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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60.1 126.8 80 it is the complementary color RGB 194.9 128.2 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60.1 126.8 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60.1 126.8 80 shade: RGB 65.1 126.8 75, RGB 82.1 144.8 94, RGB 99.1 162.8 113, RGB 116.1 180.8 132 and RGB 133.1 198.8 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60.1 126.8 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60.1 126.8 80 shade: RGB 60.1 126.8 80, RGB 43.1 108.8 61, RGB 26.1 90.8 42, RGB 9.1 72.8 23 and RGB 0 54.8 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60.1 126.8 80 shade: RGB 60 128 81, RGB 60 128 62, RGB 77 128 60, RGB 95 128 60 and RGB 113 128 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60.1 126.8 80 shade: RGB 60 128 81, RGB 60 128 99, RGB 60 128 117, RGB 60 121 128 and RGB 60 103 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60.1 126.8 80 shade matches the following richer shades: RGB 60 128 81, RGB 45 144 74, RGB 30 159 68 and RGB 15 174 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60.1 126.8 80 shade: RGB 60 128 81, RGB 76 113 87, RGB 91 98 93, RGB 106 83 99 and RGB 121 67 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60.1 126.8 80 shade: RGB 77 128 60, RGB 60 128 62, RGB 60 128 80, RGB 60 128 98 and RGB 60 128 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60.1 126.8 80 shade: RGB 34 72 45, RGB 47 100 63, RGB 60 128 81, RGB 74 156 98 and RGB 93 179 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60.1 126.8 80 shade: RGB 60.1 126.8 80, RGB 60 95 128 and RGB 128 60 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60.1 126.8 80 shade: RGB 60.1 126.8 80, RGB 80 60 128 and RGB 128 80 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60.1 126.8 80 shade: RGB 60.1 126.8 80, RGB 60 95 128, RGB 128 60 109 and RGB 128 93 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60.1 126.8 80 shade: RGB 60.1 126.8 80, RGB 60 75 128, RGB 128 60 109 and RGB 128 114 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

Complementary color

CMYK 0 / 34 / 10 / 24

HEX #C280AF

RGB 194.9 128.2 175

HSL 317.9, 0.36%, 0.63%

LAB 61.8, 32.86, -14.14

 

CMYK 49 / 0 / 41 / 50

HEX #417E4B

RGB 65.1 126.8 75

HSL 129.63, 0.32%, 0.38%

LAB 47.96, -31.88, 22.16

 

CMYK 43 / 0 / 35 / 43

HEX #52905E

RGB 82.1 144.8 94

HSL 131.39, 0.28%, 0.44%

LAB 54.86, -31.66, 20.83

 

CMYK 39 / 0 / 31 / 36

HEX #63A271

RGB 99.1 162.8 113

HSL 133.09, 0.26%, 0.51%

LAB 61.63, -31.4, 19.61

 

CMYK 36 / 0 / 27 / 29

HEX #74B484

RGB 116.1 180.8 132

HSL 134.74, 0.3%, 0.58%

LAB 68.28, -31.12, 18.48

 

CMYK 33 / 0 / 24 / 22

HEX #85C697

RGB 133.1 198.8 151

HSL 136.35, 0.37%, 0.65%

LAB 74.81, -30.85, 17.44

 

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

CMYK 60 / 0 / 44 / 57

HEX #2B6C3D

RGB 43.1 108.8 61

HSL 136.35, 0.43%, 0.3%

LAB 40.81, -32.44, 20.6

 

CMYK 71 / 0 / 54 / 64

HEX #1A5A2A

RGB 26.1 90.8 42

HSL 134.74, 0.55%, 0.23%

LAB 33.64, -32.14, 22.22

 

CMYK 88 / 0 / 68 / 71

HEX #094817

RGB 9.1 72.8 23

HSL 133.09, 0.78%, 0.16%

LAB 26.33, -31.07, 23.9

 

CMYK 100 / 0 / 93 / 79

HEX #003604

RGB 0 54.8 4

HSL 124.38, 1%, 0.11%

LAB 18.9, -28.47, 24.46

 

