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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62.1 54.8 141 it is the complementary color RGB 192.9 200.2 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62.1 54.8 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62.1 54.8 141 shade: RGB 67.1 54.8 136, RGB 84.1 72.8 155, RGB 101.1 90.8 174, RGB 118.1 108.8 193 and RGB 135.1 126.8 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62.1 54.8 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62.1 54.8 141 shade: RGB 62.1 54.8 141, RGB 45.1 36.8 122, RGB 28.1 18.8 103, RGB 11.1 0.8 84 and RGB 0 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62.1 54.8 141 shade: RGB 61 54 140, RGB 84 54 140, RGB 107 54 140, RGB 130 54 140 and RGB 140 54 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62.1 54.8 141 shade: RGB 61 54 140 and RGB 54 54 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62.1 54.8 141 shade matches the following richer shades: RGB 61 54 140, RGB 48 39 155, RGB 35 23 171 and RGB 22 7 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62.1 54.8 141 shade: RGB 61 54 140, RGB 75 70 124, RGB 88 86 108, RGB 101 101 93 and RGB 114 117 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62.1 54.8 141 shade: RGB 54 93 140, RGB 54 70 140, RGB 61 54 140, RGB 84 54 140 and RGB 107 54 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62.1 54.8 141 shade: RGB 35 31 80, RGB 48 43 110, RGB 61 54 140, RGB 75 66 169 and RGB 95 87 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62.1 54.8 141 shade: RGB 62.1 54.8 141, RGB 140 54 115 and RGB 81 140 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62.1 54.8 141 shade: RGB 62.1 54.8 141, RGB 140 61 54 and RGB 54 140 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62.1 54.8 141 shade: RGB 62.1 54.8 141, RGB 140 54 115, RGB 132 140 54 and RGB 54 140 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62.1 54.8 141 shade: RGB 62.1 54.8 141, RGB 140 54 90, RGB 132 140 54 and RGB 54 140 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

Complementary color

CMYK 4 / 0 / 43 / 21

HEX #C0C872

RGB 192.9 200.2 114

HSL 65.08, 0.44%, 0.62%

LAB 78.43, -15.29, 42.12

 

CMYK 51 / 60 / 0 / 47

HEX #433688

RGB 67.1 54.8 136

HSL 249.09, 0.43%, 0.37%

LAB 28.61, 27.95, -43.83

 

CMYK 46 / 53 / 0 / 39

HEX #54489B

RGB 84.1 72.8 155

HSL 248.25, 0.36%, 0.45%

LAB 35.97, 26.46, -43.52

 

CMYK 42 / 48 / 0 / 32

HEX #655AAE

RGB 101.1 90.8 174

HSL 247.43, 0.34%, 0.52%

LAB 43.18, 25.21, -43.24

 

CMYK 39 / 44 / 0 / 24

HEX #766CC1

RGB 118.1 108.8 193

HSL 246.63, 0.4%, 0.59%

LAB 50.22, 24.14, -43.01

 

CMYK 36 / 40 / 0 / 17

HEX #877ED4

RGB 135.1 126.8 212

HSL 245.85, 0.5%, 0.66%

LAB 57.11, 23.21, -42.83

 

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

CMYK 63 / 70 / 0 / 52

HEX #2D247A

RGB 45.1 36.8 122

HSL 245.85, 0.54%, 0.31%

LAB 21.12, 30.49, -47.31

 

CMYK 73 / 82 / 0 / 60

HEX #1C1267

RGB 28.1 18.8 103

HSL 246.63, 0.69%, 0.24%

LAB 13.75, 32.54, -47.17

 

CMYK 87 / 99 / 0 / 67

HEX #0B0054

RGB 11.1 0.8 84

HSL 247.43, 0.98%, 0.17%

LAB 6.59, 34.62, -46.32

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 40 / 61 / 0 / 45

HEX #54368C

RGB 84 54 140

HSL 260.93, 0.44%, 0.38%

LAB 30.44, 33.56, -43.27

 

CMYK 24 / 61 / 0 / 45

HEX #6B368C

RGB 107 54 140

HSL 276.98, 0.44%, 0.38%

LAB 33.26, 39.32, -38.59

 

CMYK 7 / 61 / 0 / 45

HEX #82368C

RGB 130 54 140

HSL 293.02, 0.44%, 0.38%

LAB 36.51, 45.4, -33.22

 

CMYK 0 / 61 / 10 / 45

HEX #8C367E

RGB 140 54 126

HSL 309.77, 0.44%, 0.38%

LAB 37.34, 45.61, -23.19

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 61 / 61 / 0 / 45

HEX #36368C

RGB 54 54 140

HSL 240, 0.44%, 0.38%

LAB 27.62, 27.16, -47.98

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 69 / 75 / 0 / 39

HEX #30279B

RGB 48 39 155

HSL 244.66, 0.6%, 0.38%

LAB 25.09, 40.71, -61.36

 

