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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63.3 162.4 198 it is the complementary color RGB 191.7 92.6 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63.3 162.4 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63.3 162.4 198 shade: RGB 68.3 162.4 193, RGB 85.3 180.4 212, RGB 102.3 198.4 231, RGB 119.3 216.4 250 and RGB 136.3 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63.3 162.4 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63.3 162.4 198 shade: RGB 63.3 162.4 198, RGB 46.3 144.4 179, RGB 29.3 126.4 160, RGB 12.3 108.4 141 and RGB 0 90.4 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63.3 162.4 198 shade: RGB 63 162 198, RGB 63 125 198, RGB 63 89 198, RGB 72 63 198 and RGB 109 63 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63.3 162.4 198 shade: RGB 63 162 198, RGB 63 125 198, RGB 63 89 198 and RGB 63 63 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63.3 162.4 198 shade matches the following richer shades: RGB 63 162 198, RGB 42 171 218 and RGB 22 181 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63.3 162.4 198 shade: RGB 63 162 198, RGB 83 152 177, RGB 103 143 157, RGB 123 133 137 and RGB 143 124 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63.3 162.4 198 shade: RGB 63 198 159, RGB 63 198 195, RGB 63 164 198, RGB 63 128 198 and RGB 63 92 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63.3 162.4 198 shade: RGB 41 111 137, RGB 50 137 169, RGB 63 162 198, RGB 94 177 207 and RGB 126 193 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63.3 162.4 198 shade: RGB 63.3 162.4 198, RGB 123 63 198 and RGB 198 177 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63.3 162.4 198 shade: RGB 63.3 162.4 198, RGB 198 63 164 and RGB 164 198 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63.3 162.4 198 shade: RGB 63.3 162.4 198, RGB 123 63 198, RGB 198 96 63 and RGB 137 198 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63.3 162.4 198 shade: RGB 63.3 162.4 198, RGB 164 63 198, RGB 198 96 63 and RGB 96 198 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

Complementary color

CMYK 0 / 52 / 70 / 25

HEX #BF5C39

RGB 191.7 92.6 57

HSL 15.86, 0.54%, 0.49%

LAB 50.95, 37.18, 38.5

 

CMYK 65 / 16 / 0 / 24

HEX #44A2C1

RGB 68.3 162.4 193

HSL 194.72, 0.5%, 0.51%

LAB 62.57, -18.21, -23.94

 

CMYK 60 / 15 / 0 / 17

HEX #55B4D4

RGB 85.3 180.4 212

HSL 194.96, 0.6%, 0.58%

LAB 69.11, -18.82, -24.39

 

CMYK 56 / 14 / 0 / 9

HEX #66C6E7

RGB 102.3 198.4 231

HSL 195.2, 0.73%, 0.65%

LAB 75.57, -19.29, -24.81

 

CMYK 52 / 13 / 0 / 2

HEX #77D8FA

RGB 119.3 216.4 250

HSL 195.42, 0.93%, 0.72%

LAB 81.93, -19.65, -25.21

 

CMYK 47 / 8 / 0 / 0

HEX #88EAFF

RGB 136.3 234.4 255

HSL 190.41, 1%, 0.77%

LAB 87.75, -23.63, -18.94

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

CMYK 74 / 19 / 0 / 30

HEX #2E90B3

RGB 46.3 144.4 179

HSL 195.64, 0.59%, 0.44%

LAB 56, -16.4, -26.2

 

CMYK 82 / 21 / 0 / 37

HEX #1D7EA0

RGB 29.3 126.4 160

HSL 195.42, 0.69%, 0.37%

LAB 49.29, -15.03, -25.66

 

CMYK 91 / 23 / 0 / 45

HEX #0C6C8D

RGB 12.3 108.4 141

HSL 195.2, 0.84%, 0.3%

LAB 42.48, -13.16, -25.02

 

CMYK 100 / 26 / 0 / 52

HEX #005A7A

RGB 0 90.4 122

HSL 195.54, 1%, 0.24%

LAB 35.57, -10.68, -24.26

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63 162 198

HSL 196, 0.54%, 0.51%

LAB 62.49, -17.25, -26.88

 

CMYK 68 / 37 / 0 / 22

HEX #3F7DC6

RGB 63 125 198

HSL 212.44, 0.54%, 0.51%

LAB 51.61, 3.85, -43.87

 

CMYK 68 / 55 / 0 / 22

HEX #3F59C6

RGB 63 89 198

HSL 228.44, 0.54%, 0.51%

LAB 41.66, 26.49, -59.84

 

CMYK 64 / 68 / 0 / 22

HEX #483FC6

RGB 72 63 198

HSL 244, 0.54%, 0.51%

LAB 36, 43.89, -69.03

 

CMYK 45 / 68 / 0 / 22

HEX #6D3FC6

RGB 109 63 198

HSL 260.44, 0.54%, 0.51%

LAB 39.38, 49.88, -63.37

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63 162 198

HSL 196, 0.54%, 0.51%

LAB 62.49, -17.25, -26.88

 

CMYK 68 / 37 / 0 / 22

HEX #3F7DC6

RGB 63 125 198

HSL 212.44, 0.54%, 0.51%

LAB 51.61, 3.85, -43.87

 

CMYK 68 / 55 / 0 / 22

HEX #3F59C6

RGB 63 89 198

HSL 228.44, 0.54%, 0.51%

LAB 41.66, 26.49, -59.84

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63 162 198

HSL 196, 0.54%, 0.51%

LAB 62.49, -17.25, -26.88

 

