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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61.7 92.6 131 it is the complementary color RGB 193.3 162.4 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61.7 92.6 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61.7 92.6 131 shade: RGB 66.7 92.6 126, RGB 83.7 110.6 145, RGB 100.7 128.6 164, RGB 117.7 146.6 183 and RGB 134.7 164.6 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61.7 92.6 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61.7 92.6 131 shade: RGB 61.7 92.6 131, RGB 44.7 74.6 112, RGB 27.7 56.6 93, RGB 10.7 38.6 74 and RGB 0 20.6 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61.7 92.6 131 shade: RGB 62 93 132, RGB 62 74 132, RGB 69 62 132, RGB 87 62 132 and RGB 106 62 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61.7 92.6 131 shade: RGB 62 93 132, RGB 62 74 132 and RGB 62 62 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61.7 92.6 131 shade matches the following richer shades: RGB 62 93 132, RGB 46 91 147, RGB 31 90 163 and RGB 15 88 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61.7 92.6 131 shade: RGB 62 93 132, RGB 78 95 116, RGB 93 97 100, RGB 109 98 85 and RGB 125 100 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61.7 92.6 131 shade: RGB 62 131 132, RGB 62 112 132, RGB 62 93 132, RGB 62 75 132 and RGB 68 62 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61.7 92.6 131 shade: RGB 36 53 76, RGB 49 73 104, RGB 62 93 132, RGB 75 113 160 and RGB 96 134 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61.7 92.6 131 shade: RGB 61.7 92.6 131, RGB 114 62 132 and RGB 121 132 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61.7 92.6 131 shade: RGB 61.7 92.6 131, RGB 132 62 93 and RGB 93 132 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61.7 92.6 131 shade: RGB 61.7 92.6 131, RGB 114 62 132, RGB 132 100 62 and RGB 79 132 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61.7 92.6 131 shade: RGB 61.7 92.6 131, RGB 132 62 128, RGB 132 100 62 and RGB 62 132 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

Complementary color

CMYK 0 / 16 / 36 / 24

HEX #C1A27C

RGB 193.3 162.4 124

HSL 33.25, 0.36%, 0.62%

LAB 68.62, 5.86, 24.21

 

CMYK 47 / 27 / 0 / 51

HEX #425C7E

RGB 66.7 92.6 126

HSL 213.79, 0.31%, 0.38%

LAB 38.63, 0.07, -21.78

 

CMYK 42 / 24 / 0 / 43

HEX #536E91

RGB 83.7 110.6 145

HSL 213.67, 0.27%, 0.45%

LAB 45.9, -0.39, -21.9

 

CMYK 39 / 22 / 0 / 36

HEX #6480A4

RGB 100.7 128.6 164

HSL 213.55, 0.26%, 0.52%

LAB 52.98, -0.76, -22.05

 

CMYK 36 / 20 / 0 / 28

HEX #7592B7

RGB 117.7 146.6 183

HSL 213.45, 0.31%, 0.59%

LAB 59.88, -1.06, -22.24

 

CMYK 33 / 19 / 0 / 21

HEX #86A4CA

RGB 134.7 164.6 202

HSL 213.34, 0.39%, 0.66%

LAB 66.64, -1.31, -22.45

 

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

CMYK 60 / 33 / 0 / 56

HEX #2C4A70

RGB 44.7 74.6 112

HSL 213.34, 0.43%, 0.31%

LAB 31.11, 1.22, -24.93

 

CMYK 70 / 39 / 0 / 64

HEX #1B385D

RGB 27.7 56.6 93

HSL 213.45, 0.54%, 0.24%

LAB 23.4, 2.46, -24.95

 

CMYK 86 / 48 / 0 / 71

HEX #0A264A

RGB 10.7 38.6 74

HSL 213.55, 0.75%, 0.17%

LAB 15.43, 4.45, -24.98

 

CMYK 100 / 63 / 0 / 78

HEX #001437

RGB 0 20.6 55

HSL 217.53, 1%, 0.11%

LAB 7.2, 7.7, -24.88

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 53 / 44 / 0 / 48

HEX #3E4A84

RGB 62 74 132

HSL 229.71, 0.36%, 0.38%

LAB 33.11, 12.8, -34.17

 

CMYK 48 / 53 / 0 / 48

HEX #453E84

RGB 69 62 132

HSL 246, 0.36%, 0.38%

LAB 30.34, 22.45, -38.55

 

CMYK 34 / 53 / 0 / 48

HEX #573E84

RGB 87 62 132

HSL 261.43, 0.36%, 0.38%

LAB 32.12, 27.2, -35.61

 

CMYK 20 / 53 / 0 / 48

HEX #6A3E84

RGB 106 62 132

HSL 277.71, 0.36%, 0.38%

LAB 34.35, 32.65, -31.94

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 53 / 44 / 0 / 48

HEX #3E4A84

RGB 62 74 132

HSL 229.71, 0.36%, 0.38%

LAB 33.11, 12.8, -34.17

 

CMYK 53 / 53 / 0 / 48

HEX #3E3E84

RGB 62 62 132

HSL 240, 0.36%, 0.38%

LAB 29.75, 20.76, -39.53

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 69 / 38 / 0 / 42

HEX #2E5B93

RGB 46 91 147

HSL 213.27, 0.52%, 0.38%

LAB 38.15, 3.71, -35.37

 