CMYK 80 / 87 / 0 / 33

HEX #2317AB

RGB 35 23 171

HSL 244.86, 0.76%, 0.38%

LAB 23.37, 52.56, -73.96

 

CMYK 88 / 96 / 0 / 27

HEX #1607BB

RGB 22 7 187

HSL 245, 0.93%, 0.38%

LAB 23.37, 61.32, -83.56

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 40 / 44 / 0 / 51

HEX #4B467C

RGB 75 70 124

HSL 245.56, 0.28%, 0.38%

LAB 32.55, 16.33, -30.03

 

CMYK 19 / 20 / 0 / 58

HEX #58566C

RGB 88 86 108

HSL 245.45, 0.11%, 0.38%

LAB 37.5, 5.88, -12.29

 

CMYK 0 / 0 / 8 / 60

HEX #65655D

RGB 101 101 93

HSL 60, 0.04%, 0.38%

LAB 42.56, -1.6, 4.53

 

CMYK 3 / 0 / 34 / 54

HEX #72754D

RGB 114 117 77

HSL 64.5, 0.21%, 0.38%

LAB 48.05, -8.06, 21.73

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 61 / 50 / 0 / 45

HEX #36468C

RGB 54 70 140

HSL 228.84, 0.44%, 0.38%

LAB 31.94, 16.48, -40.99

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 40 / 61 / 0 / 45

HEX #54368C

RGB 84 54 140

HSL 260.93, 0.44%, 0.38%

LAB 30.44, 33.56, -43.27

 

CMYK 24 / 61 / 0 / 45

HEX #6B368C

RGB 107 54 140

HSL 276.98, 0.44%, 0.38%

LAB 33.26, 39.32, -38.59

 

CMYK 56 / 61 / 0 / 69

HEX #231F50

RGB 35 31 80

HSL 244.9, 0.44%, 0.22%

LAB 15.04, 17.45, -29.61

 

CMYK 56 / 61 / 0 / 57

HEX #302B6E

RGB 48 43 110

HSL 244.48, 0.44%, 0.3%

LAB 21.88, 22.78, -38.36

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 56 / 61 / 0 / 34

HEX #4B42A9

RGB 75 66 169

HSL 245.24, 0.44%, 0.46%

LAB 34.51, 33.19, -54.33

 

CMYK 50 / 54 / 0 / 25

HEX #5F57BE

RGB 95 87 190

HSL 244.66, 0.44%, 0.54%

LAB 42.71, 30.95, -53.38

 

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

CMYK 0 / 61 / 18 / 45

HEX #8C3673

RGB 140 54 115

HSL 317.44, 0.44%, 0.38%

LAB 36.84, 43.81, -17.1

 

CMYK 42 / 0 / 61 / 45

HEX #518C36

RGB 81 140 54

HSL 101.16, 0.44%, 0.38%

LAB 52.7, -35.64, 39.13

 

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

CMYK 0 / 56 / 61 / 45

HEX #8C3D36

RGB 140 61 54

HSL 4.88, 0.44%, 0.38%

LAB 36.33, 33.05, 20.72

 

CMYK 61 / 0 / 56 / 45

HEX #368C3D

RGB 54 140 61

HSL 124.88, 0.44%, 0.38%

LAB 51.7, -42.78, 34.26

 

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

CMYK 0 / 61 / 18 / 45

HEX #8C3673

RGB 140 54 115

HSL 317.44, 0.44%, 0.38%

LAB 36.84, 43.81, -17.1

 

CMYK 6 / 0 / 61 / 45

HEX #848C36

RGB 132 140 54

HSL 65.58, 0.44%, 0.38%

LAB 56.02, -15.22, 43.75

 

CMYK 61 / 0 / 44 / 45

HEX #368C4E

RGB 54 140 78

HSL 136.74, 0.44%, 0.38%

LAB 51.94, -40.11, 25.6

 

CMYK 56 / 61 / 0 / 45

HEX #3E368D

RGB 62.1 54.8 141

HSL 245.08, 0.44%, 0.38%

LAB 28.55, 28.53, -47.05

 

CMYK 0 / 61 / 36 / 45

HEX #8C365A

RGB 140 54 90

HSL 334.88, 0.44%, 0.38%

LAB 35.89, 40.26, -2.72

 

CMYK 6 / 0 / 61 / 45

HEX #848C36

RGB 132 140 54

HSL 65.58, 0.44%, 0.38%

LAB 56.02, -15.22, 43.75

 

CMYK 61 / 0 / 26 / 45

HEX #368C68

RGB 54 140 104

HSL 154.88, 0.44%, 0.38%

LAB 52.44, -34.79, 11.69

 

Description

Color code: RGB 62.1 54.8 141 | qconv.com Color code: RGB 62.1 54.8 141 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62.1 red, 54.8 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62.1 54.8 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 61 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 61% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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