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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 85 85 it is the complementary color RGB 194 170 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 85 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 85 85: RGB 66 85 80, RGB 83 103 99, RGB 100 121 118, RGB 117 139 137 and RGB 134 157 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 85 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 85 85: RGB 61 85 85, RGB 44 67 66, RGB 27 49 47, RGB 10 31 28 and RGB 0 13 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

Complementary color

CMYK 0 / 12 / 12 / 24

HEX #C2AAAA

RGB 194 170 170

HSL 0, 0.16%, 0.71%

LAB 71.64, 8.69, 3.19

 

CMYK 22 / 0 / 6 / 67

HEX #425550

RGB 66 85 80

HSL 164.21, 0.13%, 0.3%

LAB 34.47, -8.51, 0.5

 

CMYK 19 / 0 / 4 / 60

HEX #536763

RGB 83 103 99

HSL 168, 0.11%, 0.36%

LAB 41.91, -8.4, -0.24

 

CMYK 17 / 0 / 2 / 53

HEX #647976

RGB 100 121 118

HSL 171.43, 0.1%, 0.43%

LAB 49.12, -8.33, -0.93

 

CMYK 16 / 0 / 1 / 45

HEX #758B89

RGB 117 139 137

HSL 174.55, 0.09%, 0.5%

LAB 56.14, -8.28, -1.58

 

CMYK 15 / 0 / 1 / 38

HEX #869D9C

RGB 134 157 156

HSL 177.39, 0.11%, 0.57%

LAB 63, -8.25, -2.2

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 34 / 0 / 1 / 74

HEX #2C4342

RGB 44 67 66

HSL 177.39, 0.21%, 0.22%

LAB 26.57, -9.16, -2.26

 

CMYK 45 / 0 / 4 / 81

HEX #1B312F

RGB 27 49 47

HSL 174.55, 0.29%, 0.15%

LAB 18.52, -9.3, -1.49

 

CMYK 68 / 0 / 10 / 88

HEX #0A1F1C

RGB 10 31 28

HSL 171.43, 0.51%, 0.08%

LAB 10.02, -9.39, -0.53

 

CMYK 100 / 0 / 31 / 95

HEX #000D09

RGB 0 13 9

HSL 161.54, 1%, 0.03%

LAB 2.78, -4.06, 0.39

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 27 / 5 / 0 / 67

HEX #3E5155

RGB 62 81 85

HSL 190.43, 0.16%, 0.29%

LAB 33.06, -6.28, -4.76

 

CMYK 27 / 9 / 0 / 67

HEX #3E4D55

RGB 62 77 85

HSL 200.87, 0.16%, 0.29%

LAB 31.78, -3.81, -6.68

 

CMYK 27 / 14 / 0 / 67

HEX #3E4955

RGB 62 73 85

HSL 211.3, 0.16%, 0.29%

LAB 30.51, -1.28, -8.59

 

CMYK 27 / 18 / 0 / 67

HEX #3E4655

RGB 62 70 85

HSL 219.13, 0.16%, 0.29%

LAB 29.56, 0.64, -10.01

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 28 / 0 / 0 / 47

HEX #628888

RGB 98 136 136

HSL 180, 0.16%, 0.46%

LAB 54.01, -13.12, -4.28

 

CMYK 28 / 0 / 0 / 27

HEX #86BBBB

RGB 134 187 187

HSL 180, 0.28%, 0.63%

LAB 72.36, -17.19, -5.59

 

CMYK 28 / 0 / 0 / 7

HEX #ABEEEE

RGB 171 238 238

HSL 180, 0.66%, 0.8%

LAB 89.85, -20.76, -6.74

 

CMYK 29 / 0 / 0 / 87

HEX #182222

RGB 24 34 34

HSL 180, 0.17%, 0.11%

LAB 12.31, -4.4, -1.46

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 22 / 27 / 0 / 67

HEX #423E55

RGB 66 62 85

HSL 250.43, 0.16%, 0.29%

LAB 27.46, 7.33, -13.19

 

CMYK 0 / 11 / 27 / 67

HEX #554C3E

RGB 85 76 62

HSL 36.52, 0.16%, 0.29%

LAB 32.81, 1.19, 9.7

SW® 7055

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 0 / 27 / 0 / 67

HEX #553E55

RGB 85 62 85

HSL 300, 0.16%, 0.29%

LAB 29.49, 14.57, -9.91

 

CMYK 0 / 0 / 27 / 67

HEX #55553E

RGB 85 85 62

HSL 60, 0.16%, 0.29%

LAB 35.55, -4.32, 13.47

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 22 / 27 / 0 / 67

HEX #423E55

RGB 66 62 85

HSL 250.43, 0.16%, 0.29%

LAB 27.46, 7.33, -13.19

 

CMYK 0 / 27 / 27 / 67

HEX #553E3E

RGB 85 62 62

HSL 0, 0.16%, 0.29%

LAB 28.71, 10.06, 3.93

 

CMYK 5 / 0 / 27 / 67

HEX #51553E

RGB 81 85 62

HSL 70.43, 0.16%, 0.29%

LAB 35.19, -6.08, 12.92

 

CMYK 28 / 0 / 0 / 67

HEX #3D5555

RGB 61 85 85

HSL 180, 0.16%, 0.29%

LAB 34.28, -9.04, -2.96

 

CMYK 14 / 27 / 0 / 67

HEX #493E55

RGB 73 62 85

HSL 268.7, 0.16%, 0.29%

LAB 28.16, 9.94, -12.06

 

CMYK 0 / 27 / 27 / 67

HEX #553E3E

RGB 85 62 62

HSL 0, 0.16%, 0.29%

LAB 28.71, 10.06, 3.93

 

CMYK 14 / 0 / 27 / 67

HEX #49553E

RGB 73 85 62

HSL 91.3, 0.16%, 0.29%

LAB 34.52, -9.53, 11.9

 

Description

Color code: RGB 61 85 85 | qconv.com Color code: RGB 61 85 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 85 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 85 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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