CMYK 53 / 0 / 37 / 50

HEX #3C8051

RGB 60 128 81

HSL 138.53, 0.36%, 0.37%

LAB 48.25, -32.78, 19.12

 

CMYK 53 / 0 / 52 / 50

HEX #3C803E

RGB 60 128 62

HSL 121.76, 0.36%, 0.37%

LAB 47.94, -36.05, 29.22

 

CMYK 40 / 0 / 53 / 50

HEX #4D803C

RGB 77 128 60

HSL 105, 0.36%, 0.37%

LAB 48.69, -30.85, 31.37

 

CMYK 26 / 0 / 53 / 50

HEX #5F803C

RGB 95 128 60

HSL 89.12, 0.36%, 0.37%

LAB 49.73, -24.06, 32.88

 

CMYK 12 / 0 / 53 / 50

HEX #71803C

RGB 113 128 60

HSL 73.24, 0.36%, 0.37%

LAB 51.01, -16.57, 34.7

 

CMYK 53 / 0 / 37 / 50

HEX #3C8051

RGB 60 128 81

HSL 138.53, 0.36%, 0.37%

LAB 48.25, -32.78, 19.12

 

CMYK 53 / 0 / 23 / 50

HEX #3C8063

RGB 60 128 99

HSL 154.41, 0.36%, 0.37%

LAB 48.64, -28.93, 9.26

 

CMYK 53 / 0 / 9 / 50

HEX #3C8075

RGB 60 128 117

HSL 170.29, 0.36%, 0.37%

LAB 49.11, -24.4, -0.61

 

CMYK 53 / 5 / 0 / 50

HEX #3C7980

RGB 60 121 128

HSL 186.18, 0.36%, 0.37%

LAB 47.23, -17.61, -9.9

 

CMYK 53 / 20 / 0 / 50

HEX #3C6780

RGB 60 103 128

HSL 202.06, 0.36%, 0.37%

LAB 41.56, -7.37, -18.51

 

CMYK 53 / 0 / 37 / 50

HEX #3C8051

RGB 60 128 81

HSL 138.53, 0.36%, 0.37%

LAB 48.25, -32.78, 19.12

 

CMYK 69 / 0 / 49 / 44

HEX #2D904A

RGB 45 144 74

HSL 137.58, 0.52%, 0.37%

LAB 52.95, -44.34, 28.99

 

CMYK 81 / 0 / 57 / 38

HEX #1E9F44

RGB 30 159 68

HSL 137.67, 0.68%, 0.37%

LAB 57.55, -53.11, 37.63

 

CMYK 91 / 0 / 64 / 32

HEX #0FAE3E

RGB 15 174 62

HSL 137.74, 0.84%, 0.37%

LAB 62.27, -60.14, 45.83

 

CMYK 53 / 0 / 37 / 50

HEX #3C8051

RGB 60 128 81

HSL 138.53, 0.36%, 0.37%

LAB 48.25, -32.78, 19.12

 

CMYK 33 / 0 / 23 / 56

HEX #4C7157

RGB 76 113 87

HSL 137.84, 0.2%, 0.37%

LAB 44.28, -19.12, 10.32

 

CMYK 7 / 0 / 5 / 62

HEX #5B625D

RGB 91 98 93

HSL 137.14, 0.04%, 0.37%

LAB 40.82, -3.79, 1.9

 

CMYK 0 / 22 / 7 / 58

HEX #6A5363

RGB 106 83 99

HSL 318.26, 0.12%, 0.37%

LAB 38.11, 12.53, -5.61

 

CMYK 0 / 45 / 13 / 53

HEX #794369

RGB 121 67 105

HSL 317.78, 0.29%, 0.37%

LAB 36.17, 28.99, -12.09

 

CMYK 40 / 0 / 53 / 50

HEX #4D803C

RGB 77 128 60

HSL 105, 0.36%, 0.37%

LAB 48.69, -30.85, 31.37

 