CMYK 81 / 22 / 0 / 15

HEX #2AABDA

RGB 42 171 218

HSL 196.02, 0.7%, 0.51%

LAB 65.5, -17.91, -33.35

 

CMYK 91 / 24 / 0 / 7

HEX #16B5EE

RGB 22 181 238

HSL 195.83, 0.86%, 0.51%

LAB 69.03, -17.65, -38.83

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63 162 198

HSL 196, 0.54%, 0.51%

LAB 62.49, -17.25, -26.88

 

CMYK 53 / 14 / 0 / 31

HEX #5398B1

RGB 83 152 177

HSL 195.96, 0.38%, 0.51%

LAB 59.41, -14.67, -19.73

 

CMYK 34 / 9 / 0 / 38

HEX #678F9D

RGB 103 143 157

HSL 195.56, 0.22%, 0.51%

LAB 57.04, -10.16, -11.83

 

CMYK 10 / 3 / 0 / 46

HEX #7B8589

RGB 123 133 137

HSL 197.14, 0.06%, 0.51%

LAB 54.86, -2.81, -3.41

 

CMYK 0 / 13 / 18 / 44

HEX #8F7C75

RGB 143 124 117

HSL 16.15, 0.1%, 0.51%

LAB 53.53, 6.09, 6.5

 

CMYK 68 / 0 / 20 / 22

HEX #3FC69F

RGB 63 198 159

HSL 162.67, 0.54%, 0.51%

LAB 72.19, -45.48, 9.08

 

CMYK 68 / 0 / 2 / 22

HEX #3FC6C3

RGB 63 198 195

HSL 178.67, 0.54%, 0.51%

LAB 73.14, -36.07, -9.08

 

CMYK 68 / 17 / 0 / 22

HEX #3FA4C6

RGB 63 164 198

HSL 195.11, 0.54%, 0.51%

LAB 63.08, -18.31, -25.96

 

CMYK 68 / 35 / 0 / 22

HEX #3F80C6

RGB 63 128 198

HSL 211.11, 0.54%, 0.51%

LAB 52.48, 2.04, -42.5

 

CMYK 68 / 54 / 0 / 22

HEX #3F5CC6

RGB 63 92 198

HSL 227.11, 0.54%, 0.51%

LAB 42.44, 24.57, -58.56

 

CMYK 70 / 19 / 0 / 46

HEX #296F89

RGB 41 111 137

HSL 196.25, 0.54%, 0.35%

LAB 43.72, -12.92, -20.66

 

CMYK 70 / 19 / 0 / 34

HEX #3289A9

RGB 50 137 169

HSL 196.13, 0.54%, 0.43%

LAB 53.42, -15.2, -24.44

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63 162 198

HSL 196, 0.54%, 0.51%

LAB 62.49, -17.25, -26.88

 

CMYK 55 / 14 / 0 / 19

HEX #5EB1CF

RGB 94 177 207

HSL 195.93, 0.54%, 0.59%

LAB 68.26, -16.82, -22.92

 

CMYK 42 / 11 / 0 / 15

HEX #7EC1D9

RGB 126 193 217

HSL 195.82, 0.54%, 0.67%

LAB 74.56, -15.04, -18.67

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

CMYK 38 / 68 / 0 / 22

HEX #7B3FC6

RGB 123 63 198

HSL 266.67, 0.54%, 0.51%

LAB 40.97, 52.54, -60.73

 

CMYK 0 / 11 / 68 / 22

HEX #C6B13F

RGB 198 177 63

HSL 50.67, 0.54%, 0.51%

LAB 72.1, -5.34, 58.59

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

CMYK 0 / 68 / 17 / 22

HEX #C63FA4

RGB 198 63 164

HSL 315.11, 0.54%, 0.51%

LAB 49.79, 63.42, -26.1

 

CMYK 17 / 0 / 68 / 22

HEX #A4C63F

RGB 164 198 63

HSL 75.11, 0.54%, 0.51%

LAB 75.23, -30.12, 60.94

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

CMYK 38 / 68 / 0 / 22

HEX #7B3FC6

RGB 123 63 198

HSL 266.67, 0.54%, 0.51%

LAB 40.97, 52.54, -60.73

 

CMYK 0 / 52 / 68 / 22

HEX #C6603F

RGB 198 96 63

HSL 14.67, 0.54%, 0.51%

LAB 52.65, 38.23, 37.46

 

CMYK 31 / 0 / 68 / 22

HEX #89C63F

RGB 137 198 63

HSL 87.11, 0.54%, 0.51%

LAB 73.59, -40.48, 58.74

 

CMYK 68 / 18 / 0 / 22

HEX #3FA2C6

RGB 63.3 162.4 198

HSL 195.86, 0.54%, 0.51%

LAB 62.61, -17.42, -26.68

 

CMYK 17 / 68 / 0 / 22

HEX #A43FC6

RGB 164 63 198

HSL 284.89, 0.54%, 0.51%

LAB 46.34, 61.09, -51.78

 

CMYK 0 / 52 / 68 / 22

HEX #C6603F

RGB 198 96 63

HSL 14.67, 0.54%, 0.51%

LAB 52.65, 38.23, 37.46

 

CMYK 52 / 0 / 68 / 22

HEX #60C63F

RGB 96 198 63

HSL 105.33, 0.54%, 0.51%

LAB 71.71, -53.85, 56.2

 

Description

Color code: RGB 63.3 162.4 198 | qconv.com Color code: RGB 63.3 162.4 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63.3 red, 162.4 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63.3 162.4 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 18 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 18% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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