E9

RGB 22 99 233

HSL 218.1, 0.83%, 0.5%

LAB 45.6, 29.37, -73.47

 

CMYK 99 / 63 / 0 / 1

HEX #025EFD

RGB 2 94 253

HSL 218.01, 0.98%, 0.5%

LAB 45.78, 39.55, -84.38

 

CMYK 66 / 42 / 0 / 25

HEX #406EBF

RGB 64 110 191

HSL 218.27, 0.5%, 0.5%

LAB 46.98, 10.77, -47.22

 

CMYK 51 / 32 / 0 / 33

HEX #5474AB

RGB 84 116 171

HSL 217.93, 0.34%, 0.5%

LAB 48.66, 4.41, -32.9

 

CMYK 30 / 19 / 0 / 41

HEX #697996

RGB 105 121 150

HSL 218.67, 0.18%, 0.5%

LAB 50.55, 1.18, -17.6

 

CMYK 2 / 2 / 0 / 49

HEX #7E7F81

RGB 126 127 129

HSL 220, 0.01%, 0.5%

LAB 53.17, 0.03, -1.22

 

CMYK 0 / 9 / 25 / 43

HEX #92856D

RGB 146 133 109

HSL 38.92, 0.15%, 0.5%

LAB 56.08, 0.91, 14.74

 

CMYK 66 / 6 / 0 / 25

HEX #40B3BF

RGB 64 179 191

HSL 185.67, 0.5%, 0.5%

LAB 67.35, -27.99, -15.57

 

CMYK 66 / 24 / 0 / 25

HEX #4091BF

RGB 64 145 191

HSL 201.73, 0.5%, 0.5%

LAB 57.18, -10.08, -31.16

 

CMYK 66 / 42 / 0 / 25

HEX #406FBF

RGB 64 111 191

HSL 217.8, 0.5%, 0.5%

LAB 47.26, 10.15, -46.77

 

CMYK 66 / 60 / 0 / 25

HEX #404DBF

RGB 64 77 191

HSL 233.86, 0.5%, 0.5%

LAB 38.13, 31.83, -61.49

 

CMYK 55 / 66 / 0 / 25

HEX #5540BF

RGB 85 64 191

HSL 249.92, 0.5%, 0.5%

LAB 36.67, 43.09, -63.81

 

CMYK 67 / 42 / 0 / 49

HEX #2B4B81

RGB 43 75 129

HSL 217.67, 0.5%, 0.34%

LAB 32.1, 6.88, -33.98

 

CMYK 67 / 43 / 0 / 37

HEX #355CA0

RGB 53 92 160

HSL 218.13, 0.5%, 0.42%

LAB 39.49, 9.1, -41.01

 

CMYK 66 / 42 / 0 / 25

HEX #406EBF

RGB 64 110 191

HSL 218.27, 0.5%, 0.5%

LAB 46.98, 10.77, -47.22

 

CMYK 53 / 34 / 0 / 21

HEX #5F86CA

RGB 95 134 202

HSL 218.13, 0.5%, 0.58%

LAB 55.83, 5.98, -39.39

 

CMYK 41 / 26 / 0 / 17

HEX #7E9DD4

RGB 126 157 212

HSL 218.37, 0.5%, 0.66%

LAB 64.41, 3.22, -31.48

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

CMYK 11 / 66 / 0 / 25

HEX #AA40BF

RGB 170 64 191

HSL 290.08, 0.5%, 0.5%

LAB 46.94, 60.66, -46.71

 

CMYK 15 / 0 / 66 / 25

HEX #A2BF40

RGB 162 191 64

HSL 73.7, 0.5%, 0.5%

LAB 73.1, -27.52, 58.31

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

CMYK 0 / 66 / 42 / 25

HEX #BF406F

RGB 191 64 111

HSL 337.8, 0.5%, 0.5%

LAB 46.83, 54.53, 1.22

 

CMYK 42 / 0 / 66 / 25

HEX #6FBF40

RGB 111 191 64

HSL 97.8, 0.5%, 0.5%

LAB 70.18, -46.44, 54.36

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

CMYK 11 / 66 / 0 / 25

HEX #AA40BF

RGB 170 64 191

HSL 290.08, 0.5%, 0.5%

LAB 46.94, 60.66, -46.71

 

CMYK 0 / 24 / 66 / 25

HEX #BF9140

RGB 191 145 64

HSL 38.27, 0.5%, 0.5%

LAB 63.09, 8.86, 48.43

 

CMYK 55 / 0 / 66 / 25

HEX #55BF40

RGB 85 191 64

HSL 110.08, 0.5%, 0.5%

LAB 69.16, -54.12, 52.95

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EC0

RGB 63.7 110.6 192

HSL 218.07, 0.5%, 0.5%

LAB 47.19, 10.7, -47.46

 

CMYK 0 / 66 / 9 / 25

HEX #BF40AE

RGB 191 64 174

HSL 308.03, 0.5%, 0.5%

LAB 49.25, 62.77, -32.91

 

CMYK 0 / 24 / 66 / 25

HEX #BF9140

RGB 191 145 64

HSL 38.27, 0.5%, 0.5%

LAB 63.09, 8.86, 48.43

 

CMYK 66 / 0 / 58 / 25

HEX #40BF51

RGB 64 191 81

HSL 128.03, 0.5%, 0.5%

LAB 68.71, -57.07, 44.8

 

Description

Color code: RGB 63.7 110.6 192 | qconv.com Color code: RGB 63.7 110.6 192 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63.7 red, 110.6 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63.7 110.6 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 42 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 42% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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