CMYK 53 / 0 / 52 / 50

HEX #3C803E

RGB 60 128 62

HSL 121.76, 0.36%, 0.37%

LAB 47.94, -36.05, 29.22

 

CMYK 53 / 0 / 38 / 50

HEX #3C8050

RGB 60 128 80

HSL 137.65, 0.36%, 0.37%

LAB 48.23, -32.98, 19.66

 

CMYK 53 / 0 / 23 / 50

HEX #3C8062

RGB 60 128 98

HSL 153.53, 0.36%, 0.37%

LAB 48.61, -29.16, 9.81

 

CMYK 53 / 0 / 9 / 50

HEX #3C8074

RGB 60 128 116

HSL 169.41, 0.36%, 0.37%

LAB 49.08, -24.67, -0.06

 

CMYK 53 / 0 / 38 / 72

HEX #22482D

RGB 34 72 45

HSL 137.37, 0.36%, 0.21%

LAB 27.2, -20.64, 12.14

 

CMYK 53 / 0 / 37 / 61

HEX #2F643F

RGB 47 100 63

HSL 138.11, 0.36%, 0.29%

LAB 37.98, -26.89, 15.72

 

CMYK 53 / 0 / 37 / 50

HEX #3C8051

RGB 60 128 81

HSL 138.53, 0.36%, 0.37%

LAB 48.25, -32.78, 19.12

 

CMYK 53 / 0 / 37 / 39

HEX #4A9C62

RGB 74 156 98

HSL 137.56, 0.36%, 0.45%

LAB 58.15, -38.34, 22.95

 

CMYK 48 / 0 / 34 / 30

HEX #5DB376

RGB 93 179 118

HSL 137.44, 0.36%, 0.53%

LAB 66.42, -39.67, 23.34

 

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

CMYK 53 / 26 / 0 / 50

HEX #3C5F80

RGB 60 95 128

HSL 209.12, 0.36%, 0.37%

LAB 39.08, -2.53, -22.34

 

CMYK 0 / 53 / 47 / 50

HEX #803C44

RGB 128 60 68

HSL 352.94, 0.36%, 0.37%

LAB 34.47, 30.18, 9.06

 

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

CMYK 38 / 53 / 0 / 50

HEX #503C80

RGB 80 60 128

HSL 257.65, 0.36%, 0.37%

LAB 30.63, 25.38, -35.54

 

CMYK 0 / 38 / 53 / 50

HEX #80503C

RGB 128 80 60

HSL 17.65, 0.36%, 0.37%

LAB 38.99, 17.83, 20.13

 

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

CMYK 53 / 26 / 0 / 50

HEX #3C5F80

RGB 60 95 128

HSL 209.12, 0.36%, 0.37%

LAB 39.08, -2.53, -22.34

 

CMYK 0 / 53 / 15 / 50

HEX #803C6D

RGB 128 60 109

HSL 316.76, 0.36%, 0.37%

LAB 35.84, 35.99, -15.03

 

CMYK 0 / 27 / 53 / 50

HEX #805D3C

RGB 128 93 60

HSL 29.12, 0.36%, 0.37%

LAB 42.38, 10.11, 24.47

 

CMYK 53 / 0 / 37 / 50

HEX #3C7E50

RGB 60.1 126.8 80

HSL 137.9, 0.36%, 0.37%

LAB 47.84, -32.4, 19.14

 

CMYK 53 / 41 / 0 / 50

HEX #3C4B80

RGB 60 75 128

HSL 226.76, 0.36%, 0.37%

LAB 33.03, 10.27, -31.83

 

CMYK 0 / 53 / 15 / 50

HEX #803C6D

RGB 128 60 109

HSL 316.76, 0.36%, 0.37%

LAB 35.84, 35.99, -15.03

 

CMYK 0 / 11 / 53 / 50

HEX #80723C

RGB 128 114 60

HSL 47.65, 0.36%, 0.37%

LAB 48.2, -2.17, 31.66

 

Description

Color code: RGB 60.1 126.8 80 | qconv.com Color code: RGB 60.1 126.8 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60.1 red, 126.8 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60.1 126.8 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 37 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 37% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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