CMYK 81 / 45 / 0 / 36

HEX #1F5AA3

RGB 31 90 163

HSL 213.18, 0.68%, 0.38%

LAB 38.28, 8.43, -44.78

 

CMYK 92 / 51 / 0 / 30

HEX #0F58B3

RGB 15 88 179

HSL 213.29, 0.85%, 0.38%

LAB 38.44, 14.95, -54.03

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 33 / 18 / 0 / 55

HEX #4E5F74

RGB 78 95 116

HSL 213.16, 0.2%, 0.38%

LAB 39.69, -1, -13.97

 

CMYK 7 / 3 / 0 / 61

HEX #5D6164

RGB 93 97 100

HSL 205.71, 0.04%, 0.38%

LAB 40.89, -0.9, -2.25

 

CMYK 0 / 10 / 22 / 57

HEX #6D6255

RGB 109 98 85

HSL 32.5, 0.12%, 0.38%

LAB 42.22, 2.06, 9

 

CMYK 0 / 20 / 45 / 51

HEX #7D6445

RGB 125 100 69

HSL 33.21, 0.29%, 0.38%

LAB 44.09, 5.59, 21.37

 

CMYK 53 / 1 / 0 / 48

HEX #3E8384

RGB 62 131 132

HSL 180.86, 0.36%, 0.38%

LAB 50.6, -21.32, -7.2

 

CMYK 53 / 15 / 0 / 48

HEX #3E7084

RGB 62 112 132

HSL 197.14, 0.36%, 0.38%

LAB 44.63, -10.88, -16.21

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 53 / 43 / 0 / 48

HEX #3E4B84

RGB 62 75 132

HSL 228.86, 0.36%, 0.38%

LAB 33.4, 12.13, -33.71

 

CMYK 48 / 53 / 0 / 48

HEX #443E84

RGB 68 62 132

HSL 245.14, 0.36%, 0.38%

LAB 30.25, 22.2, -38.7

 

CMYK 53 / 30 / 0 / 70

HEX #24354C

RGB 36 53 76

HSL 214.5, 0.36%, 0.22%

LAB 21.74, 0.54, -16.29

 

CMYK 53 / 30 / 0 / 59

HEX #314968

RGB 49 73 104

HSL 213.82, 0.36%, 0.3%

LAB 30.44, 0.53, -20.9

 

CMYK 53 / 30 / 0 / 48

HEX #3E5D84

RGB 62 93 132

HSL 213.43, 0.36%, 0.38%

LAB 38.76, 0.53, -25.27

 

CMYK 53 / 29 / 0 / 37

HEX #4B71A0

RGB 75 113 160

HSL 213.18, 0.36%, 0.46%

LAB 46.77, 0.55, -29.45

 

CMYK 47 / 26 / 0 / 29

HEX #6086B4

RGB 96 134 180

HSL 212.86, 0.36%, 0.54%

LAB 54.9, -0.54, -28.32

 

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

CMYK 14 / 53 / 0 / 48

HEX #723E84

RGB 114 62 132

HSL 284.57, 0.36%, 0.38%

LAB 35.38, 35.01, -30.24

 

CMYK 8 / 0 / 53 / 48

HEX #79843E

RGB 121 132 62

HSL 69.43, 0.36%, 0.38%

LAB 52.86, -15.05, 36.02

 

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

CMYK 0 / 53 / 30 / 48

HEX #843E5D

RGB 132 62 93

HSL 333.43, 0.36%, 0.38%

LAB 36.25, 33.79, -4.24

 

CMYK 30 / 0 / 53 / 48

HEX #5D843E

RGB 93 132 62

HSL 93.43, 0.36%, 0.38%

LAB 50.89, -26.59, 33.2

 

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

CMYK 14 / 53 / 0 / 48

HEX #723E84

RGB 114 62 132

HSL 284.57, 0.36%, 0.38%

LAB 35.38, 35.01, -30.24

 

CMYK 0 / 24 / 53 / 48

HEX #84643E

RGB 132 100 62

HSL 32.57, 0.36%, 0.38%

LAB 44.76, 7.98, 26.41

 

CMYK 40 / 0 / 53 / 48

HEX #4F843E

RGB 79 132 62

HSL 105.43, 0.36%, 0.38%

LAB 50.11, -31.75, 32.07

 

CMYK 53 / 29 / 0 / 49

HEX #3D5C83

RGB 61.7 92.6 131

HSL 213.25, 0.36%, 0.38%

LAB 38.57, 0.38, -24.95

 

CMYK 0 / 53 / 3 / 48

HEX #843E80

RGB 132 62 128

HSL 303.43, 0.36%, 0.38%

LAB 37.68, 39.63, -23.98

 

CMYK 0 / 24 / 53 / 48

HEX #84643E

RGB 132 100 62

HSL 32.57, 0.36%, 0.38%

LAB 44.76, 7.98, 26.41

 

CMYK 53 / 0 / 50 / 48

HEX #3E8442

RGB 62 132 66

HSL 123.43, 0.36%, 0.38%

LAB 49.4, -36.61, 28.91

 

Description

Color code: RGB 61.7 92.6 131 | qconv.com Color code: RGB 61.7 92.6 131 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61.7 red, 92.6 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61.7 92.6 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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